Fubar

FUBAR (an obscene acronym from the military) is an amazing accomplishment. It tore onto the scene at the Sundance Film Festival in 2001, after being turned down by the Toronto fest. The classic success story of guys who maxed out their credit cards (including their Canadian Tire cards) and took a giant leap into the uncertain future - and it paid off. Telefilm Canada decided to fund the movie (after it was already shot on digital video), and "beefed" the budget up to $350,000 (Cdn.) They did a good job promoting the movie through a soundtrack featuring Sum 41, Gob, Sloan, etc. doing classic Canadian headbangin' tunes. This movie has it all: hilarity and drunken hijinx, intense drama, and incredible acting (although I wonder how much the beer had to do with this). Go see this movie, it is much more than the trailers would suggest: much more than guys acting loud and stupid. It's actually a touching film, with a look at the two main character's fear of mortality.

Recently I got to watch two films that were shot in and around my home town of Calgary.

One film was "Open Range" and the other was "Fubar".

Both films are focused on the reactions of two close friends to the trials that life can throw at you. Both films involve a lot of walking around, talking and strange interactions with other characters in the film. Both films feature people who basically wrote, directed and starred in the movie. Both feature lots of cool alberta scenery and both are worth watching. However, while one film is a carefully crafted yet somehow lifeless product that is ultimately a chore to watch the other is a throbbing wild thing that wiggles like a fish in your hand.

The great flick here is Fubar.

I was mesmerized from the start, mostly because I knew all of the locations intimately. Then I realized, I also knew these two guys intimately. I grew up with them. We all played hockey in the living room and busted stuff. We shotgunned pilsners and we all went "camping" and did hideous amounts of damage to ourselves and those around us in the process and we only survived through sheer luck and by keeping the gas pedal floored and not looking back. Man, its bang on right.

This film captures certain of the unique qualities of being "Canadian" better than any other film that I have seen. Nothing Second City or Bob and Doug Mackenzie ever did compares to the genius that made this film. Its not the goofiness or the idiocy, its the spirit of these two bozos that wins your heart.

Bravo, I'm proud of these guys.

Giver!

I was sold with the tagline: GIVER. These guys are so genuinely into their lives that you can't help but admire them, even though they are like, the quintessential lowlifes, complete with illegitimate children and sordid tales of fingerbanging cousins (eww..). Either way, they are having the best time with what they have, and it's great fun to watch, even though it's all fake. I have never been in a theatre with a movie playing that brought down the house. It was awesome. I can shotgun better than Farrell (although that doesn't seem very hard to do). His cake was priceless. 10/10

This crazy canadian film is about shotgunning cheap beer, breaking stuff, fighting, heavy metal and playing hockey. If you like any of these things you will like this movie. If you don't you might not like it. The is a mock biography about 2 canadian head bangers named Dean and Terry. Dean gets cancer and must have surgery. He decides to get totally loaded and party until the day of the surgery.

The film also has a cool soundtrack with canadian bands redoing old metal songs. The soundtrack includes Sum 41, Gob, Treble Charger, and Sloan.

If you like metal and stuff this is a must see.

If not it is about a 7 out of 10

Honestly the first 30 minutes of this film is fairly painful as we watch the main characters played by Dave Lawrence and Paul Spence go through their childhood, as twenty-somethings with meaningless jobs and non existent friends and six pack after six pack. Farrel, the documentary filmmaker, decides to follow these Canadian fellows and make a film on their "so-called" life. As one character discovers a health issue that turns his life upside down, the two characters (and the filmmaker) start a journey into the woods and mother nature to excise their fear. It's only at this point that the film really gets going and the director is finally able to take the saran wrap off the characters and let them emote something more than pure silliness. The production value is low but the story while simple is executed well. Look forward for the Director's next film about a deaf deejay: All Gone Pete Tong.