The Dogwalker

Loved it. And I'm a lawyer who generally can find an argument against almost any movie. Simple, authentic, smart and very touching. Can't ask for more. Nonetheless, I just submitted this and they said I needed a minimum of ten lines. So, I'll say that the acting is marvelous. Saw here on IMDB that the older actress, Pamela Gordon, died recently. That's sad. She was great. The younger one, Diane Gaidry, was great, too. Sorta has a young Melanie Griffith quality. Would love to see more stuff that she's in.

Don't normally write in for things like this, but saw the movie listed at another festival today and thought I should show my support to say thanks for a very enjoyable and profound hour and a half.

I looked at the ratings system and don't understand what kind of secret formula IMDb uses that works to the detriment of this film. Based on how people have rated it, it should be a much higher score.

I say this because I just saw the film and thought it was amazing! Saw it at a benefit screening in Santa Monica. I've never used IMDb before and the filmmaker, who was at the screening, asked us to post something here if we liked the film. So, I am. But also read the other comments/ratings.

Anyway, I also read a bad review in the L.A. Times that was totally hostile and completely at odds with what I, and my fellow audience members, saw. Everyone I talked to loved the film and felt it was rich, complex and deeply affecting. The review was shallow and pointless. Ignore it - and others like it - and see this film for yourself. If you do hate it, too, don't be afraid to say so here. But I'm betting most of you will feel just the opposite. I did, anyway.

This is an amazing and touching film. You don't even have to be a dog lover to enjoy it! Although the title may lead you to think that it's merely a film about dogs, it's about so much more. This film explores an array of important issues such as cancer and domestic abuse powerfully, but without being preachy or heavy handed.

Jacques Thelemaque writes and directs with honesty and grace, and the performances by Diane Gaidry and Pamela Gordon are authentic and full of real human emotion, which seems to be missing from most independent films these days. This is the kind of independent film that deserves your support, go see it and I guarantee you will not be disappointed!

This is independent cinema at its best. The film follows a young woman who escapes her abusive boyfriend to find herself mugged, money less, and homeless, in LA. She wakes up in a dog park and is befriended by an older woman with a sketchy past. That begins the young woman's journey to find herself and the strength to stand up and face her fears. Jacques Thelemaque directs with a meditative simplicity that is hypnotic. This film is not only for dog owners, but anyone who is searching for something. Minus the car chases, and the typical Hollywood style sensationalism, this is a character driven story with a simplicity that reaches far beyond what's on the surface. The universe has a message for all of us, all we have to do is pay attention.

In the true spirit of independent film-making, writer/director Jacques Thelemaque and his wife/ partner, gifted actress Diane Gaidry, create a sensitive yet powerful film that is reminiscent of Cassavetes and Rowland collaborations in the past. The late Pamela Gordon also gives a stellar performance, as together this team puts a very truthful portrayal, a slice of real life up on the screen. Dogwalker is a touching story about healing old wounds and finding new friendship, love and hope in rebuilding one's life. Thelemaque directs with a master's touch, and his style reminds me of the best offerings from John Sayles. The fact that both Thelemaque & Gaidry are co-founders of Filmmakers Alliance in Los Angeles, and that that very community contributed immensely to making the film, sets them apart in the independent world as leaders who put their money where their heart is, and deliver the goods when they themselves are out in the field. To not see this accomplishment of theirs is to doubt the very foundation of independent film-making. And if you're a filmmaker, see this film and celebrate in their triumph, so you can be inspired by what's possible and aim high in your own aspirations.