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In Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces oppositi... Read allIn Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces opposition from both sides.In Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces opposition from both sides.
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As do other movies of Pupi Avati, Il cuore altrove (the heart elsewhere) deals with people searching for home home meaning here not only a certain place on the geographical map but also in society and in the emotional landscape within.
A not so young man is sent from Rome to Bolognia with a clearly defined task: To find a woman who will produce an heir. He dutifully sets about to fulfill this task and also gets started in his job as a teacher of Latin and ancient Greek in a high school. He clearly is a misfit and what's worse: a cultured one - who lives in a world of his own. As Avati explains in an interview on the DVD: He is one of those guys who always sing either too loud or too low he will never make it into a choir (meaning any choir this might serve as an explanation for the ending an other reviewer described as a head-scratcher).
At a dance for the blind in a monastery the not so young man meets a young, beautiful and glamorous woman played convincingly by a Julia Roberts clone. He immediately falls in love with her and she, a temperamental and fickle soul, uses him in turn in an attempt to take revenge at the fiancé who jilted her after she lost her eyesight. The man is hell bent on marrying the woman who, as a dentist's daughter firmly integrated into Bologna's high society, seems to stand socially above him, disregarding all the sensible and well intentioned attempts to deter him. His is an absolutely quixotic enterprise that is bound to fail.
This short synopsis does not illustrate enough the kind hearted approach the director takes towards all the concerned characters and the mellow, consoling atmosphere created by the excellent cinematography and the backdating of the story to the first half of the 20th century. The story has a tragic ending but does not leave the main character without hope (but neither with a home). Very touching is the scene between him and his pupils as he tells them that he cannot stay on in Bologna (because of his delusion). Stay on, we will take care of you, they plead, and it really feels like it is meant that they will adopt him collectively. It struck me as being a typical reaction of young people who, with the innocence of their youth, think they can really improve the world and make a difference.
Once again in this movie Avati proves himself to be something of a master of unintentional cruelty he really has a keen eye for the mechanics of the mind and the interaction between different people and the mess they are bound to get into. In this aspect I detect a resemblance with the work of Woody Allen.
Il cuore altrove certainly isn't a movie for everybody's taste but in any case a rewarding experience with many funny and tragic moments.
A not so young man is sent from Rome to Bolognia with a clearly defined task: To find a woman who will produce an heir. He dutifully sets about to fulfill this task and also gets started in his job as a teacher of Latin and ancient Greek in a high school. He clearly is a misfit and what's worse: a cultured one - who lives in a world of his own. As Avati explains in an interview on the DVD: He is one of those guys who always sing either too loud or too low he will never make it into a choir (meaning any choir this might serve as an explanation for the ending an other reviewer described as a head-scratcher).
At a dance for the blind in a monastery the not so young man meets a young, beautiful and glamorous woman played convincingly by a Julia Roberts clone. He immediately falls in love with her and she, a temperamental and fickle soul, uses him in turn in an attempt to take revenge at the fiancé who jilted her after she lost her eyesight. The man is hell bent on marrying the woman who, as a dentist's daughter firmly integrated into Bologna's high society, seems to stand socially above him, disregarding all the sensible and well intentioned attempts to deter him. His is an absolutely quixotic enterprise that is bound to fail.
This short synopsis does not illustrate enough the kind hearted approach the director takes towards all the concerned characters and the mellow, consoling atmosphere created by the excellent cinematography and the backdating of the story to the first half of the 20th century. The story has a tragic ending but does not leave the main character without hope (but neither with a home). Very touching is the scene between him and his pupils as he tells them that he cannot stay on in Bologna (because of his delusion). Stay on, we will take care of you, they plead, and it really feels like it is meant that they will adopt him collectively. It struck me as being a typical reaction of young people who, with the innocence of their youth, think they can really improve the world and make a difference.
Once again in this movie Avati proves himself to be something of a master of unintentional cruelty he really has a keen eye for the mechanics of the mind and the interaction between different people and the mess they are bound to get into. In this aspect I detect a resemblance with the work of Woody Allen.
Il cuore altrove certainly isn't a movie for everybody's taste but in any case a rewarding experience with many funny and tragic moments.
"Il cuore altrove" is a great film.
Great because it shows everyday life from extraordinary points of view.
Great because it tells about how ordinary people can do wonderful things, and shy people can be brave, in the name of love.
Great because it proves that you can put together a talented comic-cabaret actor (Neri Marcorè) and a showgirl (Vanessa Incontrada) and here it is: an unusual, but wonderful couple of actors for a surely unusual, but wonderful love story.
Great because it is able to convince you that very talented and experimented actors like Giancarlo Giannini or Giulio Bosetti are even more talented than you thought.
Great because it provides a touching insight of a town that everybody should be allowed to visit once in a lifetime.
Great because it makes you laugh and cry at the same time and very few films are still able to do it nowadays.
Even if, out of Italy, you won't be able to understand its spirit fully, please try to see it. You won't regret.
Great because it shows everyday life from extraordinary points of view.
Great because it tells about how ordinary people can do wonderful things, and shy people can be brave, in the name of love.
Great because it proves that you can put together a talented comic-cabaret actor (Neri Marcorè) and a showgirl (Vanessa Incontrada) and here it is: an unusual, but wonderful couple of actors for a surely unusual, but wonderful love story.
Great because it is able to convince you that very talented and experimented actors like Giancarlo Giannini or Giulio Bosetti are even more talented than you thought.
