IMDb RATING
4.3/10
2.3K
YOUR RATING
Beans decides that the only way to grasp the American Dream is to take it. State Property follows Beans and his crew, as they take over the city creating mayhem as their empire builds.Beans decides that the only way to grasp the American Dream is to take it. State Property follows Beans and his crew, as they take over the city creating mayhem as their empire builds.Beans decides that the only way to grasp the American Dream is to take it. State Property follows Beans and his crew, as they take over the city creating mayhem as their empire builds.
- Director
- Writers
- Stars
Tyran Smith
- Shareef
- (as Tyran 'Ty-Ty' Smith)
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This is without a doubt one of the worst movies I've seen in recent years. I gave it a rating of 2 only because at times it was so bad it brought a chuckle. I've seen high school plays with better acting, and the story was silly, exloitative, sexist and full of cliches.
At first, I thought I would enjoy State Property, merely because I am a big fan of rap music, and there are a lot of rap artists in the cast, but I was wrong. State Property turned out not to be a film that I am too crazy about. Watching the trailer, I don't mind, but that's about it. After watching only the first 13 minutes of the film, it seemed to me that the concept of making a movie was used as an excuse to let people swear. Sure, rap artists swear a lot, and I was expecting that, but there was so much profanity and slang, that I found it very difficult to follow along. I also didn't see much point to what was going on in the film. (I don't want to give anything away for those people who plan on seeing it.) Don't get me wrong, I've seen a few films like this before, but with those films, it was easier to follow along with the plot. With State Property, that just wasn't going to happen. And after watching the first 13 minutes of the film, I knew that I had seen enough. I honestly felt that seeing the whole film would be a waste of my time. Feel free to check out State Property if you wish, but have a dictionary handy, the dialogue can be tough to interpret and be aware, this movie, from what I've seen, is nowhere near comedic.
Fade in. Show picture of hommies. Enter voice-over. Beans (Beanie Sigel) tells us what a dog eat dog world this is. All about the Benjamins y'all. Enter titles sequence - lots of pole dancing, close shots of silicon enhanced nipples and focus on ho's wiggling that thang! Camera focus on Beanie and Baby Boy getting down with the girlies. Enter brain light-bulb. Beanie thinks: Yo, had enough of being a poor mother... Time to get rich or die trying. Six weeks later: Beans, Baby Boy and a couple of thugs start randomly shooting drug dealers in broad daylight to take over their business. No police or thugs to hand out pay-back. A year later: Beans rules all, moves out to the suburb, but still shoots, kills or whatever. A dozen or so incoherent sequences of hood crime idiocy later the movie ends. Yo! That was so not cool!
Bad acting, terrible phony script (or more like random parts of scripts clinging together with the use of duct tape) and a tiresome 90 minutes of low-budget pointlessness. Not much more to add but honestly avoid at all costs. It may be low-budget, but that does not take the director off the hook of making something as tacky and superficial as this. Why the hell did anyone make a second part?
Bad acting, terrible phony script (or more like random parts of scripts clinging together with the use of duct tape) and a tiresome 90 minutes of low-budget pointlessness. Not much more to add but honestly avoid at all costs. It may be low-budget, but that does not take the director off the hook of making something as tacky and superficial as this. Why the hell did anyone make a second part?
State Property (2002) was a typical gangster (now gangsta') movie like we've seen since the 1930's. A previous IMDB reviewer wrote that it alluded to Goodfellas. It goes back much further than that. Beans Sigel's character, Beans, is very reminiscent of Rico Bandello, from Little Caesar (1930's). (Rico's character has become so intertwined with popular culture, it is parodized by Chief Wiggum on the Simpsons).
Beans, tired of being broke, and seeing no end to his financial troubles in sight, decides that the only way to improve his station in life is to make it happen his own way- through a murderous rampage to extend his criminal empire. Sounds familiar? It should if you've seen Scarface, Little Caesar, Goodfellas, and literally dozens of other crime/gangster/gangsta' movies. Like all of these movies, the ambitious young character, Beans, not satisfied with an incredible fortune wants more, possible too much. Also, much like many of the central characters that came before him, more than money, Beans wants respect.
The movie was better than IMDB users have rated it, but not stellar. Parts of it are gripping, but from the moment Beans gets his grand idea of starting his criminal empire, you know how it will end. It's enjoyable if you like gangster films and are fascinated by the justifications of morality that these gangsters use. But if you're looking for an installation that brings a whole new twist to a genre, look elsewhere. This plot's been done. Ironically, towards the end, Beans encapsulates this point perfectly: "The players change; the game stays the same." Beans is the new player, in a plot dating back almost a century.
Cheers,
TK
Beans, tired of being broke, and seeing no end to his financial troubles in sight, decides that the only way to improve his station in life is to make it happen his own way- through a murderous rampage to extend his criminal empire. Sounds familiar? It should if you've seen Scarface, Little Caesar, Goodfellas, and literally dozens of other crime/gangster/gangsta' movies. Like all of these movies, the ambitious young character, Beans, not satisfied with an incredible fortune wants more, possible too much. Also, much like many of the central characters that came before him, more than money, Beans wants respect.
The movie was better than IMDB users have rated it, but not stellar. Parts of it are gripping, but from the moment Beans gets his grand idea of starting his criminal empire, you know how it will end. It's enjoyable if you like gangster films and are fascinated by the justifications of morality that these gangsters use. But if you're looking for an installation that brings a whole new twist to a genre, look elsewhere. This plot's been done. Ironically, towards the end, Beans encapsulates this point perfectly: "The players change; the game stays the same." Beans is the new player, in a plot dating back almost a century.
Cheers,
TK
This movie was beyond bad it was terrible Roc a Fella Records have no acting talent what so ever if a rapper such as Beanie Seigel is going to make a movie about his life growing up in the hood be creative this movie is has no creativity 1. How are you going to cast yourself as the same rap name or like the that you use in real life Beans untouchable J boss dame 2. the gun scenes were just as fake as a rolex with cubix zirconias this movie reminds me of Master P debut acting or should I say bad acting 1997 Independent movie Im Bout it it was one of the worst movies of 1997 heres how they are alike 1. they both were banned from movie theaters nationwide 2. the bat scenes in both movies were fake as hell 3. both movies have bad actors and bad acting this movie get no stars from me Ive seen better gangsta movies that were way better than this Garbage
Did you know
- TriviaFilmed on some of the main drug dealer streets in Philadelphia, the crew were often nervous about their safety in these locations.
- ConnectionsFollowed by State Property 2 (2005)
- SoundtracksRoc the Mic
(feat. Beanie Sigel and Freeway)
Performed by State Property
Written by D. Grant, J. Smith, Freeway (as L. Pridgen)
Published by Shakur Al-Din / Hitco South / F.O.B. Music Publishing (ASCAP) / Efartooee Music
Courtesy of Roc-A-Fella Records, LLC
Produced by Just Blaze for F.O.B. Entertainment / N.Q.C. Management / Roc The World
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Details
Box office
- Gross US & Canada
- $2,106,838
- Opening weekend US & Canada
- $452,028
- Jan 20, 2002
- Gross worldwide
- $2,106,838
- Runtime1 hour 28 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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