Beat Battle

The "talented young smart-ass goes to college and learns there's more to life than being skillful or clever" theme is an old one and it's been done better many times in the past. Robert Young learned about teamwork in "Navy Blue and Gold." More recently Rob Lowe learned the lesson in "Oxford Blues." The difference between Drumline and these and other older films on the same theme is that the lead characters evoked more sympathy. Nick Cannon's Devon Miles character is a self-centered, posturing, swaggering jackass who evokes immediate dislike and though you see him grow up a little in the course of the film, you never really learn to like or respect him.

Drumline also suffers from an identity crisis of its own. You're never really sure what sort of story it wants to tell. Is is a "coming of age" story, a drama, a comedy, a romance? It tries to be all of these at once and never seals the deal on any of them.

Drumline could have told a good story about a New York kid learning that there's more than one way to be black in this world. There are a couple of hints of that in Devon's relationship with Laila. Her comment to Devon: "Southern sisters don't date...we have boyfriends," could have been an opening to a good subplot about differences in black culture between different parts of the US, but, as with so many other possible plots, the story touches it lightly, and then flits off to something else. An arrogant young freshman such as Devon would have had many lessons to learn while finding his way in this environment, but the film misses nearly every opportunity to show us the relationships between the characters in any depth, so the performances come off as predictable and mechanical.

All the same, I've seen Drumline several times and enjoyed it for what it does very well. The presentation of the music and and the work that goes into running a big university marching band are very good. I could have done with more of both. The all-too-brief glimpses of life at a black southern university are well done. Again, I could have done with more of that as well. Drumline also had moments of humor, and some visually engaging camera work, especially in the music scenes.

I like this movie. I just wish it had been better done.

Drumline is a great movie for anybody to see. I especially like it because I am a "band nerd" but that's ok. I would like it anyway; it has it's funny parts, it's serious parts, and I am still wondering how they found so many awesome drummers, (and other musicians for that matter!)

Because of this movie, I now have some respect for Nick Cannon as an actor. I'm glad he finally starred in a great movie for all ages, and is no longer confined to piece of crap kids sketch comedy shows on Nickelodeon, [which, by the way, SUCKS as of late (i.e. My life as a teenage robot, slimetime, ginger)]

Overall, great movie, great job by Nick Cannon.

Drumline is a great movie -- but you have to see it for what it is ... not what your preconceived notions lead you to believe it might be.

This movie is all about exposing people to the world of Black College marching bands. You couldn't have a movie that was 2 hours of nothing but band performances so you HAD to wrap a formulaic story around it. "Boy meets girl/boy loses girl/boy gets girl back and learns the value of teamwork in time for the big showdown" is a formula that has worked for years -- and it works here!

Another poster remarked that the band camp scenes were unrealistic because they were too "militaristic" ... he didn't believe that (among other things) that the students would be made to run around holding their drums and so forth. Well, believe it!

I marched in one of these bands (Southern University in Louisiana) 20 years ago and back then, band camp was FAR MORE INTENSE than anything you see on the screen in this movie. YES, it is that competitive. YES, it is that grueling. YES, it is that disciplined. Black College marching band is serious business and this film gives you only a small sample of what it takes to "make the band."

The actual band performances are AWESOME and will definitely be an eye-opener to anyone who has never seen this type of thing before. More importantly, there is no sex, violence, drug use, and very little bad language (just the requisite "d*mns" and "h@lls" - nothing any more intense than prime-time television.) Equally important, the movie features strong male figures who resolve differences without resorting to pathological violence.

One last point -- the movie grossed 13+ million dollars in its opening weekend. And this was against Star Trek (18.7 M) and the Jennifer Lopez (19 M) movie. Although it finished in third place, it was shown in about 1,000 fewer theaters than those two. It had (by far) the highest "revenue per theater" for the weekend!

Do yourself a favor -- open your mind and see this movie -- you and your family will enjoy it!

One of the few times where black youths aren't portrayed as hoods, this movie proved it moved to the beat of a different drum (yes I know, bad pun). Anyway, I was pretty surprised by how well made the film was, considering there were no well known actors in the film besides Orlando Jones. This movie isn't just for band kids, it encompasses a broad spectrum of life that is actually interesting to watch. Sure, some might have considered this movie corny, but the band sequences saved any misgivings this film might have had. Watch this movie for the heck of it, because you might actually be surprised.

Sure, the script could have been better -- in fact, it was downright predictable -- but in this age of godawful black-oriented shows on WB and UPN, how refreshing to see a positive portrayal of black culture that did not feature one single bug-eyed stereotype. And Orlando Jones (a guy who knows how to bug his eyes) can act! Who knew? And man, those band performances were hot! I really enjoyed it. Not a classic, but still a needed movie at a time when the bar is set way too low.