The Way We Live Now

"The Way We Live Now", like most Victorian period satire, looks into the lives of numerous characters sorting through the intrigues and foibles of romance, wickedness, power, and the pursuit of peerage and property. A lightly perfumed costume flick which tilts unabashedly between comedy and drama, this story centers on a crude but rich businessman (Suchet) whose powerful performance is the backbone of the film. Side plots include an issue fraught romance, an attempt to marry into a fortune, a scheme to build a railroad from Utah to Mexico, cheating at love and cards, politics, a woman scorned, and much more. A four hour TV miniseries from the BBC, "The Way We Live Now" has plenty of time to sort through its many characters while tidying up at the end making it a busy and enjoyable Victorian period film. A should-see for anyone into BBC TV fare, Victorian period stories, and 19th century pulp fiction. (B+)

A truly unique look at Trollope. The adaptation, direction and musical score are done with high style, wit and a decadent spirit that is rare in the more reserved British period pieces that one might expect from the BBC. It is immensely entertaining. I heartily recommend it.

One of Trollope's longest tomes, 'The Way We Live Now' is a tale of greed and downfall in London during the 1880's boom. It tells the tale of a visiting conman, Melmotte, who decides this time to stay in his chosen destination after having been forced to leave Vienna in haste after causing another of the financial scandals in his long career. With many characters and subplots, this is a hard book to adapt to the screen. The BBC has managed a competent interpretation nontheless, squeezing the whole thing into only five hours.

David Suchet as the protagonist, Melmotte, is excellent: a dark and charismatic foil to the foppish aristocrats who disdain all about him except his money. His daughter, Marie Melmotte, is particularly sweet. Apart from a few quirks like Mrs Hurtle's bizarre American accent (did American ladies really talk with a Jerry Hall drawl in the nineteenth century)? this is an extremely pleasing production.

Another fine Sunday night filler from Andrew Davies and the BBC. Based on one of Anthony Trollope's later and less well known novels, this six -part story (300 minutes) covers the short but spectacular career in London of Augustus Melmott, financial fraudster extraordinaire. Melmott is a Victorian Robert Maxwell (the bouncing Czech), a promoter of huge ambitious business ventures with a flamboyant style that proves irresisitable even to the hard-nosed. Like Maxwell, he has a seat in the House of Commons. Some of the hard-nosed have their suspicions but go along for the ride anyway no doubt hoping to get something for themselves along the way.

Trollope weaves the strands of the plot adroitly using the Carbury family as the central characters. Lady Carbury (Cheryl Campbell) is the widow of a baronet (minor aristocracy) and without the means to live in the appropriate style. Her son Felix (Matthew McFadyen) is a total waster, putting any money he gets on the card table, and losing it. Lady C is trying to palm her rather priggish daughter Hetta (Paloma Baeza) off onto her nephew Roger (Douglas Hogg), also a prig, who has inherited the family estates. Roger is interested but Hetta is not, as she fancies Paul Montague (Cillian Murphy), a railway engineer and friend of Roger's. Murphy works for Melmott's company (the board is stacked with peers and baronets, including Felix). The Central American railway is supposed to be building a railroad from the central west of the US to Mexico. The railroad route has been surveyed, but funnily enough construction keeps on being delayed even though enough money has been raised to at least start it. Where's the money Melmott? Some is syphoned into his daughter Marie's trust fund. Marie (Shirley Henderson) is courted by Felix, who is very interested in the money, though not so interested in Marie.

To say more would spoil the story. The casting is splendid, except for Cillian Murphy as Paul whose pretty-boy looks are more appropriate for a Romeo than some who has been a civil engineer for some years and spent a lot of that time in the merciless Mexican sun. As his American mistress Mrs Hurtle, Miranda Otto, otherwise a capable actress, can't do the Deep South accent. It would have been better to re-write the part for an Australian. If it's any consolation, Meryl Streep can't do an Australian accent either – it comes out as cockney, as we saw in 'Evil Angels'.

