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7.0/10
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O-Shin is a young brothel worker who, one night, helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Sh... Read allO-Shin is a young brothel worker who, one night, helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.O-Shin is a young brothel worker who, one night, helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.
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A tragically wonderful movie... brings us to a Japan that does not exist anymore. Despite Hollywood's technical expertise, I have yet to see a (hollywood) movie that can match the authenticity of the atmosphere in this small town by the river near the sea... Tom Cruise's The Last Samurai looked liked the last installment of the Lord of The Rings in trying to capture rural Old Japan.
If you like serene but intense story lines, this is a must see film. It will be a respite from hollow flashy films much like the last 1000 blockbusters you saw. I think this is one of Kurosawa's better stories.
Even if it's a movie about geishas and brothels and the complicated rules that govern life in such settings, it did not turn into a skin flick. The characters are full of depth and act with much intensity.
If you like serene but intense story lines, this is a must see film. It will be a respite from hollow flashy films much like the last 1000 blockbusters you saw. I think this is one of Kurosawa's better stories.
Even if it's a movie about geishas and brothels and the complicated rules that govern life in such settings, it did not turn into a skin flick. The characters are full of depth and act with much intensity.
Contrary to some people's summaries, the women depicted in the film are not geisha. They are oiran (prostitutes) living outside the most famous pleasure districts, and their lives and experiences represent the lives of a great number of Tokugawa era women. I can't say the stories were particularly enlightening, but their charm lies in just how typical they are. The themes are universal and everyday: love, friendship, and sacrifice.
I did greatly enjoy the art direction and the acting. I felt like I was getting a glimpse of a time and place I can never otherwise glimpse. The actors, especially the 4 women who played the main oiran, were a thrill to watch. I'd only recommend this movie to people who want a taste of Japanese culture, or to those who enjoy quiet and emotional stories. It's a great example of both.
I did greatly enjoy the art direction and the acting. I felt like I was getting a glimpse of a time and place I can never otherwise glimpse. The actors, especially the 4 women who played the main oiran, were a thrill to watch. I'd only recommend this movie to people who want a taste of Japanese culture, or to those who enjoy quiet and emotional stories. It's a great example of both.
I have seen this film and I found it terrific! I liked it very much. I think the Japanese culture is very different from our occidental culture, but this does not affect the enjoyment of it. I enjoyed it so much. I love Kurosawa and with this story I respect him more.
I've followed Kurosawa since Rhapsody in August, the seven samurai, dreams (I adore it) Vivir (I don't know the name in English) and so on. Kurosawa was a genius and one of the best movie directors of our time. It's a pity he has passed away.
The movies has beautiful locations, and the music captured me. The ending scene was great. The characters are very sweet; O-Shin is a adorable young woman.
I've followed Kurosawa since Rhapsody in August, the seven samurai, dreams (I adore it) Vivir (I don't know the name in English) and so on. Kurosawa was a genius and one of the best movie directors of our time. It's a pity he has passed away.
The movies has beautiful locations, and the music captured me. The ending scene was great. The characters are very sweet; O-Shin is a adorable young woman.
'Umi wa miteita' ('The Sea is Watching') was Akira Kurasawa's swansong to film: his adaptation of his favored novelist Shugoro Yamamoto's story into a screenplay he intended to film was his final mark he left on a brilliant career. Director Kei Kumai pays homage to both Kurosawa and Yamamoto in presenting this visually stunning transformation of word to image.
Set in 19th century Japan, the story explores the lives of the women of a Geisha house whose sole purpose in life is to earn money by pleasuring men. The house is run by an older couple who are genteel and the geishas are an enchanting group of women who know their trade and take pride in their careers. Each has a reason for turning to the life of geisha. Oshin (Nagiko Tono) supports her family who live in a neighboring village, Kikuno (Misa Shimizu) has customers both good and evil whom she manages to sustain with her stories of her higher caste. Oshin befriends an endangered samurai, falls in love with the gentle fellow, only to find that he must not marry out of his caste and leaves his pleasures with Oshin to marry his promised betrothed. Oshin's heart bruises easily but is always supported emotionally and physically/monetarily by Kikuno and the other geishas.
