Barbershop

While this was supposed to be about Calvin's barber shop, I enjoyed the misadventures of J. D. and Billy and the stolen ATM, which became relevant only toward the end of the movie. As for what took place in the barber shop itself, I enjoyed those scenes only part of the time.

I thought Cedric the Entertainer did a great job, not only with comic lines but also in a couple of dramatic scenes. Of course some of what he said was offensive, but it was probably realistic. I say 'probably' since I'm white and don't really know the culture.

One well-done scene involved Isaac, the one white barber, and one of the black barbers who had a racist attitude. And another one of the best scenes involved an angry woman, a baseball bat, and a car.

I liked Dinka, who was from Africa. How could anyone not like him? Well, apparently in black culture, in addition to light-skinned blacks being prejudiced against dark-skinned and vice versa, there are some American blacks who are prejudiced against African immigrants. At least that was the case in this movie. Some really harsh comments.

Ice Cube did a good job. I think most of the actors did. There were some characters I didn't like and that may have clouded my opinion of the acting performances, but overall a lot of talent was shown here.

The first thing I have to mention is that one day, I don't know when, but one day Michael Ealy, who plays Ricky, is going to be a major talent. He has an incredible relationship with the camera. He has charisma that you cannot learn in all the drama workshops in creation. He has authentic charm. He does not overplay his character and believe me, it would have been easy to go that route. I've recognized some talent before they became stars, and this guy has it. I could not take my eyes off him for a second. I think a star is born.

Eve is also very good and has a future in movies if she wants one. If she could just keep track of her damn apple juice.

Cedric makes the movie. He's the heart of the movie, the center, and hilarious to boot. I watched this movie three times to make sure I didn't miss any of his dialogue. I've seen MUCH worse performances receive Oscar nominations, and its a real injustice that he was ignored. He's just great.

For an old timer like me, it was also nice to hear The Staple Singers over the closing credits, too.

On the other hand...Ice Cube does not register more than one emotion, the sub-plot w/Anthony Anderson and the cash machine is unworthy of the rest of the movie, and Keith David, who I normally love, is terrible.

This review is not as mixed as it may appear to be. I rated it an '8' mostly cause of Ealy and Cedric. I may not be seeing "Barbershop 2" anytime soon, obviously not because I didn't enjoy the first one, but because I don't support or have interest in sequels. They're not worth the time and all the producers are really saying is that they had an idea, did well with it, now want to exploit every good feeling you had about the first one. Almost no movies require a sequel anyway.

Likable, engaging story about the day-to-day operation of a black barbershop in downtown Chicago. The plot centers around Calvin Palmer, an average Joe but promising young barber who inherited the family-owned shop years earlier from his late father and his attempts to save the shop from foreclosure, even if it means agreeing to an offer from a miserly neighborhood loan shark. Cast is appealing and enthusiastic, the story interesting and well-intended, but it's let down by bickering characters, uneven comedy, and a few distracting subplots. A decent way to pass the time, and a good change of pace for lead actor Cube, but it's never quite as on target as it needs to be. **½

When I first saw the plot and cast for this movie I was filled with little hope that this film would be any more than a stereotypical look at black/urban culture with the characters rhyming words for supposed comic effect ad the scriptwriter fitting a screenplay around the jokes. It us easy to forget that the film's protagonist, Ice Cube (who gave a fine performance) had just come off making the awful 'All About the Benjamins' which fell into the trap of so many of these comedies based around black people. Added to the fact that 'Barbershop' was released when there had been a spate of these sub-standard pictures such as 'How High', Friday After Next' and 'State Property', you can understand why I approached this movie with no expectations.

Thankfully I was proved wrong as 'Barbershop' followed a simple structure to work. It had solid direction, a commendable screenplay, was well acted but more important than any of that, it was a story worth telling and that is the one thing that good films have in common. However, this does not mean that this movie followed the conventional ways of Hollywood and 'sold out' to appeal to a mass audience. If anything pleased me most about the film it was the fact that it retained a true sense of representing the black community and credit for this goes to the high standards of dialogue and acting. People who live in the suburbs can watch in the knowledge that they're getting a window into another culture, while people in urban communities can watch this with a comforting sense of familiarity. Another reason for this is that the screenplay is informed enough to not 'pigeon hole'. The characters are well rounded, with both positive and negative traits and the movie is not surrounded by guns,single mothers and drugs. This is not not to say these issues are ignored, as they are connected with one the film's major plot strands but despite the mass media sterotype (to which not all black people are unaccountable) the 'ghettos' of America are primarily filled with honest, hard-working people who just trying to make the best of an unenviable situation. While previous urban films have made a point of blaming 'whitey' and 'the man' for the troubling issues surrounding black people, 'Barbershop' looks closer to home and encourages black people to take responsibility for themselves and to break away from nature of 'frontin' that is slowly paralysing urban communities. One of the films best quotes is 'Dont buy yourself a Benz when your living with your mama! And black people; please can we be on time for something other than free before 10 at the club'. I think this is a wonderful statement and it encourages black people to reject the notion of style over content as that is what the film does as well.

Added to this the well-rounded nature of the film is a diatribe from Cedric The Entertainer (who's performance is almost as hilarious as his stand-up act) about black icons such as Rosa Parks, Jesse Jackson and Martin Luther King. This is probably the most provocative section of the film and initially made me question the validity of these icons but after reflection, it made me realized that even Martin Luther King was a human being with flaws but that doesn't take away from his legacy. Regardless what's been said about Jesse Jackson he's still the first black man to run for President and nothing will ever take that away from him.

While Cedric the Entertainer took most of the acting plaudits, this was a great ensemble piece that was well acted all round. My only gripe is that why can't other films of this nature stay true to black culture but also have a cinematic soul

This is definitely one great film. This film pretty much tells it like it really is in most barbershops in predominantly African-American neighborhoods. I remember what it was like when I would go with my dad to get my hair cut and it was pretty much like it is in the film. The barbershop I went to was the gathering for African-American men of all ages to not only socialize, but to gossip as well.

Also, about the controversy. I see no harm in what Cedric the Entertainer's character, Eddie, said. If some people were offended by it they really should go to a real barbershop and find out what people really say, especially Jesse Jackson himself.