How to Deal

The bright primary colors in which the plot, dialog and characters of this movie are cast gives it away early on: this is a cross between a soap opera and a sitcom, made purely to entertain. As such, it's actually pretty good.

Mandy Moore is adorable. She seems to be learning how to act as she goes along, but isn't that how most of them did it? Give her a few more years and some better scripts to work with and she could be a major star.

The real problem is that for the movie's target audience of middle-class suburban white teenagers it's positively overflowing with groaners -- embarrassing "banter" between the kids, cartoonish characters (idiotic philandering husbands, evil boy-stealing girlfriends), and a preposterous storyline. My own teenage daughter and her friends thought How to Deal was, and I quote, "stupid." But for us middle-aged parents nostalgic for a time in their lives they've almost completely forgotten, it really isn't that bad. Give it a chance.

How to Deal is not a good movie. It's a stab at a more adult and grown up teenage film and while it doesn't suffer from bad acting, it does suffer from a horribly written script and what is most likely apathetic directing.

Mandy Moore is a decent actress, not great, but decent, and aside from Peter Gallagher, she isn't put up against too many big names, so she holds her own. The problem is that all of these actors are trapped inside a poorly written movie. There are too many specific instances where this film just doesn't cut it. It boils down to this, Mandy's character has to deal with her parents divorce, her sister's wedding, her father's remarrying, her best friend getting pregnant with her deceased boyfriend's baby (it's not what it sounds like), and the fact that despite her misgivings about love, falling in love with the high school clown named Macon. Yes, his name is Macon. The point is there is way too much going on and the movie does not adequately set up any of these events. At one point Haley (Mandy Moore's character) blows up over her Mom not believing that she could remember the last time Haley's comet passed by. She claims no one believes her when she tells people how she feels. Unfortunately, we never see anyone not believing her in the film and it seems more like the director told Mandy to blow up and get angry in this scene without telling her why. Other problems include a random car crash into a tree head on that leaves a Honda Civic hatchback with nothing but a cracked windshield. It leads to laughter it what is supposed to become an emotional scene. There are a few funny moments, but not many. Allison Janney as Mandy Moore's mother is quirky but not funny although she has the only laughs in the movie.

There is just too much wrong with this movie for anything to be right. It has no real point or plot, the acting is mediocre, and you will laugh at parts that are supposed to be dramatic. I can't think of anything good to say at this point, so I probably should say nothing at all.

How to Deal is one of those teen romance movies that really sneaks up on you. It's not just fluff, but rather a surprisingly genuine look at how messy, complicated, and downright weird life can be when you're young. Mandy Moore nails it as Halley, a girl who's completely over the whole idea of love, thanks to her parents' messy divorce and the chaos around her. But as things progress, she starts to realize that maybe, just maybe, love isn't the total joke she thought it was.

This movie isn't afraid to get real. It tackles some tough topics-teen pregnancy, loss, and family drama-but it does it without being over-the-top or preachy. And let's not forget the laughs. Allison Janney, playing Halley's mom, delivers some solid comedic moments, while Nina Foch as the stoned grandma adds a quirky, unexpected layer of humor.

But here's the thing that sets How to Deal apart-it doesn't dumb things down for the audience. The relationships are messy and complicated, just like real life, and it's those imperfections that make the movie feel authentic. There's definitely some cliché teen drama stuff in there, but it's handled with enough sincerity that it doesn't feel like a tired rehash.

At the end of the day, How to Deal gives you more than the usual teen romance fluff. It's a heartfelt, honest look at the ups and downs of love and growing up. If you're in the mood for a teen movie that doesn't insult your intelligence, this one's definitely worth a watch.

A little bit of laugh, a little bit of cry. It's an ok movie.

I almost considered passing up watching this one, but I'm glad I didn't. This movie has all the hallmarks of a bad afterschool special, actually four or five of them smashed together. But just when you think it's about to fall off a cliff of cliches, something unexpectedly intelligent happens. Just when it's about to turn into a tear-jerker, the director puts her camera, almost joyfully, above the rain to show everyone shielding themselves with the church program. Just when you think it's going to turn into a soppy love story, the characters flee from each other, scared out of their minds at the possibility. Just when you think it's going to be a soap opera, Mandy Moore acts her way out of the paper bag that people seem to pigeon-hole her into. You get the idea.

The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.

The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.