A handsome samurai Ryosuke (Masatoshi Nagase) enters Oshin's life and develops the first trusted and devoted relationship with her. Kikuno is beset by problems, deciding whether to accept the humble love of an old man who wishes to marry her, and coping with a rich but abusive customer. All the while the sea is watching and as a typhoon destroys the geisha house and street, Oshin and Kikuno sit atop the roof waiting for the promised rescue by Ryosuke. The manner in which the story ends is one of sacrifice, love, and devotion. The sea is watching and will find protection for true love.
The photography by Kazuo Okuhara is breathtakingly beautiful: night scenes with glowing lanterns and colorful geisha interiors are matched with recurring glimpses of the sea both calm and turbulent. The acting is a bit strained for Edo art, but the characters are well created and keep the story credible. The one distraction which is definitely NOT something Kurosawa would have condoned is the tacky Western music score that sounds like cheap soap opera filler except for the isolated moments when real Japanese music on authentic instruments graces the track. But in the end there is enough of Kurosawa's influence to imbue this film with his brand of dreamlike wonder that will always maintain his importance on world cinema. Grady Harp
Set in 19th century Japan, the story explores the lives of the women of a Geisha house whose sole purpose in life is to earn money by pleasuring men. The house is run by an older couple who are genteel and the geishas are an enchanting group of women who know their trade and take pride in their careers. Each has a reason for turning to the life of geisha. Oshin (Nagiko Tono) supports her family who live in a neighboring village, Kikuno (Misa Shimizu) has customers both good and evil whom she manages to sustain with her stories of her higher caste. Oshin befriends an endangered samurai, falls in love with the gentle fellow, only to find that he must not marry out of his caste and leaves his pleasures with Oshin to marry his promised betrothed. Oshin's heart bruises easily but is always supported emotionally and physically/monetarily by Kikuno and the other geishas.
A handsome samurai Ryosuke (Masatoshi Nagase) enters Oshin's life and develops the first trusted and devoted relationship with her. Kikuno is beset by problems, deciding whether to accept the humble love of an old man who wishes to marry her, and coping with a rich but abusive customer. All the while the sea is watching and as a typhoon destroys the geisha house and street, Oshin and Kikuno sit atop the roof waiting for the promised rescue by Ryosuke. The manner in which the story ends is one of sacrifice, love, and devotion. The sea is watching and will find protection for true love.
The photography by Kazuo Okuhara is breathtakingly beautiful: night scenes with glowing lanterns and colorful geisha interiors are matched with recurring glimpses of the sea both calm and turbulent. The acting is a bit strained for Edo art, but the characters are well created and keep the story credible. The one distraction which is definitely NOT something Kurosawa would have condoned is the tacky Western music score that sounds like cheap soap opera filler except for the isolated moments when real Japanese music on authentic instruments graces the track. But in the end there is enough of Kurosawa's influence to imbue this film with his brand of dreamlike wonder that will always maintain his importance on world cinema. Grady Harp
This has become one of my all time favorite films. The cinematography is beautiful; it has an interesting plot; I like the characters. I am not crazy about some of Akira Kurosawa's samurai flicks (he wrote this movie) but I adore this film. This is probably my favorite Japanese film. I highly recommend it. I don't think you have to know anything about Japanese culture either. I heard that one criticism of Kurosawa's works is that he doesn't have many roles for women and tends to focus on men. This film really shows his ability to write about women and create wonderful women characters. But the great thing is that it isn't just character development. There is a good plot also. Everyone should see this film
Did you know
- TriviaThe literal translation of the title is "The Sea Was Watching".
Details
- Release date
- Country of origin
- Language
- Also known as
- El mar que nos mira
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $30,577
- Opening weekend US & Canada
- $10,500
- Jul 20, 2003
- Gross worldwide
- $1,523,691
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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