Comme ça vous chante, Madame la gouvernante

I grew up with Ja Zuster Nee Zuster in the sixties in the Netherlands and to this day I still whistle many of the tunes from this brilliant children's program that aired '67/'68. The producers could have pumped in some extra money and 'hired' the Dam Square for their dance numbers, but they decided to keep it '67-campy and filmed it on a back lot. Many tongue-in-cheek references to that era: on the TV we see the baptism of Prince Willem Alexander, watch 'het Dafje' driving by, the winking picture of then Queen Juliana. The actors are acceptable, but I reminisce about the original performances by Leen Jongewaard, Hetty Blok and Wim Sonneveld. The current 'Nurse Klivia' does a mediocre 'Groningen' accent and mixes it with an Amsterdam accent. Hetty would cringe... . And yes, Annie M.G. Schmidt did write those lyrics to 'Fuchsia' on purpose. A final word: Please, please a P.C. Hooft Award for Annie. Posthumously, but NOW!

Today the DVD version of the movie was released in Holland and as a big fan I've just run through the DVD.

A simple, yet effective story line combined with the outstanding music and strong character play makes this an excellent movie for children.

A funny trivia about the movie is, that the movie almost had to be canceled, because the Red Cross organization was not happy with the use of the red cross on the clothing of the main character, Zuster Klivia. Luckily this dispute could be settled and you can see the Zuster with a retouched blue cross cap.

"Ja Zuster, Nee Zuster" originally was a series that ran in the mid sixties in Holland. It depended heavily on the excellent songs and certainly not on intriguing story lines. Because film tapes were expensive in the 60's, other material was recorded over it and for a long time all film material was believed to be lost. Yet in recent years some of the original material was rediscovered.

From this original material 15 songs were selected and added as a bonus to this DVD, making this DVD also a must have for older generations.

Happy comment on the 60-ties in the pre-hippie era, where everything had to be neat and tidy. The story is about a household ruled by a good and naive nurse that has to compete with a nasty neighbour. The film was made after the television series, that turned some characters' behaviour more into a running gag than a film is able to do. The original TV-series only remain to exist in the memory of people as the tape copies were reused and thus destroyed in the pre-VCR times. Based on the concepts of the series a new script was made with a simple storyline that makes up a nice base for singing (of the original songs) and dancing. Most of the songs are now classics by writer Annie M.G. Schmidt and composer Harrie Bannink, who both recently died. I think nevertheless that it is a very Dutch movie. Subtilties are harder to understand for outsiders. One other goof found. In the scene with the singing flight attendants, a model plane is used of a 747-400. It was introduced in 1988. Even a 747 is questionable as it wasn't launched until 1969 and KLM took it's first one into operation in 1971.

My husband's Dutch, but darned if I can speak the language. Still... I came out of the movie a week ago, and I'm still singing "Niet op de stollen staan / Ja zuester, nee zuester; niet met de deur slam / Ja zuster, nee zuster" (sp?). And HE doesn't sing...yet I keep catching him singing the Opa song. I keep thinking of the twisp and giggling.

The film is very, very, totally very dutch in wonderful ways. If you like some of the best comic Indian films of the 60's, this has some of the same charm, too. The cinematography and physical comedy is as gently goofy as the story and characters, and the actors are charming.

A note to the guy who left after 40 minutes...Boordevol starts out one-note but goes through...changes. Too bad you missed them.

This truly unique, truly wacky musical is something only European cinema could produce. From the Busby Berkeley-style production number in the opening credits to the 50's beefcake inspired pigeon feeding song (take THAT Mary Poppins bird lady), this musical gleefully totters along the line between silly and salacious with the occasional good-natured stumble into John Waters territory (One of the songs even mentions Baltimore)

This movie is NOT for everyone. However, if you are familiar with the vernacular of the big budget musical, if you liked the zany sensibility of Little Shop of Horrors, if you can enjoy a movie where the only explosion occurs off camera (a tribute to You Can't Take it With You?) then this may just be the film for you.