Great because it provides a touching insight of a town that everybody should be allowed to visit once in a lifetime.
Great because it makes you laugh and cry at the same time and very few films are still able to do it nowadays.
Even if, out of Italy, you won't be able to understand its spirit fully, please try to see it. You won't regret.
Basically it's the story of a man not joining the chorus, Nello, and of his impossible love for the woman of his dreams. Emotionally speaking he is a late teenager (35 years old), he never had a girlfriend and his father wants to find one for him. It could be a typical comedy setup, but Neri Marcorè gives out his best in his first _serious_ role. The consequence is a strange, a bit surreal, film.
IF you passed through love delusions or a terrible shyness during adolescence you'll love the movie. It has the power to make you remember those feelings, showing them as real as possible. Great acting from Neri and Giancarlo and from secondary characters, good job with casting! Simple but realistic setting and costumes make Il Cuore Altrove a snapshot of Italy of late twenties.
I propose this film to the fans of Punch-Drunk Love, it's another good example of how love can make impossible things happen.
IF you passed through love delusions or a terrible shyness during adolescence you'll love the movie. It has the power to make you remember those feelings, showing them as real as possible. Great acting from Neri and Giancarlo and from secondary characters, good job with casting! Simple but realistic setting and costumes make Il Cuore Altrove a snapshot of Italy of late twenties.
I propose this film to the fans of Punch-Drunk Love, it's another good example of how love can make impossible things happen.
This ostensibly simple but ultimately haunting tale of a virginal teacher in search of a soul mate of proportions equal to the Latin and Greek verses he teaches captures the essence of selfless love, so very rare in male film protagonists since the invention of the Spaghetti Western (also Italian!).
Bookworm Neri Marcore is sent from Rome to Bologna by father Giancarlo Giannini (who's tailor to the Pope and well-versed extramaritally) to learn something about the opposite sex. And learn his son does when he meets the beautiful Vanessa Incontrada at a dance for the blind. But blindness turns out to be more than meets the eye when Vanessa's previous life catches up with them both.
Marcore's subtle performance is reminiscent of Chaplin at his most engaging and Olivier at his most nuanced, with Marcore's smile leaving an imprint long after the screen fades to black.
Bookworm Neri Marcore is sent from Rome to Bologna by father Giancarlo Giannini (who's tailor to the Pope and well-versed extramaritally) to learn something about the opposite sex. And learn his son does when he meets the beautiful Vanessa Incontrada at a dance for the blind. But blindness turns out to be more than meets the eye when Vanessa's previous life catches up with them both.
Marcore's subtle performance is reminiscent of Chaplin at his most engaging and Olivier at his most nuanced, with Marcore's smile leaving an imprint long after the screen fades to black.
in the 30s, a clumsy 35 years old professor of latin and humanities moves to Bologna, under the pressure of his parents (very important tailors in Rome, who work for the pope! they're disappointed by son's devotion to studies and unskillness with practical things) hoping he would eventually find a wife and settle family, giving them an heir to their fortune.
he is a very sensible and well-educated person, yet a kinda stranger in the real world. students are at first surprised by his manners, but then start to like him and his way of teaching, motivated from personal passion for classics.
his life changes when he meets a very exuberant pretty woman, who likes to enjoy life. What can make these two persons who are exactly the opposite one of the other close to each other? Actually she is blind and our guy the only one, with his sensibility, who can stand by her..but the thing is obstacled both from her parents (who thinks a school professor could not afford to give her the life standards she is used to) and his (who do not accept the fact she is blind). And she seems to be still in love wiht her previous boyfriend. will they finally come together?
a swiss doctor is trying hard new techniques to give her back the sight. Will she finally see again? in that case, what will change in their relationship, given the fact that was her blindness itself to make her notice him?
funny the first half, very touching the second part.
Pupi Avati has made a big job, and Marcorè is astonishly good in the role.
he is a very sensible and well-educated person, yet a kinda stranger in the real world. students are at first surprised by his manners, but then start to like him and his way of teaching, motivated from personal passion for classics.
his life changes when he meets a very exuberant pretty woman, who likes to enjoy life. What can make these two persons who are exactly the opposite one of the other close to each other? Actually she is blind and our guy the only one, with his sensibility, who can stand by her..but the thing is obstacled both from her parents (who thinks a school professor could not afford to give her the life standards she is used to) and his (who do not accept the fact she is blind). And she seems to be still in love wiht her previous boyfriend. will they finally come together?
a swiss doctor is trying hard new techniques to give her back the sight. Will she finally see again? in that case, what will change in their relationship, given the fact that was her blindness itself to make her notice him?
funny the first half, very touching the second part.
Pupi Avati has made a big job, and Marcorè is astonishly good in the role.
Did you know
- TriviaVanessa Incontrada's debut.
- GoofsAccording to the English subtitles, Nello walks into Angela's room and says, "Good morning". They only talk for a few minutes. She then asks him if it is dark outside, to which he replies: "It's almost evening". However, this is not necessarily a mistake in the original Italian. "Buon giorno" is said until afternoon, and "buona sera" takes over from 5 p.m. onwards. Saying "E' quasi sera" would not be an error if the scene began at lunchtime.
- ConnectionsReferences Les Lumières de la ville (1931)
Details
Box office
- Gross US & Canada
- $131,993
- Opening weekend US & Canada
- $5,701
- Sep 26, 2004
- Gross worldwide
- $3,105,235
- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 2.35 : 1
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