Mari iyagi

Perhaps due to the fact that I couldn't access the English subtitles with the original Korean voice actors, I found the voice work engorging and mild. Also, I was surprised that a film that deals with the theme of growing up and moving on (a subject that usually gains instant sympathy from myself), didn't particular move me. I compare this film to Miyizaki's masterpiece "My Neighbor Tortoro" where fantastical characters accompany the overall theme of common childhood hardships. In "My Beautiful Girl Mari", the fantasy may or may not exist, but I found it not really relevant to the progression of the story. In fact, the story did have more depth and interest then the images and occurrences that took place in the metaphysical universe in which the protagonists meet Mari, an odd-looking floating female in white. Maybe because of the nature of the film's two protagonists, I couldn't really connect with them connecting emotionally to the nature of the fantasy. Certain aspects in the film's emotion do succeed however, such as the important friendship between the the boys. It makes the film's ending more touching and meaningful. The soft, soothing music also complements the story's tone and animation framework.

"Mari" is interesting due to it's unique artistic style. The animation is not the common type used, and it makes for a more interesting visual appeal. I saw a lot of potential however in the story and deeper meaning of the film, and found it quite lacking.

Like art-house movies, I have a love/hate relationship with anime. Sometimes I'm treated to a magical Miyazaki film, a quaint comedy like "The Girl Who Leapt Through Time", or an excellent romance like "5 Centimeters Per Second." Other times, however, I'm forced to sit through boring tripe like "Serial Experiments Lain" or "Grave of the Fireflies." I'm disappointed to report that "My Beautiful Girl Mari" safely rests within the latter category.

The big problem with this movie is that there's no development for any of the characters and all of the relationships are wafer thin. You barely get to see the boy spend time with his family, which is allegedly the primary cause for his discontent with his personal life. It might have been a good idea to spend a little more time within the household so the viewer gets a better understanding of why this kid is so depressed all the time. And what's with that girl at his school? Did she serve any purpose whatsoever in this movie?

It's no understatement to say that 90% of the running time is dedicated to showing the kid and his friend doing all sorts of dull activities like sleeping, walking around an old lighthouse, and other trivialities. Some of the swimming scenes were good, but that's about it. I don't know about you, but when I was a kid I would actually have fun when spending time with my friends, and a lot of the games we invented could easily fill a number of movies. A child's imagination is quite impressive when attempting to find something fun to do. It's too bad the filmmakers here were content with unimaginative wandering and dull-as-dirt filler material. Watch "Ponyo" (2008) for a more successful endeavor.

But I still haven't even gotten to the worst part of this movie. And let me tell you, it's a definitive black eye to the filmmakers of "My Beautiful Girl Mari." What is it? Quite frankly, there is virtually no time spent in the fantasy realm with Mari. This completely cripples the entire premise of the movie, and one scene in particular makes this perfectly clear. At the 50-minute mark the kid worries about how "all of this might end" even though he had literally spent less than 2 MINUTES with the girl throughout the ENTIRE FILM! That, my friends, is HORRIBLE relationship development.

Don't believe me? Try this. Imagine that you're on a first date. You meet this person at a restaurant, introduce yourself, and then sit at the table. While waiting for the server to bring you your drinks you say, "Gee sweety, I don't know how I'd live without you." Rest assured that you'll never get a second date.

It's really a shame, because the animation in this film is gorgeous at times, but the whole project falls in on itself with an uninspired script. Did the filmmakers not know that the premise they're attempting to sell is the conflict between reality and fantasy? Don't you think it would be a good idea to fully develop the difficulties of reality and fully develop the comforts of fantasy? Neither of which is given enough attention here. What we end up with is lots and lots of dull filler. Why do some filmmakers feel the need to make anime films as bland as humanly possible? It's no exaggeration to say that the title of the film should be changed from "My Beautiful Girl Mari" to "My Boring Life."

How come such a wonderful film like this is only rated 6.5 here on imdb?

Personally, I loved this movie a lot. I think it is one of the most beautiful films ever made, not only from a technical standpoint, but also in the way in which it marvellously captures the innocence and vivid imagination from childhood without doing it in a corny, schmaltzy manner as many Hollywood flicks tends to do.

If you like the films from Studio Ghibli, then there is a strong chance you will enjoy this movie too.

South Korea is a country mostly known in the animation industry for provided low cost labor in the completion of animation from other countries. Mari Iyagi is one, bright, shining attempt to show the originality and amazing work that Korean animators are capable of. It's a lone gun in the ambitiousness of such a project, and sadly, due to it's disappointing box office figures, may be for a long time.

To describe the visual style of the film, I can only say to take a little touch of Samurai Jack, a heaping helping of Myazaki, and a dash of Waking life (minus the lack of fluidity in animation and pretentiousness of story) to flavor. Then realize that doesn't begin to describe the unique look of this film, that can't be classified as traditional, digital, or 3d. It's a remarkable blend of Flash, Traditional, rotoscoping, and 3D Studio Max that captures both realistic environments and fantasy worlds like none other. The story builds up nicely, until it reaches the end and never goes anywhere, but for all the times it made me laugh out loud, feel for a character, or gape in awe, I forgave it.

It's not looking as though this film will get much of a release outside Korea, but if you ever get the chance to see it, don't let it slip by.

The animation looked shoddy from the start, especially facial expressions, but I thought I would give this Korean anime a chance. It is about two close childhood friends that meet when they are adults and reminisce about the good old times. Or at least, this my interpretation of the vague plot. The reality of the film is that these two adults meet, you get a feeling they are old friends, and then there they are, as children, for the rest of the movie.

Now, the story is something of a childhood fantasy, where the two boys find a magical marble that transposes them into an alternate reality. It doesn't happen all the time, only at random moments that seem to have no connection to what goes on around. Then there are bits of school and personal life that defines the characters. It all ends when one of the boys has to leave for Seoul.

I felt it tried to be a Korean Miyazaki clone, but failed. The animation could have been better, but then again, if the story was good, I could have ignored it. The story was good in principle, too, with the childhood friendship, the mysterious girl (I guess she was a girl) from the fantasy world, the fluffy things, etc. However, it was all fragmented, unclear, like they wanted to make a series and then they collapsed all into a anime movie, with only the relevant bits salvaged for the end product.

Bottom line: If they wanted a masterpiece of atmosphere and animation, they couldn't do it. If they thought they were doing something with a deep plot and emotional story, they failed. The result is somewhat in the middle, not one nor the other, and feels unnatural, broken.