In this World

At the conclusion, I sat stunned near tears. I am often impressed with films I am viewing but I rarely am left speechless. This film is one of those moments when film history is being written. I assumed all along that this was the telling of a true story because of its documentary style. But it is merely representative of the many such stories that happen every day in this cruel exploitative business of people smuggling.

This film makes it's point without being ponderous or preachy. I felt I was there with these beautiful unfortunate young men on the horrendous journey to escape their life of poverty in a refugee camp. This film maker should be given some type of international award for his courage in making this film about this subject matter. I never felt more appreciative of my apartment than I did last night when I got home.

Highly Recommended. 10 points.

"In This World" is yet another exceptional film from Michael Winterbottom, who seems to be one of the best directors from the UK these days. I really liked his film before this "24 Hour Party People" and once again he has done a masterful job of combining elements of documentary into a feature films. From the outset, it is pointed out that lots more 'muhla' went into bombing Afghanistan than providing refugees with any assistance. This was filmed in Pakistan, Iran, Turkey and parts of Western Europe. One of the more touching moments comes when the lead characters meet up with an Iranian (I presume ethnic Kurds) family as they enter Southeast Turkey from Iran. A very touching film. It is certainly more vivid an disturbing than most road movies, whether you are talking about "Stagecoach" or even "Thelma and Louise"- this is gripping stuff indeed, and a good companion to the recent Afghan film "Osama."

Those of us who live in so-called "western" and "civilized" cities always enjoy imagining the nostalgia of getting away from it all, owning a small hut in the mountains, living off of nature's gifts: veggies from the back yard, and meat from the farmhouse. Well, then there are those who live in those places that seem oh so nostalgic to us, and can't wait to get away from it all. They face the realities of rural life that so many of us day-dreamers tend not to include in our imaginings. And it also becomes hard for us to comprehend what is it about our stress-filled lives that these people want, that they would put their lives in danger and risk everything for entering another country and be part of that life. Then we realize the ignorant and arrogant lives we've been living: The luxury of taking survival for granted.

Films like "In this world" show us the journey taken in search for the promised lands. And we realize that the struggle for survival is common in every part of the world; it simply takes a different shape or form. The refugee's life becomes a story of adaption, rather than reaching a resolution. The idea of getting away from it all turns into realizing the lack of the void: that the frame of mind is what dictates what we want to get away from. Because it is so easy to find something to want to get away from, anywhere we live. Winterbottom's film captures these issues in almost documented reality of two brothers in search for the promised lands. It's almost as obvious of a reality right infront of us, as real and un-noticed as the image of the main titles super-imposed on a paint-peeling wall.

We see that we all are a refugee, running away from something, only to realize that we end up chasing a dream we will be running away from again later.

In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub- human conditions since 1979 with the Soviet Union invasion and 2001 with the USA bombing and invasion of Afghanistan. The family of the Afghan Enayat and his cousin Jamal decides to send them illegally to London to have a better life. They hire coyotes to smuggle the cousins through Iran and Turkey to Italy and finally London hidden inside trucks and containers. However, the long journey locked in a container with other families separates the cousins and on 09 August 2002, Jamal has his asylum application refused in London.

"In This World" is a bleak docu-drama from the great British director Michael Winterbottom. The realistic story of the long and dangerous journey of the cousins Jamal and Enayat from Pakistan to London and to the Other World is simply amazing, with two amateurish actors in the lead roles living the reality of their people. Michael Winterbottom also exposes the sub-human conditions of the refugees after the destruction of their country by the Soviets first and North-Americans later. The claustrophobic scene of the refugees locked inside the small container is so anguishing that made me nervous in my couch at home, Rambo III" is "dedicated to the brave people of Afghanistan", in accordance with the final quote of Sylvester Stallone; but the homage of Michael Winterbottom is much more scathing and sharp. My vote is eight.

Title (Brazil): "Neste Mundo" ("In This World")

Motivated by a news story about 58 Chinese immigrants found suffocated in a container at Dover, In This World by Michael Winterbottom is a passionate tribute to the nearly one million refugees a year who are willing to take enormous risks to seek a better life. Winner of the Golden Bear at the 2003 Berlin International Film Festival, the film follows two boys, Jamal, 16 (Jamal Udin Torabi) and his older cousin Enayat (Enayatullah) on a perilous overland journey from an Afghan refugee camp in Pakistan to seek economic security in the West. Shot in documentary style with a digital camera strapped to the back of cinematographer Marcel Zyskind, the film is fictional but is drawn from a true story and mirrors the desperate conditions of untold thousands whose faces we never see.

The boys are Pashtun who have grown up at the Shamshatoo refugee camp in Pakistan along with 53,000 other Afghanis, victims of the Russian-Afghan War or the American war against the Taliban. The politics of the refugees are not discussed and the film is basically a human story that crosses political and religious lines. Since Jamal speaks some English, Enayat's family asks him to go with him to London where he can apply for asylum as a refugee. From Peshawar, Jamal and Enayat travel by bus to Quetta and over the Iranian border to Taftan and by bus to Tehran. They do not have proper identification and must contend along the way with border guards, police, thieves, smugglers, and numerous changes in currency and language.

The boys bribe a customs officer with a Walkman but when ordered off a bus to Tehran, they meet a group of Kurds who offer them the hand of friendship. There is not much dialogue and the boys mostly improvise the funny stories and small talk as they endure days and weeks of waiting for their next ride. In a sequence of great beauty shot at nighttime using infrared photography, the Kurds help the two boys cross the icy mountains to Turkey, ducking the gunfire of armed soldiers at the Turkish border. Together with an Iranian and his wife and baby, they are then brutally forced to travel inside a shipping container for a 40-hour voyage from Turkey to Italy, a journey where only the strong survive.

In This World is not just a road movie but a human document of urgency and commitment that allows us to experience the humanity of the people some contemptuously refer to as "economic migrants" or "asylum seekers". While it is not a political statement, it is clearly as a slap at the recent hardening of European immigration policies. On a broader scale, however, the film can be seen as an apt metaphor for life. It tells us that the journey is exhilarating but fraught with unimagined obstacles at every turn, yet there are friends who are there for us along the way and, when we feel overwhelmed and hopeless, there is an aching beauty that fortifies us with the strength to keep going.