IMDb RATING
6.1/10
5.2K
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Orthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserv... Read allOrthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.Orthodox Jewish hero teams up with a fierce beauty and a Kwanzaa activist to stop Santa's evil son from destroying Hanukkah. The unlikely trio must thwart Damian's nefarious plan and preserve the beloved holiday for Jews everywhere.
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I picked up this movie because it caught my eye as movie with a Jewish comedy focus - something I had not seen before.
I approached this film with an open mind, and was interested in the way it began. The opening is well put together, and the first half of the film gave me many reasons to laugh, and this is good.
However, the humor soon became repetitive, the plot became confused and strained, and I realized I was no longer enjoying the film. I have tried to avoid saying this, but the movie became rather "cheap" - not a bad thing for a comedy if the humor holds up, but it didn't. I confess that I may have missed some of the humour, not being Jewish myself, and having little experience with Jewish culture. However, considering how heavily telegraphed the bulk of the humour was in this film, it's unlikely I missed much.
The idea is a good one, and perhaps if a little more thought was put into it the film would have been watchable all the way through. I wish I could give the movie a higher rating, but strictly speaking it would have been better as a TV series or as a series of skits. There was just not enough worthwhile fresh material for a full-length movie.
One thing to say about the casting - the lead role looked as if it had been designed with Ben Stiller in mind, but I don't think the movie would have been any more worthwhile if he had been in it.
I approached this film with an open mind, and was interested in the way it began. The opening is well put together, and the first half of the film gave me many reasons to laugh, and this is good.
However, the humor soon became repetitive, the plot became confused and strained, and I realized I was no longer enjoying the film. I have tried to avoid saying this, but the movie became rather "cheap" - not a bad thing for a comedy if the humor holds up, but it didn't. I confess that I may have missed some of the humour, not being Jewish myself, and having little experience with Jewish culture. However, considering how heavily telegraphed the bulk of the humour was in this film, it's unlikely I missed much.
The idea is a good one, and perhaps if a little more thought was put into it the film would have been watchable all the way through. I wish I could give the movie a higher rating, but strictly speaking it would have been better as a TV series or as a series of skits. There was just not enough worthwhile fresh material for a full-length movie.
One thing to say about the casting - the lead role looked as if it had been designed with Ben Stiller in mind, but I don't think the movie would have been any more worthwhile if he had been in it.
This movie reminded me of "UnderCover Brother". Sure, this movie was rather tasteless and obviously a low budget film. It was very funny. I myself am Jewish and was able to laugh and relate to this movie. I do not know if you would enjoy it if you were of another religion, but I still recommend this movie. There were many hidden references and of course some basic Yiddish humor packaged in. It easily could have been a modern Mel Brooks movie, and if you enjoy his humor i recommend this film. Although some jokes became repetitive, and were overdone, there are many MANY funny jokes that I could laugh about.
This is one of those movies you should see multiple times. I guarantee you will catch more jokes and references making each viewing funny. So overall it was a cheap lo budget comedy. But a Funny cheap low budget comedy. A rare find indeed.
This is one of those movies you should see multiple times. I guarantee you will catch more jokes and references making each viewing funny. So overall it was a cheap lo budget comedy. But a Funny cheap low budget comedy. A rare find indeed.
I admit a weakness for these types of self-conscious parodies when done well.
For me, that means a mix of riches. First, it has to be brutal. There's no sense in toying with something stupid and at time showing sympathy for that stupidity. All the better if the targets of the thing have some sort of societal proscription.
MASH was funny (when it was) because it treated war like something completely without honor or value. Anything that Mel Brooks does fails the brutality test. He's merely juvenile, and not ashamed to shift perspectives for a giggle.
This is funny because it destroys two boundaries. The most obvious is the Jewish stereotype. Yes, it exists. Yes, like any other group, they identify themselves, quite actively bending their lives, by drifting toward those very characteristics as a matter of definition.
There's a long tradition of stage humor where Jews make fun of themselves and I assert that all these societal parodies spring from it, at least in the US.
But the other bit is ever so clever. What they've built on is a pastiche of blaxploitation movies (and a few others as well). Part of the cleverness is in revealing these things to be even dumber than we readily admit; they take us to extremes we wouldn't otherwise go. Its a bit risky, that.
