Les enfants d'Abraham

Daniella Logan (Erica Prior) sees her world turned upside down when her father commits suicide. Telling her catatonic mother the news, Daniella is startled when the mom responds with the word "Josephine" and it sets her on an investigation into her past. The second of Filmax's Ramsey Campbell adaptations (after Jaume Balagueró's THE NAMELESS), this isn't as good as the first one, but it is probably just as dark and disturbing. Seriously, Campbell loves him some screwed up families. Director/co-writer Paco Plaza - who would later co-helm two of the REC films with Balagueró - doesn't have as good a style and tends to lay blasting violins pretty thick over the more emotional moments. It is still pretty engaging and has some twists that you think you have predicted, but then you get swerved again. Also has one of the bleakest endings I've seen in a long time. Amazingly, this wasn't picked up by the Weinsteins during their spending sprees and hasn't seen a U.S. release.

Second Name is an average mystery/thriller movie that borrows a lot from Rosemary's Baby and The Changeling but it's far from their level. 1)It fails to create real suspense and tension: it's meant to be slow and thrilling, but don't count much on the latter. There's a couple of interesting twists but... 2)It's not particularly original (that's quite an understatement) and the story is pretty much farfetched. It's one of those movies where you can't help asking yourself: but why are these people doing what they do?

In the end it's not completely bad, it's watchable, but do not expect big emotions, it's just another cliche film, keep it at the bottom of your stack and watch it when there's nothing else left)

5/10 (1=turn it off now! 2=abysmal 3=very bad 4=not good 5=watchable 6=decent 7=good 8=very good 9=must see 10=masterpiece)

I recommend the aforementioned classics instead, or Darkness (if you were looking for a more recent Spanish mystery/horror movie)

Second Name follows the female mystery-investigation storyline that has been used so successfully in recent horror/suspense films like Ring, The Eye etc. This time round our heroine investigates the suicide of her father in strange circumstances, leading her to uncover the secrets of her own past, and the discovery of an ancient religion dedicated to the ritual killing of their first-born.

I have not read the novel but judging by the film Ramsay Campbell has crafted a clever, twisting-turning tale with that elusive what-happens-next factor that will keep anyone guessing. Direction and performances are restrained, which thankfully suits the film (none of the gimmicks that damaged the US remake of Ring). And the bleak ending really packs a punch. Recommended.

After the overrated success of Amenabar and Balaguero, Spanish Horror Movies spread like a disease in the increasingly sad world of horror movies. The result is all in films like El segundo nombre, a TV-like production bad written, but acted and directed even worse. I didn't read the Ramsey Campbell book, but I'm sure that the author of The Doll Who Ate Its Mother didn't have much in common with this terrible production. Avoid it at any cost, unless you're searching for a quiet sleepy night in a fresh movie theater. 2/10

Flat Spanish horror movie (shot in English) by the producers of the excellent Los Sin Nombre. Like Los Sin Nombre this is based on a Ramsey Campbell book. Both movies are also similar in that they deal with religious fanatics and endangered children, but while many of the same elements may be in place the second time around this movie doesn't deliver any big thrills or generate much suspense. The performances are bland and the director doesn't seem to have any idea of how to ratchet up the tension even though the story is inherently creepy and should have yielded a much more suspenseful film. Part of the problem lies in the script--the police detective here is so ludicrous and incompetent that his every scene becomes painful to watch and the heroine is simply too passive to generate much sympathy. She seems to be in a valium haze throughout the whole movie and never shows the urgency that would be vital for creating some sense of momentum in the still-born material. See Los Sin Nombre or that same director's Darkness instead.