Bertie and Elizabeth

The film is missing some of Elizabeth's most famous remarks, even though they are alluded to, such as (and these are facsimiles): "I can now look the east end in the face." and "They {the Princesses} won't leave without me. I won't leave without the King. And the King will never leave." etc.

It flies through history as a series of vignettes, arguably not necessarily the most important ones. It explains little about the psychology of the major characters, especially George VI's stutter, how instrumental his wife was helping him during his reign, her deep antipathy for Wallis, and Wallis's lack of understanding of her surroundings, England and the court. Wallis is portrayed with a complete lack of sympathy. ("Edward and Mrs. Simpson" this isn't!)

The movie seems to contain glaring inaccuracies. If a royal highness by marriage, Wallis couldn't have passed this title on to any subsequent husband and, surely, the King would know this. The title was withheld - against custom and precedent - for many other reasons which are not explored at all. This is unfortunate.

Nevertheless, the performances are wonderful, especially James Wilby as George VI; Juliet Aubrey as Elizabeth;, Alan Bates as George V; Eileen Atkins as Queen Mary; and Charles Edwards as an Edward VIII with a complete lack of appreciation that with great advantages from birth come great obligations.

For the knowledgeable viewer, it's like looking through bits of a sentimental picture book. It's comfort food: sentimental, warm, and lacking in much nutritional value. Remember, however, the subjects (George VI and Queen Elizabeth) were, and remain, tremendously popular and this view may be very much a reflection of its time. And, having no idea of what really went on behind the walls of the royal residences, it is fun to have the illusion of being able to look.

I saw this mini series last year on Masterpiece Theatre here in the USA and loved it so much I bought the DVD. It was refreshing to see another side to the Wallice/David romance. I was appalled just how spiteful Wallis/David were to Bertie and Elizabeth. No wonder the Queen Mum and the Queen despised Wallis so much. Wallis came across as a power hungry witch who seemed to wear the trousers in that relationship.

The casting for this mini series was superb. The young actresses who played theyoung Princesses Elizabeth and Margaret through childhood and young women, their likenesses were uncanny. I wish I could say the same for Robert Hardys portrayal as Roosevelt. He would have been better off playing Winston Churchill in my opinion.

I agree wholeheartedly with the poster that they was disappointed that the quote from Elizabeth during the blitz "I'm glad we were bombed, now I can look the East End in the face" wasn't used. David Wilby was amazing as Bertie, I truly felt so much compassion for his struggle with his stammering. And he overcome it with the help of his beloved Elizabeth (the delightful Juliet Aubrey). What a wonderful couple they were. An excellent story,

It made me so proud to be British. 10 out of 10 from me. High praise indeed as I don't usually watch Royal romance dramas.

Before THE KING'S SPEECH (2010) there was BERTIE AND ELIZABETH, a glossy costume-drama concentrating on the public life of King George VI (James Wilby). Dominated by his tyrannical father (Alan Bates), and cast into the shadows by his playboy brother David (Charles Edwards), Bertie grows up almost afraid of his own shadow with a stammer that becomes more pronounced in stressful situations. He marries Lady Elizabeth Bowes-Lyon (Juliet Aubrey), who becomes his emotional as well as his spiritual rock. Together they visit Lionel Logue (Michael Elwyn), the speech therapist who begins his treatment by having the three of them lying on the floor. Although somewhat confused by this unorthodox approach, Bertie agrees, and slowly acquires self-confidence.

Giles Foster's production celebrates Bertie/ King George for his selfless devotion to duty. Despite his character flaws, he accepts the job of being King and undertakes it to the best of his ability. His loyalty is contrasted with his brother's fecklessness; despite an obvious surface attractiveness, David is too self-interested to become an effective monarch. He would rather spend his time cavorting with Wallis Simpson (Amber Rose Sealey) and exchanging malicious gossip about his brother's shortcomings.

