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Tera Mera Saath Rahen

  • 2001
  • Not Rated
  • 2h 28m
IMDb RATING
5.1/10
378
YOUR RATING
Sonali Bendre, Ajay Devgn, and Namrata Shirodkar in Tera Mera Saath Rahen (2001)
Drama

A man is torn between his handicapped brother and his ladylove, where he finds difficult whom to choose.A man is torn between his handicapped brother and his ladylove, where he finds difficult whom to choose.A man is torn between his handicapped brother and his ladylove, where he finds difficult whom to choose.

  • Director
    • Mahesh Manjrekar
  • Writers
    • Deepak Kulkarni
    • Mahesh Manjrekar
    • Sameer
  • Stars
    • Ajay Devgn
    • Sonali Bendre
    • Namrata Shirodkar
  • See production info at IMDbPro
  • IMDb RATING
    5.1/10
    378
    YOUR RATING
    • Director
      • Mahesh Manjrekar
    • Writers
      • Deepak Kulkarni
      • Mahesh Manjrekar
      • Sameer
    • Stars
      • Ajay Devgn
      • Sonali Bendre
      • Namrata Shirodkar
    • 5User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos1

    View Poster

    Top cast30

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    Ajay Devgn
    Ajay Devgn
    • Raj Dixit
    Sonali Bendre
    Sonali Bendre
    • Madhuri
    Namrata Shirodkar
    Namrata Shirodkar
    • Suman Gupta
    Prem Chopra
    Prem Chopra
    • Mr. Khanna
    Hemu Adhikari
    Jayant Sawarkar
    Jayant Sawarkar
    Shubhangi Damle
    Shubhangi Damle
    Nilesh Divekar
    Nilesh Divekar
    Atul Kale
    Atul Kale
    Abhijeet Satam
    Daman Baggan
    Daman Baggan
    Mangesh Satpute
    Shilpa Chauhan
    Nirmal Soni
    Rajesh Bhosle
    Rajesh Bhosle
    Ajit Kulkarni
      Ajeeta Kulkarni
      Anand Abhyankar
      Anand Abhyankar
      • Director
        • Mahesh Manjrekar
      • Writers
        • Deepak Kulkarni
        • Mahesh Manjrekar
        • Sameer
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews5

      5.1378
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      Featured reviews

      6Sophocles

      bad screenplay, highly commercialized, but still worth a watch

      mahesh manjrekar's movie about the relationship between a man and his disabled kid brother is worth watching for some wonderfully sentimental moments between the two. on the other hand, occupying equal time in the movie is a not-so-subtle comment on society's lack of morality and values. the directorial talent is clearly visible....but the script leaves much to be desired. the films pace falls too often and a certain triteness settles in. the director should be criticized for playing too much to the gallery... putting in unnecessary love songs and conflicts, thus, straying from the main theme of the movie. the music is hummable at best, but works in the key scenes.

      ajay devgan does a very competent job as the older brother torn between the woman he loves and the brother he can't live without.devgan is certainly emerging to be one of the best actors in bollywood...taking into account his performances in zakhm and hum dil de chuke sanam. one just hopes that he doesnt get stereotyped. but the highlight of the film is dushyant wagh who attracts everyone's admiration for his portrayal of the afflicted child. the actor's playing devgan's neighbours never seem to have heard of subtlety. most of them, barring the one playing the aged man, are loud and crass. it is probably a true depiction of the middle class in metros but it certainly needs better treatment because sometimes those characters just end up being annoying.

      on a scale of 1 to 10, i'd give this a high 6. recommended for some good acting, a well-picturised and well-composed title-song and most importantly, some touching moments.
      9prachinayurvedkutir

      most underrated movie of Ajay Devgn

      One of the best acting of Ajay devgn. Yes screenplay seems slow in between but story and music is very hear touching , one must watch this in 2024 where relationships are made for selfishness only , sonali bendre also play her part wonderfully , namrata also good, reema lagu also nice,

      this is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .

      This is very goood movie , must watch .
      5SumanShakya

      A touching story.... but a very average treatment.....

      Subject wise the film is commendable. It deals with the bond between two brothers, one of whom is physically and mentally handicapped. The bond comes into test when the love life of the bigger brother interferes. The film is able to connect its audiences with the central characters. Ajay Devgan plays the central role well and the acting of child artist, Dushyant Beg, as the handicapped boy is just touching and presents with an innocence and spontaneity. Few sequences of the film is even able to moisten your eyes. Indeed the story of the film is touching and is well performed by its central characters. Despite this, the film doesn't raise above the average due to a poor screenplay. The film is effective only when it comes to the story of the bonding. Rest of the film dwells into a love triangle which is boring with unnecessary songs. Besides, some characters are loathed with over acting and unnaturalness. Had the film been worked out more in its narration, the film could have definitely been better.

      Rating: 2 stars out of 4
      Chrysanthepop

      fine performances but screenplay could be better

      The movie shows off some fine performances and pleasant music but the screenplay could have been better. It revolves around a 'chawl' neighborhood at the center of which live two brothers. The relationships between the characters were portrayed nicely e.g. how Soman's father confides in Raj and shares his disappointment, how the neighborhood comes to one another's need etc. Ajay Devgan delivers a decent performance while Namrata Shirodkar shines in her role. She has done a great job of portraying her character's despair. She's always there for Raj and Rahul and she yearns for Raj's love but since he can't reciprocate her feelings, she gradually walks a path of self-destruction. Sonali Bendre is brilliant, nonetheless. Her character has suffered hardship in the past (this is mildly referred) and now she makes her decisions based on practical thinking. She too loves Raj but she won't accept Raj's very limited devotion. Shivaji Sattam does very well and Reema Laggo portrays her character's metamorphosis wonderfully (but she is a little annoying in the beginning). Anand Raaj Anand's music is pleasant but some of the songs could have been easily left out as it slows down the pace. The film tries to show that love and care is all what one needs (at least in the case of the two brothers) and hence, why admit the handicapped brother to an institution? The way the institution was presented, with all the patients wearing some kind of uniform, was ridiculous. But why not rehabilitate the handicapped brother and provide him enough love and care? There's no need to admit him in an institution but he can still receive training and achieve some level of independence. But no, none of that is mentioned. As with a majority of Bollywood movies, this also tends to be melodramatic to some extent. Though I'd still say you could watch it for some fine performances, good music and to feel good.

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      Storyline

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      Did you know

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      • Trivia
        Sushmita Sen was dropped from the film when she asked for a narration from Mahesh Manjrekar. She was later replaced by Sonali Bendre.

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      Details

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      • Release date
        • November 7, 2001 (India)
      • Country of origin
        • India
      • Language
        • Hindi
      • Production company
        • Ratan International
      • See more company credits at IMDbPro

      Tech specs

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      • Runtime
        2 hours 28 minutes
      • Color
        • Color
      • Sound mix
        • Dolby Digital

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      Sonali Bendre, Ajay Devgn, and Namrata Shirodkar in Tera Mera Saath Rahen (2001)
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