So we have a triple layer here: Jews making fun of the kind of Jewishness they cling to. All of us making fun of a similar dynamic in blacks that black culture isn't mature enough to disparage. (Though half of Chris Rock's stuff comes close.) And on top of that we get some posturing, not much, but some that rigorously belittles us for being the moviewatchers we are. In recent memory the second Charlies Angels did it best, but there wasn't the delicious edge this has.
Ted's Evaluation -- 3 of 3: Worth watching.
For me, that means a mix of riches. First, it has to be brutal. There's no sense in toying with something stupid and at time showing sympathy for that stupidity. All the better if the targets of the thing have some sort of societal proscription.
MASH was funny (when it was) because it treated war like something completely without honor or value. Anything that Mel Brooks does fails the brutality test. He's merely juvenile, and not ashamed to shift perspectives for a giggle.
This is funny because it destroys two boundaries. The most obvious is the Jewish stereotype. Yes, it exists. Yes, like any other group, they identify themselves, quite actively bending their lives, by drifting toward those very characteristics as a matter of definition.
There's a long tradition of stage humor where Jews make fun of themselves and I assert that all these societal parodies spring from it, at least in the US.
But the other bit is ever so clever. What they've built on is a pastiche of blaxploitation movies (and a few others as well). Part of the cleverness is in revealing these things to be even dumber than we readily admit; they take us to extremes we wouldn't otherwise go. Its a bit risky, that.
So we have a triple layer here: Jews making fun of the kind of Jewishness they cling to. All of us making fun of a similar dynamic in blacks that black culture isn't mature enough to disparage. (Though half of Chris Rock's stuff comes close.) And on top of that we get some posturing, not much, but some that rigorously belittles us for being the moviewatchers we are. In recent memory the second Charlies Angels did it best, but there wasn't the delicious edge this has.
Ted's Evaluation -- 3 of 3: Worth watching.
6=G=
"The Hebrew Hammer", is all about Goldberg as the certified circumcised private dick title character, a Jewish combination of Shaft, Superfly, and Mike Hammer, who sets about to defeat an evil Santa Claus who has sworn to put an end to Hanukkah. A campy, silly, an occasionally outrageous slam fest, this flick takes potshots at Jews, Afro-Ams, and white gentiles as our not-so-super-hero goes after Santa armed only with a babe, big guns, and guilt trips. What the film lacks in class and production value it almost makes up for with nonstop kosher comedy of the same ilk at Scary Movie, Naked Gun, Airplane, etc. Only for those into wacky slampoons who aren't concerned with political correctness. (B-)
If you laugh, you'll have to watch it again. This movie makes Mel Brook's 'Blazing Saddles' and other productions seem like serious and refined drama. If you cannot restrain your laughter, you will miss hearing the next line and have to watch it again. It is one of the most irreverent, politically incorrect, well produced and directed film in this genre I have ever seen...definitely not for kids, but then they wouldn't understand the jokes anyway...probably ruin it for you with their persistent questions. If you are Jewish, this film will rank among the best comedies you have ever watched. If you are not Jewish, this film will rank among the second best comedies you have ever watched...so check your lineage before you rate this film
Did you know
- TriviaAdam Goldberg claims that he knew he had to do this movie as soon as he read the line "Shabbat shalom, motherfuckers!"
- GoofsMordechai is portrayed as a faithful Orthodox Jew, but during a scene with his shirt off, the morning after Mordechai and Esther make love, it's clear that Mordechai has several tattoos, which are forbidden in traditional Judaism. Adam Goldberg has stated in interviews that the only reason for this is that he was too lazy to get up early in the morning to have the makeup artists cover up the tattoos. The tattoos go without comment in the dialogue because, according to director Jonathan Kesselman, the Hebrew Hammer has already gone against tradition by engaging in premarital sex, and so a couple tattoos are nothing compared to that.
- Quotes
Mordechai Jefferson Carver: Shabbat shalom, motherfuckers!
- Crazy credits"No animals or gentiles were harmed in the making of this movie" appears in the closing credits.
- Alternate versionsWhen the Hebrew Hammer enters the Duke's Nazi bar, he walks over to the Jukebox and plays a song. That song is played through the entire scene. However the Comedy Central and DVD versions of the movie each play a different song for the same scene.
- ConnectionsFollowed by The Hebrew Hammer vs. Hitler
- How long is The Hebrew Hammer?Powered by Alexa
Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $82,157
- Opening weekend US & Canada
- $19,539
- Dec 21, 2003
- Gross worldwide
- $94,615
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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