À la recherche de Debra Winger

The cast of this film is all women, mostly mature actresses, over 40 years old where Hollywood sees them as grandmothers. Despite the fact that they look great, they reach an age in the business where they are not considered at all and turned down for parts. Hollywood's biggest problem in this industry is the lack of roles about mature women by mature women for mature women audiences. I could see the frustration of having former leading ladies being turned into grandmothers before their time or put out to pasture. They still want to work and have a family if that is there goal. But working in this business is tough enough, you can win Academy Awards like Jane Fonda and Vanessa Redgrave and still be auditioning for roles. The gender gap in Hollywood is quite fierce where the women must be attractive and talent is secondary. Also the roles in the films are quite fierce for women. Yes, this documentary is a feminist but still female as well. This documentary shows how far behind Hollywood is in establishing equality for women in the business.

I certainly appreciate what I believe Rosanna Arquette was trying to accomplish with this well intentioned documentary. Unfortunately the project was just not edited well enough nor focused enough on any particular issue faced by aging actresses to ever be engrossing or fascinating. Instead about midway through, it felt like the focus became 'how many actresses can I fit into this 99 minute film'.

I was hoping for a serious discussion of why writers no longer value story lines featuring actresses over 40. Why do we not get to see more juicy roles for our favorites....the Jessica Langes, Sissy Spaceks, Diane Keatons, Maggie Smiths, Sally Fields, etc etc. How do they feel about the new 'youth only' version of Hollywood? How do they choose roles today, and how fulfilling is working in TV after decades of movie work. These issues were talked about, but so were about 100 others, which watered down the film's narrative power substantially.

Some of the input was certainly worthwhile. I loved the feedback from Whoopi Goldberg, Holli Hunter, Diane Lane, Sharon Stone, and Martha Plimpton the most. These actresses were given a lot of screen time and were very interesting. Jane Fonda's admission that she was a less than perfect mother was also eye opening.

Other actresses I wanted to see more of were just given a few seconds on screen. I wanted more from Teri Garr (along with Goldberg, the actress with the most realistic viewpoints in the film). JoBeth Williams began to discuss the guilt of being a working mom, but then was never seen again. Catherine O'Hara was underused, with only a few seconds on screen.

Worth a watch but probably will not be as good as you are hoping for after seeing all the names involved. I commend Arquette for the effort in any case.

This film is a very intelligent and moving one, on a subject that is rarely discussed so freely between stars of the screen. Miss Arquette has done a great job, directing and participating in the film. It helps demystifying the work of actresses, their relationships and their everyday life. I think it is a very unique document for anyone who want s to start a career in acting, even if you're a man, one of the most touching scene, is when Jane Fonda talks about how many times she did feel or attained nirvana doing a character, the way she felt just before entering the set, and how she felt while she was actually entering in someone else's soul, absolutely breathtaking! Rosanna Arquette, you surprised me with that very inspiring movie, thank you so much!

Age is an actress worst nightmare, or so it appears to be the case that Rosanna Arquette explores in her interesting documentary "Searching for Debra Winger". In fact, most actresses working in movies seem to have a sort of "shelf life" while they are young and beautiful, then, after that, it's oblivion, at best.

As Martha Plimpton points out, most actors working in films have a lot more options than actresses. Jack Nicholson and others of his age group, still active, are the examples. For every Meryl Streep, there are a hundred Debra Wingers that could still be working in meaningful projects, yet, little work seems to come their way, unless they look toward movies made for television.

Rosanna Arquette has a sharp eye to delve into the subject and her choice of people she interviews for us is quite remarkable. Unfortunately, Hollywood always will make films for a younger audience. Maturity and acting abilities seem not to matter much in that factory of dreams.

I applaud Rosanna Arquestte for approaching these topics and find it interesting to see these actresses as themselves. However, I find myself shaking my head at most of their responses to balancing their careers and motherhood. It is like they have never heard this discussion before, and that they are unique in finding themselves facing this problem. Many woman - and many men who are primary caregivers - are faced with this agonizing dilemma. It is extremely difficult to be both a mother and be passionate about your chosen career. The big difference between these actresses and most women is that most of us can't afford qualified help (such as a nanny) to help ease the burden.

A far more interesting question, which arose out of the interviews, was asking why there are so few roles for women over 40, and why women in Hollywood need to be attractive but men do not.