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IMDbPro

Disparitions

Original title: Imagining Argentina
  • 2003
  • R
  • 1h 47m
IMDb RATING
6.1/10
3.6K
YOUR RATING
Antonio Banderas and Emma Thompson in Disparitions (2003)
DramaRomanceThriller

A man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.

  • Director
    • Christopher Hampton
  • Writers
    • Lawrence Thornton
    • Christopher Hampton
  • Stars
    • Antonio Banderas
    • Emma Thompson
    • Rubén Blades
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    3.6K
    YOUR RATING
    • Director
      • Christopher Hampton
    • Writers
      • Lawrence Thornton
      • Christopher Hampton
    • Stars
      • Antonio Banderas
      • Emma Thompson
      • Rubén Blades
    • 44User reviews
    • 21Critic reviews
    • 27Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Photos26

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    Top cast78

    Edit
    Antonio Banderas
    Antonio Banderas
    • Carlos Rueda
    Emma Thompson
    Emma Thompson
    • Cecilia Rueda
    Rubén Blades
    Rubén Blades
    • Silvio Ayala
    Irene Escolar
    Irene Escolar
    • Eurydice
    Fernando Tielve
    Fernando Tielve
    • Orfeo…
    Héctor Bordoni
    • Pedro Augustín
    Maria Canals-Barrera
    Maria Canals-Barrera
    • Esme Palomares
    • (as Marí'a Canals)
    Leticia Dolera
    Leticia Dolera
    • Teresa Rueda
    Anthony Diaz-Perez
    • Policeman 1
    • (as Anthony Díaz Pérez)
    Luis Antonio Ramos
    Luis Antonio Ramos
    • Policeman 2
    Carlos Kaniowsky
    Carlos Kaniowsky
    • Rubén Mendoza
    • (as Carlos Kaniowski)
    Stella Maris
    • Concepta Madrid
    Concha Hidalgo
    Concha Hidalgo
    • Octavio Marquez's Grandmother
    Ana Gracia
    Ana Gracia
    • Hannah Masson
    Horacio Obón
    • Victor Madrid
    Amparo Valle
    • Julia Obregon's Mother
    Cielo Verano
    • Julia Obregon
    María Nydia Ursi Ducó
    • Plaza Mother 1
    • (as Maria Nydia Ursi)
    • Director
      • Christopher Hampton
    • Writers
      • Lawrence Thornton
      • Christopher Hampton
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews44

    6.13.6K
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    Featured reviews

    10iggimarco

    cruel reality

    Please excuse my English, now that it is my third language. I was born and raised in Argentina; I currently work in Buenos Aires at a café, until I get my bachelor degree in naval architecture. As crazy as it might sound, my grandfather disappeared in the 1970s, and never came back. Perhaps to you… this was just a movie, you can rate it as you want or give the names you like to. But I found myself dumb founded with this film, I felt the worst anguish while seeing it, and forced myself to keep on watching and to keep on remembering. I can not find words in English nor Spanish to describe how deeply this movie has gotten to me. It's been a long time since it happened, but I see most of this film as my mind portraying old stories that my grandmother used to tell me when I asked about the dad of my dad. A film where reality is described at its best and where a part of me knows that justice in this country is just a word with no meaning, it was before, and it is now. I win nothing by saying this, nor I feel better, I just thought that perhaps I should comment on the impact the movie has had on someone like me, a normal guy who studies and works in country where future has little by little lost its meaning.
    4rainstorm79-1

