Barbershop

Hilarious picture that is held together just well enough by a somewhat mediocre screenplay to be one of the funnier movies of the past few years. In inner-city Chicago barbershop owner Ice Cube hates where his life is at. He has a very pregnant wife (Jazsmin Lewis) and is drowning in debt due to his late father's apparent lack of business sense. He looks at the shop as a burden and wants to unload it to shady neighborhood businessman Keith David (and his very large bodyguard DeRay Davis). What Cube does not realize is just how important the business is to many in the neighborhood and he also fails to realize that David cares nothing about the people and wants to turn the place into a gentleman's club. Some of the other cutters include intellectual Sean Patrick Thomas, West African immigrant Leonard Earl Howze, racially confused white boy Troy Garity, two-time criminal Michael Ealy, lonely and out-of-place Eve (who is involved with two-timing boyfriend Jason Winston George) and priceless veteran barber/loud-mouth Cedric The Entertainer (very politically incorrect as well). Simultaneously two local losers (Anthony Anderson and Lahmard Tate) have stolen an ATM machine from a convenient store near Cube's barbershop. The two try and try to get the money that is not even inside out with painstakingly outlandish results. Unwittingly they have taken an empty money machine. African-Americans like Al Sharpton and Jesse Jackson rubbished this movie as being demeaning and rude to black communities. This was never the intention of the film-makers (I don't think). Cedric has a tongue of acid here as he takes on Jackson, Sharpton, O.J. Simpson, Dr. Martin Luther King, Jr., Rosa Parks, Rodney King and even Walter Payton. I believe the real point of Cedric's character is to show that the titled location is a place of comfort and respect, regardless of an individual's views or perspectives. In this regard it makes you realize just what a close-knit group the characters are to each other. All the players are very different and sometimes don't like one another, but still they respect and welcome everyone else. Overall I liked the project (even though it is not the most fundamentally effective film ever made by a long-shot). Comedic timing and fresh characters make a sub-par script and ho-hum direction look much better than they really are. Watch for former Michigan Fab-Fiver and current NBA standout Jalen Rose as one of the many diverse customers. 4 stars out of 5.

This is definitely one great film. This film pretty much tells it like it really is in most barbershops in predominantly African-American neighborhoods. I remember what it was like when I would go with my dad to get my hair cut and it was pretty much like it is in the film. The barbershop I went to was the gathering for African-American men of all ages to not only socialize, but to gossip as well.

Also, about the controversy. I see no harm in what Cedric the Entertainer's character, Eddie, said. If some people were offended by it they really should go to a real barbershop and find out what people really say, especially Jesse Jackson himself.

Thanks Ice Cube. You did a great job in creating and showcasing a part of African-American life that was true-to-life. There were so many diverse elements that all came together, they seem too many to mention. But all of the main characters had a measure of character development and an intimacy that you couldn't forget.

Even the minor characters played a big role, such as Lamar (J. David Shanks). Though introduced briefly very early in the movie, he played a major- but again brief- role near the end. Minor character- major input. The robbery of the convenience store: five characters interwoven all with lessons to learn- Craig (Ice Cube), Ricky Nash (Michael Ealy), Detective Williams (Tom Wright), Samir (Parvesh Cheena) and, of course, JD (Anthony Anderson). The timing in various scenes were impeccable. The following sequence: the radio voice of Chicago deejay Howard Magee, Billy's mother (?), Gabby (Jasmine Randle), Billy (Lahmard J. Tate) and JD was wonderfully choreographed.

I know some will say, "Hey, it was predictable. I knew beforehand the resolution of some, most, or all of the character's plights." And that may be true. But it's the manner in which each character was interwoven- how one touched another and yet criss-crossed each other that gave this movie special meaning. How each character had their strengths or weaknesses to overcome. Great stories being told by Mark Brown, Don D. Scott, Marshall Todd and with Tim Story's direction. Every major character was (and is) a character study.

Terence Blanchard does an admirable job supporting the scenes with his score.

And regarding the Dr. Martin Luther King, Jr. and Rosa Parks controversy, the writers qualified that diatribe very clearly as it progressed. Did people hear just want they wanted to hear?

Another important feature that I admire was the honesty, sometimes brutal, on other issues such as foreigners owning businesses in the African-American community or how dangerous it can be for anyone living in certain parts of the "ghetto" or how we (yes I'm African-American) help keep each other from prospering.

It wasn't until I started viewing "Barbershop" a second time (and dissecting it) where I saw additional insightful and valuable revelations. An example being Hustle Guy (DeRay Davis). (Dogs and Pampers?) Many times we see the local hustler as a comedic tool, hustling whatever he/she can get their hands on. But he's only trying to earn a living- void of a storefront for lack of investment capital. And we find out how valuable Hustle Guy is, also, before the movie ends. Minor character- major message.

If you haven't seen it, see it. If you've seen it, and just saw it for it's entertainment value, see it again for some valuable lessons.

Not only will it be in my movie collection, but it will be used as a teaching tool for my grandsons (and granddaughters if I'm blessed with any).

Believe it or not, to me, Eddie (Cedric the Entertainer's character) was the most unbelievable. Not that Eddie wasn't valuable, because he was. It was Cedric's interpretation of Eddie and the lack of age lines on his face that was a pure turn off for me. For those reasons, I wanted to remove 1 point. But because of the strength of the other characters and the story, I'm keeping it a 10.

The 7.1 rating as of this writing is an injustice to the quality and caliber of this production.

I give it a $10.00 haircut plus a $5.00 tip.

Great job Ice Cube to you and your production company, Cube Vision. Great job.

I thought this was a pretty decent flick. I laughed out loud at least twice, which is OK, because this film is not really supposed to be hilarious, just sardonic, mostly. Cedric the Entertainer was good, but not truly believable as an elderly man. Ice Cube turned in a quite good performance. In some of his previous films, I had thought he was pretty good, but rather one-dimensional. ("Anaconda" "Three Kings") Here, he definitely extends his acting range enough to be taken seriously. And wherever the one-named "Eve" came from, she nailed her character. There's a lot more to this movie than the controversial lines from Eddie (Cedric). It was interesting to see some black characters be aware of, and concerned about, the pathologies in the black community. But I guess this is spoken of only in barbershops, or elsewhere away from whites. Overall, definitely worth a look. Grade: B+

BARBERSHOP (2002) *** Ice Cube, Cedric The Entertainer , Eve, Sean Patrick Thomas, Troy Garity, Anthony Anderson, Michael Ealy, Leonard Howze, Keith David, Jazsmin Lewis, Lahmard J. Tate, Tom Wright. Uproariously funny comedy set in the eponymous hangout set in Chicago's South Side with Cube as the owner of the establishment where a colorful cast of characters chill and gossip with the subplot concerning the long-suffering proprietor deciding on selling the joint altogether. The laughs come fast and furious largely due to scene-stealer Cedric as the senior haircutter with a razor sharp tongue. (Dir: Tim Story)