Inevitably this ninety-minute production telescopes historical events, especially towards the end of Bertie's life (the seven years between the end of World War II and his death in 1952 are perfunctorily dealt with). Yet this does not really matter: what is more important is to note the way Bertie learns how to deal with events - especially the privations of the London Blitz. The scene where he and Elizabeth visit London's East End in the wake of an air-raid is particularly effectively done, showing the way in which social divisions no longer mattered at that time: everyone shared similar experiences of suffering.

Aubrey's Queen Elizabeth comes across as an eminently practical personality with a pathological hatred of her brother-in-law. On the other hand she, like her husband, are loving parents, providing a safe and secure environment for Lillibet (Naomi Martin) and Margaret (Jenna Molloy) to grow up in.

BERTIE AND ELIZABETH might not be historically very exact, but it nonetheless celebrates those particularly British virtues of understatement and stoicism.

If you want historical accuracy, look elsewhere. Fact, distortion, omission, and plain fiction are so interwoven in this picture that I almost wanted to see a disclaimer at the start of the film.

However! If you can chuck all that aside and just focus on the film itself, it's a charming, sweet, no-brainer movie with uplifting moments tossed in.

The portrayal of the struggles between David and Bertie, who'd always been close, after the arrival of Wallis, is the most "poison pill" version I've seen. David is portrayed as a flat-out cad, while Wallis is a scheming, grasping "rhymes-with-'itch.'" The devastation of Bertie and the poise of Elizabeth are in sharp contrast to the "bad couple."

This is just one example of how the writers used elements to highlight the tremendous tension between public and private royal life in the 20th century, and how personal feelings *must* be sacrificed to duty. Obviously, this dynamic still plays out in the 21st century.

What shines through above all in this picture is the love between Bertie and Elizabeth. As such, it is a charming romance film with some lovely costumes and sets, and some moving historical references thrown in. The steadfastness of B & E's relationship, and how it allowed both of them to survive some of the most crushing episodes of their lives, is inspiring to watch.

And then one wants to grab a book to find out what *really* happened. :-)

In the UK this was ITV1's big attraction for Jubilee night and came on a couple of hours after nearly 2m people had crammed the Mall to sing patriotic songs in front of the Queen.

This is the story of her parents' marriage and reign. I got the impression it may have been on the shelf for a few years, awaiting the death of Queen Elizabeth the Queen Mother in March 2002, who was of course the Elizabeth of the title.

Covering a thirty year period 1922 to 1952 this fairly gallops through history and that is one of its faults. It would have been better as a mini-series over six hours rather than the two hours it was.

There is a fascinating story here, especially the less usual view of the 1936 Abdication Crisis from those like Bertie and Elizabeth who had to pick up the pieces. The late Queen Mother's deep and long lasting consequent hatred of Mrs Simpson is barely hinted at.

Unfortunately we were up against some fairly wooden acting and dreadfully superficial treatment of the known facts. I presume this was made with some American money hence the scenes with FDR (Robert Hardy and a large slice of ham) and the constant grating reference to the 'King of England' and 'English democracy' even by the monarchs portrayed themselves. No British monarch would ever thus describe themselves - they are monarchs of the United Kingdom.

Small incidents such as the Dutch Queen calling early in the morning to ask for fighter squadrons to fend off the German invasion of the Netehrlands and her subsequent arival loom large whilst the King's drawn out death from lung cancer, concealed from him and the people of the UK and Commonwealth for several years is glossed over. And the Queen Mother most famous remark after Buckingham Place was targetted by the Luftwaffe 'I'm glad we've been bombed, it means I can look the East End in the face' just doesn't appear.

Cockneys are portrayed all 'Cor love a duck' and Mrs Simpson as virtually a witch, when really she was probably out of her depth in a society she could not understand.

Alan Bates does give a good turn as George V and the bloke who played Edward VIII gave a good sly performance of a weak and superficial man.

Otherwise a wasted opportunity I'm afraid.