    An Argentinian view

    The first thing I'd like to say is I've been reading people's comments about this movie, and I'm really touched at how much people round the world know about the worst period in Argentinian history. As regards the movie itself, I wouldn't like to disrespect anyone, but I think it is a lousy portrayal of real events. I agree with someone that the title allows for the viewer to expect a free interpretation rather than an accurate historical account. I disagree with someone about the images of torture being too many and too cruel. I think they were too soft. I've seen at least twenty Argentinian movies dealing with this topic (actually, I'd say nine out of ten Argentinian movies have at least one referent to it). The point is, no one can make a movie about "El Proceso" but an Argentinian citizen. It's nothing to be proud of, but it's our burden. I didn't have anyone missing, but I grew up with this, and it'll never be over for us. I understand the good intentions of everyone involved in this movie, and I think it's important that people in other countries let the world find out what happened here, but if you really want to know, you should see local accounts, without fake accents (subtitles are not that bad once you get used to them). Oh, and just for the record, the oppressors were ten times more somber and disgusting than what the movie shows. Most of them still feel the same way about everything they did, and as someone said, justice in this country is a lost cause. I just pray it never happens again. Thanks for reading.
    8aStRaLoN

    Excellent movie, Bandera's finest performance

    Dear iggimarco, Coming from a country that has a similar past with Argentina i can say that the movie touch me deeply like you. Greece experienced its 7 years of cruel dictatorship 1967-1974. Seven long years that left too many scars.

    Every now and then i will hear someone of my family talking about the suffer of those years although they rarely talk about what they've been through.

    Indeed those who don't know, who are lucky (or not) enough to come from countries that never experienced that kind of horror will judge the movie based on script, lighting, acting etc. Those who know will feel the movie evoking all those feelings of deep sorrow and pain.

    Movies like this should always be made. It is another way to maintain memory of the fallen alive and to make sure that...never again (as the movie tells us in the end)
    7rainking_es

    Psychic powers and Videla's dictatorship...

    Antonio Banderas plays a theatre director whose wife (Emma Thompson) has been kidnapped by the Secret Service of Argentinian's Videla's dictatorship (1976-1983). Soon he discovers he has sort of a psychic power that allows him to predict the future, and to find out what has happened to her wife and to some of the other missing people (there were +/- 30000 missing people during Videla's dictatorship). Now I wonder: Is it necessary to introduce that paranormal stuff in a movie about Argentinian dictatorship? I mean, you got one of the most cruel and repressive dictatorships ever, and that's enough to make a shocking movie. The psychic powers, the vissions of Banderas' character detract the attention from the main line: the denunciation of that regimen led by General Videla and supported by USA Government, and the atrocities that were committed, the sistematic violation of human rights, and so... Especially when you have two well known stars in the cast, and the movie may have some international impact (which didn't have any of the argentinian movies that talked about the same issue).

    Anyway, some parts of the movie perfectly portraits the lack of freedom in Argentina along those 7 years, and there are some sequences really shocking (in particular the ones at the prison where Emma Thompson's character gets imprisoned -and tortured, and raped-). Antonio Banderas and Emma Thompson play their roles with so much intensity, especially Mrs. Thompson, one of the best dramatic actresses from the last 20 years (in my opinion).

    That's all. I just want to add that this kind of movies are so necessary, people need them not to forget some of the darkest passages of human history. Especially they need them there in the United States Of America, where no one knows a thing about latin-american dictatorships (most of them supported by the White House).

    My rate: 7/10
    8oli-79

    Finally, A Film With Purpose

    This was truly enjoyable movie in many ways.

    The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.

    This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.

    This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.

    Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.

    Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
    • Goofs
      When Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.

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    FAQ18

    • How long is Imagining Argentina?Powered by Alexa

    Details

    Edit
    • Release date
      • March 23, 2005 (France)
    • Countries of origin
      • Spain
      • United Kingdom
      • United States
      • Argentina
    • Official sites
      • Manga Films (Spain)
      • UIP (United Kingdom)
    • Languages
      • English
      • Spanish
    • Also known as
      • Imagining Argentina
    • Filming locations
      • Buenos Aires, Federal District, Argentina
    • Production companies
      • Multivideo
      • Arenas Entertainment
      • Myriad Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $8,899
    • Opening weekend US & Canada
      • $3,752
      • Jun 13, 2004
    • Gross worldwide
      • $383,106
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 47m(107 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital EX
    • Aspect ratio
      • 1.85 : 1

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