The star performance is without a doubt David Suchet's as Melmott. Though a small man, he dominates every scene he is in, with his deep loud voice and grand manner. Critics are silenced by a mixture of flattery, bluff and sometimes threat. In the finish we almost like him, despite the chaos he causes. It is truly the role David Suchet was born to play, one utterly different from his small fussy Belgian detective, Hercule Poirot. Shirley Henderson as Marie also stands out in this company of very accomplished acting.

I haven't checked the novel, but there are one or two quite modern touches for which Trollope may have been responsible, such as Marie's (or was it Hetta's?) feminist speech towards the end. He may have got that from his mum, who had to support her family by novel-writing after her husband died, and did so quite successfully.

In the 1870s we had railways, in the 2000s we had dot coms. The vehicles change but we still have fear and greed as dominant players in the markets. The title 'The Way We Live Now' is just as apt today, as we see the Enron, Arthur Andersen, Worldcom crashes in the US, and HIH, FAI and One-tel in Australia. It is interesting that this 1875 novel, with no high literary pretensions, pulp fiction in fact, should be so relevant today. A engrossing film adaption from the Eng Lit specialists.

"The Way We Live Now" (2001) is a four-episode BBC miniseries directed by David Yates. The book is based on a novel written by Anthony Trollope (1815 - 1882). Trollope was a brilliant Victorian novelist, but, unlike his contemporary Charles Dickens, Trollope's name is not nearly as well known in the 21st Century. However, the BBC has produced several of his works, and they are worth seeing.

This novel is Trollope's longest, and possibly his most complex. Someone has estimated that there are over 100 named characters, and subplots abound. However, all the plots and subplots involve Augustus Melmotte, a shady character with grandiose schemes. Melmotte has the uncanny ability to make people want to give him money. He wants the money because his goal in life is to be an English gentleman.

If there had been a weak actor playing Augustus Melmotte, the whole movie would have fallen apart. This movie hung together because David Suchet played Melmotte so well. You'll have to see the film to know just how completely Suchet takes over the role of Melmotte.

Most of the supporting cast was at the usual high BBC level. Matthew Macfadyen plays Sir Felix Carbury, the cad, very well. Paloma Baeza plays Hetta Carbury, his lovely sister who is everything Sir Felix is not.

I think that the two weakest actors were Cillian Murphy as Paul Montague, and Miranda Otto as Mrs. Hurtle. Paul Montague is supposed to be the perfect Victorian hero. He's an engineer, and he isn't driven by greed. He's driven by the goal of designing and building the Mexican railroad. (The Mexican railroad is the starting point of Melmotte's rise to financial power.) The problem is that Murphy doesn't look or act the part. His character is not that different--in appearance or manner--from Sir Felix Carbury. They are supposed to be at opposite poles, but they aren't.

Miranda Otto is an Australian actor who has been given the role of an American from Oregon. Otto has a strong Southern US accent, which doesn't work. It's certainly possible that Mrs. Hurtle was originally from the U.S. South, and moved to Oregon. However, her Southern accent doesn't sound right, and it's clear that she is struggling with it whenever she's on screen.

As an interesting side note, Mr. Brehgert, a Jewish banker, is acted by Jim Carter, who plays Carson the butler on Downton Abbey. He's in love with an elegant Englishwoman, and his religion stands in the way of their marriage. His bank lends money to Melmotte. That's another subplot that revolves around the mysterious Augustus Melmotte.

I enjoyed this miniseries, and I recommend it highly. Without Suchet it could have been a failure. With Suchet, it's a triumph. We saw it on the small screen at home, and it worked very well. (There are a few outdoor scenes that would work better in a theater, but most of them are fillers put into the movie to "open it up." The real plots take place indoors, and they work well on DVD.) Seek out this movie and watch it! You'll be glad you did.