Imagine 17 ans

The seventeen years old newcomer in town Jones Dillon (Elijah Wood) drops out the university on his first day, after a problem with his roommate, and decides to rent an apartment in an old building. Jones pays one year rental at once for the 2B apartment and his only possessions are a trunk and a typewriter that belonged to his unknown father. Jones spends his time fantasizing his life, writing never-sent-letters to his absent father and discussing by phone his childhood and family problems with his alcoholic mother (Elizabeth Perkins), who lives in Texas. He becomes friend of a painter cowboy, who lives on the first floor, and of the aspiring actress Lisa (Mandy Moore), who lives in the apartment 2A on the same floor. Jones has a crush on the temperamental photographer Jane (Franka Potente), who lives in apartment 2C. After a car accident, Jones reaches the maturity and resolves the outstanding problems of his life. 'Try Seventeen' is a kind of love-hate movie. My wife, for example, just watched half of the story and gave-up to see the second part. I liked this film, about a young man leaving adolescence and finding his own path. The viewer has to keep in mind that Jones's neighbors are indeed Lisa and Jane, otherwise it would be very hard to believe that a guy would have Mandy Moore and Franka Potente available on the same floor. There is comedy, romance and drama in this sensitive story well directed by Jeffrey Porter. My vote is seven.

Title (Brazil): 'Era Tudo o Que Eu Queria' ('This Was Everything That I Wanted')

I could not have enjoyed this movie more. To watch a young man of great intelligence and humor but woefully lacking in social graces find his place in the world was a joy. The coming of age angst was a trip down memory lane for me. I related to way too much of the film for my own comfort. The apartment building and it's eclectic band of residents left me wondering, "Are there any vacancies?" Seeing Jones' journey into manhood was a priceless trip. As he faces his demons and the failings in those around him he begins to discover the meaning of his life. His practicing of opening the wine bottles was hilarious. Who here hasn't practiced looking cool? Honestly? I have and his journey rang true. Elijah Wood is a truly gifted man. Once again he has become his character. Mandy Moore impressed me yet again in her fearless acceptance of roles that make her look like an idiot. The entire cast was well chosen.

Let me take this opportunity to mention that the scene where Jones loses his virginity is the hottest love scene I've witnessed since Mel Gibson and Piper Laurie's love scene in Tim. and that's saying something. I'm not sure what...but it's something. Very hot.

I have to admit,on first hearing about this film I wasn't too keen on it and was thinking that it was going to be one of those teenybopper films. When I actually saw this film for the first,I was amazed how it's really not how I thought.I was a good film.And the soundtrack,I must say,is pretty darn good too. The story line is easy enough to follow,even for me,and the characters are all simple and likeable. Just one thing bugs me.Why change the title to 'All I Want'?In the film,I'm pretty sure no one says the line 'All I Want',however when Jones talks to Brad,he says the line 'Try Seventeen'.It's a memorable line!Why change the title?It would be more memorable (and great) as 'Try Seventeen'. All in all,great film.See it.And hopefully,get the soundtrack!

*First ever comment

Faboulous! Easily one of the most original romantic comedy's I have seen in ages, TRY SEVENTEEN manages to side-step all the cheesy cliches usually inherent in this kind of film. Great dialogue is only one of the many praises I can heap upon the script. It's witty, intelligent, original, and not afraid to take chances with the audience. But the story is all the more richer for it. It never steps where you think it will, instead surprising the viewer with some scenarios we haven't seen before. Elijah Wood, Franka Potente, and OF COURSE, Mandy Moore are all perfectly cast for their individual parts, and they all play them with a wisdom and maturity far beyond their years. Everyone in attendance, from 16 to 60, seemed to love the refreshingly sweet yet slightly sour tone of the film. It managed to be engaging without being lewd or crude in anyway, and mainly because of that became accesible to virtually any age group and any audience that is open-minded enough to give it a shot. Packed with laughs, heartache, sex, and honesty, TRY SEVENTEEN succeds by showing us all the things that make life and love so inherently amazing and beautiful.

This is a very sensitive and original `coming of age' film, centered around a seventeen-year-old boy seeking to find meaning in his life. His mom had been, in her youth, a self-absorbed, dope-smoking and thrill-seeking Bohemian, who fell for an equally superficial and pretentious pseudo-intellectual of the writer variety, and by the time he went out for a pack of cigarettes never to return, she had found herself pregnant. That would have been the end of her story had mom been a pauper, but her family had money, so by the time the story opens the son had been shuttled around through every prep-school in the country. He never knew his father, and what he knew about his mother was that she never grew up.

What little his mother would say about his father were myths, which he clings to desperately in this story. Had his father `really' been a writer? All he has for proof is an old typewriter, on which he tries to write letters to his father that are never mailed. The whereabouts of the father are not known. Estranged and alienated from his parents, he ends up in an apartment where he can begin to find himself through associations with others who have complicated stories of their own to share. Not surprisingly, he falls in love with an older woman who is much like his mother: self-absorbed and addicted to dysfunctional relationships. Almost as though to redeem his mother through the woman, he tries to prove himself the better man to her, in contrast to the slick and quick former boyfriend, with his leather clothes and hot guitar. He is a nice guy that wants to finish better, not last. It is a very mature and well-crafted story.