The Gatekeeper

While I agree with many others that this film had many unrealistic lines and images, I feel the big picture frey was going for was achieved in showing a rarely seen take on illegal immigration. I know quite a few people who are 'half and half' and many are very conflicted about what to think of and/or how to deal with the illegal immigration problem. So I forgive many of the criticisms from a film making point of view because it did present a very realistic portrait of one man's struggle.

while I would not give him any directorial awards, I think he was the perfect choice to star in this. I sure would have selected an actual latina for the female role of Eva, but he financed the thing. I feel he would have had better luck by not going astroid with a pretty far out there 'work it off for a year' thing. 99% of the people coming across are let go the second money hits the coyote's palm. Same with the multiple murder. That makes for a great trailer, but how often does that happen? I guess when you do your own financing you can take a liberty or two. So I suggest it for those who have an interest in this topic. If you're in film school and desperately need ideas on how to become the next Scorcese, pick another flick.

This movie has had a lot of favorable press from Hispanic audiences. The local (Tucson) media has been kind to it. A work of art it is not. So the question is whether you pay attention to the message, or get turned of, like I did, with how it was delivered. We definetly need good movies about the subject of Mexicans flowing into North America. This is not one of them. Once again we learn that actors should not write, direct and star in their own vehicles; as it just leads to a myopathic product.

Amateurs can do great work but almost everything about this movie is C grade. The bad guys all have one expression: self satisfying smirks. All of them must have gone to the Simon Legree school of villainous acting. I would have almost preferred it if they had gone to the Snidely Whiplash graduate school of delightful self parody! And when they misbehave it's in spades, so we can really loathe them. Speaking of Simon Legree there is an Uncle Tom's Cabin kind of simplicity to the movie. There are no shades to the characters, all are one - dimensional. We are forced to like the victims and hate the victimizers.

Frey decides to make his character an angry self loathing bigotted caricature, so that in the end I didn't care if he was redeemed, because he was now an angry other loathing bigotted caricature! Has he grown? We never find out, but in the cliches of these kind of movies we are to presume that he does.

An interesting twist is that the movie is in English with Spanish subtitles. I assume Frey did this to attract an Anglo audience. It would have worked better the other way around, so that the plot could have had a Mexican rhythm to it, and thereby somewhat masked it's faults.

I hardly ever say this, but this is a very, very bad movie. I gave it a one...I don't think I'd ever rated a movie a one, out of dozens of movies I've rated. For starters, the portrayals are COMPLETELY inaccurate. I grew up in a border town in Mexico (before eventually moving to the border town in the U.S.), and this is not even close to reality. Sure, movies are not reality, but this movie also has no point, no real story, horrendous acting, and, the worst aspect of the movie, an awful script. Every line is not only full of cheese, but it actually doesn't mean anything (to the movie or to real life). Please, if you ever see this movie, do not even begin to consider the possibility of getting anything informative out of it. I really dislike bashing someone, but I can't help to think how in the world this guy got to make this movie and, worst of all, release it nationwide. Again, portrayals of ALL people (not only Mexicans) and individual characters are especially unjust. I actually went into the theatre with a positive attitude and favorable expectations, so if it would've been something in-the-middle, I would've given you the benefit of the doubt, but the truth is that, *gulp*, this is the worst movie I recall watching.

Although this engrossing film was, apparently, produced on a limited budget, John Carlos Frey, (writer, director, actor), has secured a good insight into illegal border hoppers, mercenary coyotes, and illicit drug manufacturing. The visuals are stunning and newsworthy realistic. All the major players, (particularly Frey himself), turn in exceptionally sensitive characterizations. The opening scenes of secret vigilantes and a rogue border patrolman voicing racial epithets, (and other vile racist attitudes), is difficult to watch. However, the final reclamation of the border cop's heritage and spiritual reformation make this a strong entry in the search for peace and security for everyone on both sides of the Rio Grande.

I just caught a screening of this film in Albuquerque, New Mexico. It deals with racism and the experience of Mexicans crossing the US border for a better life; unfortunately that life is working in a crystal meth laboratory. I wish that it had more development about its main character, a self-hating Mexican-American

border guard, who goes undercover with a group of illegal aliens. He eventually gets a change of heart, once he crosses the border and develops a

cameraderie with his fellow workers, and realizes how harsh their reality is.

Two sequences were extremely powerful: One, where he confronts his dying

mother, and refuses to acknowledge her was powerful; the anger incredibly

convincing. The other was a scene with the workers singing about their trek into California, and how their only goal is to make a better life for their families.

It's worth checking out, especially since this appears to be a first time director with an edge.