Break a Leg

I stumbled across the film at the San Diego Film Festival. The film has moments, especially the beginning is told nicely (the scene when Mateo decides to go after another actor who got his part), but then it becomes very confusing and somewhat indulgent. On one hand the film has plot holes. Certain scenes were left out probably because they didn't have time during production. On the other hand the film spends too much time on things that have nothing to do with the premise.

The worst part for me was a weird monoloque that Matteo had, voicing his frustration about his situation. I'm sure it was supposed to be this great character revelation, but it wasn't.

Cinematography and Production Design were both weak. The best part is Molly Parker. All in all, this movie, unfortunately is not as good as the premise sounds.

This was the worst movie I saw at WorldFest and it also received the least amount of applause afterwards! I can only think it is receiving such recognition based on the amount of known actors in the film. It's great to see J.Beals but she's only in the movie for a few minutes. M.Parker is a much better actress than the part allowed for. The rest of the acting is hard to judge because the movie is so ridiculous and predictable. The main character is totally unsympathetic and therefore a bore to watch. There is no real emotional depth to the story. A movie revolving about an actor who can't get work doesn't feel very original to me. Nor does the development of the cop. It feels like one of many straight-to-video movies I saw back in the 90s ... And not even a good one in those standards.

I saw Break A Leg as the opening night film at the SF Indie fest on Feb 5th. Break A Leg follows the struggles of an actor (John Cassini) trying to make it in Hollywood. After continually losing out on roles to other actors, he resorts to violence to eliminate the competition.

This movie is very funny, and the audience was laughing throughout. The tone is a little uneven, particularly in the final third, but the well scripted dialogue and fine work by the actors pull it through in the end. John Cassini and Rene Rivera both do a great job in this movie. Hopefully both of them get a lot more work in the future. There are also a number of hilarious cameos by Hollywood regulars.

The film is shot pretty well, and most of the visuals look good. The sound left a little to be desired - some of the dialogue is a little muddy and hard to understand. (Note: this may be due to the theatre where I saw it. They had to restart the movie after we were about 5 minutes in due to 'audio difficulties.')

Overall, it's a decent but not great movie. I went with a group of six people to the movie and all agreed that there were some hilarious moments, but all-in-all it's a so-so movie. Is it worth a trip to the theatre? Maybe, if you like movies with an indie feel and enjoy send-ups of Hollywood. Is it worth watching if it ever came out on DVD? Definitely.

5/10

Fun facts:

-The director (Monika Mitchell) and the lead (John Cassini) are married.

-In a Q&A session afterwards, Monika Mitchell mentioned that there are a whopping 64 speaking parts in the movie.

A struggling actor finds the best way to break into Hollywood is to start knocking off the competition. But what makes Break a Leg a real gem is the sardonic look into the existence of the struggling (and not so) LA actor. It brings us into that world with effortless irony and wit. It's also got a polished look and very adept direction under Monika Mitchell. Break a Leg is one of those rare independent films that doesn't compromise its production values at any level. The writing is tight, the dialogue first rate. Cassini is an actor's actor, and the role really shows off his talents. The climactic scene between him and Rene Garcia is an instant classic, and may go down as one of the funniest Hollywood scenes of all time. I saw it at an advanced screening, and everyone in the audience laughed uncontrollably and raved about it afterwards.

The story was written well, and it kept my attention. There were some great shots and sequences in the film. There is a sequence where the main character (played by John Cassini) is acting out his part as a priest...delivering his lines to black x's on a green screen. The camera clips back and forth between Cassini's priest and the x's as his lines are spoken. A shot that particularly stood out was a 30-second shot of Cassini inserting a blue contact lens over his brown eye, the lens doesn't quite want to stay in place, over and over Cassini blinks, and finally the lens slides into place. Fantastic shot. Enjoyable film, I would recommend it.