Phileine zegt sorry

I have read the book and I laughed. I saw the movie on the Dutch Film Festivl and I laughed. I'm thinking back to the scene where Phileine is intending to give Max the pleasure of his life and I'm laughing. This is by far the most humoristic Dutch movie I saw in my life!

I have not read the novel but I liked this picture because of the many quick mood changes.

There are so many emotions that change quickly all the time. One time the characters in the picture are serious and then one minute later everyone is laughing. And the next minute Philene and Max have some sort of serious conversation. You maintain watching this picture because all emotions occur so fast after one another.

What I also liked in this picture was the age of the characters. It looks like they are in their mid-twenties or something. I can imagine that the same story could apply to teenagers but also to people above 60.

That's my opinion. Nice movie!

Sex sells. That is something Dutch author Ronald Giphart is very well aware of. This was evident in the first filmed novel by the author: 'Ik Ook Van Jou' but even more in 'Phileine Zegt Sorry' (Phileine Says Sorry).

The original novel is hilarious, quick, witty, from a female perspective, but written by a heterosexual male author. The novel is full of quick one-liners and so is this move ('I believe in sex at first sight' and 'We don't care you have a low self-esteem, just don't bother us with it').

The thing is a quite weak story as 'Phileine' demands a quick witty approach, which Robert-Jan Westdijk (the director) seems to be perfectly able at. He seems to have understood what the story is all about: Phileine, a super-bitch, follows her boyfriend Max to New York, where she finds out about the rather exclusive approach he's giving to Shakespeare's 'Romeo and Juliet'.

Although the movie is quick it has quite some flaws. Westdijk doesn't take enough time to finish off some crucial scenes. The final scene has been handled off quite fast and almost messy and the movie really lacks emotion at times. Westdijk doesn't seem to wanna fall in the pit called 'false sentiment' but in stead of carefully avoiding it he doesn't seem to use any of it in 'Phileine'. To be perfectly honest one wouldn't care less whether or not Phileine regains the love of Max or how she handles it. She's a bitch, so she'll survive and go on with her live.

Kim van Kooten however is perfectly cast and throws in the one-liners one at a time from scratch. Michiel Huisman may be nice to look at (all pumped up) but is rather disappointing as the flat character of Max. This is also due to his rather poor acting qualities. Roeland Fernhout's part as the androgynous Jules is unforgettable and could have used deserved more screen time.

The novel already makes use of too many character with their individual story-lines that push away the main story-line: the one between Phileine and Max, but in the movie this gets annoying at points.

Fortunately Westdijk's quick approach makes up for a lot but not for everything. 'Sometimes the movie is just better than the movie', says author Giphart in a cameo (please no more cameos in any of his movies!). I am afraid I have to disagree with him. But then again: is the movie ever better than the novel?

Still 'Phileine Zegt Sorry' speeds up hope for the Dutch movie industry (especially now that governmental finance has been abolished) and especially for Dutch rom-coms.

This was the first Dutch movie I've ever seen in the theaters. I've got the book, though I've only read the first couple of chapters. I suppose I really should go back and read it further, because it started out cool, I just got distracted.

The author of the book actually says in the movie that he likes the book better than the movie, and oh can I believe it! I really didn't expect anything like this... one of the main reasons I went was because a friend of mine wanted to go and stare at Michiel Huisman. I was seriously impressed. It had everything from fun to anger to.. how the actors dealt with the final scenes was absolutely breathtaking, sitting on the edge of your seat drama. Let's just say this movie has everything from throwing rocks through windows (don't ask) to pretending to come in a classy New York restaurant (as I said, don't ask) and a pornographic version of Romeo and Juliet (I think the only lines in it were: "Where for art thou, Romeo?" and a whole lot of groans...) and an absolutely beautifully shown character development.

Right. I'm practically rambling. I'll make my point. I enjoyed this movie. It had a bit of everything and I left the theater happy. I gave it an 8/10.

Too little depth, too bad. Following the book by Ronald Giphart word for word, this movie doesn't have much to say. It doesn't fascinate the viewer, it's just another love story that has been tried to make interesting by making the main character talk into the camera in the middle of some scenes. Makes you remember Saved by the bell and Ally McBeal. The Lead-role is played by Kim van Kooten, and if you like brunettes you'll probably like her. Good for you because the sex-scenes could make up for lack of story / plot-line. She ends up saying she's sorry for all the things she's done, big deal. This scene (which should be the climax of the movie) doesn't seem to express it's importance to the viewer. An average movie that has some humorous scenes in it and Kim van Kooten is a very attractive woman ;)