A quiet, unassuming man begins to change in a major way as a result of meeting a new, art-student girlfriend, and his friends are unsettled by the transformation.A quiet, unassuming man begins to change in a major way as a result of meeting a new, art-student girlfriend, and his friends are unsettled by the transformation.A quiet, unassuming man begins to change in a major way as a result of meeting a new, art-student girlfriend, and his friends are unsettled by the transformation.
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Featured reviews
Neil Labute's shocker is nothing short of breathtaking with amazing performance by Rachel Weisz who is becoming the best actress we have around. The story is intense and the performance is great all around, and it will floor you once you finish seeing it. The biggest praise goes to Rachel Weisz, who single handily makes this movie as great as it is, and she carries this film on her shoulders all the way. Her performance is a tight rope of nerves and guts, and she does it all with style.
If you are looking for an intelligent movie with a great and fearless performance by one of the best actresses of our generation, this is it. If you can't take reality, then go hide under a rock.
If you are looking for an intelligent movie with a great and fearless performance by one of the best actresses of our generation, this is it. If you can't take reality, then go hide under a rock.
Surprisingly cold satire with too much empty dialog, but you must really appreciate the attitude: the message is against the feel-good-romances as well as against the gender-politics. If you feel betrayed just because Rachel W says everything you loved was actually art and performance under construction, the film was worth of seeing. And you should note that the "art gallery" in the end of the film has nothing to do with art itself... the meaning of this metaphorical place you can decide yourself.
It may not be a good example of play adaptation, but there really should be more films like this with good self- consciousness, and also more actors like Rachel W who understand the point of irony.
It may not be a good example of play adaptation, but there really should be more films like this with good self- consciousness, and also more actors like Rachel W who understand the point of irony.
This film was absolutely not what I expected it to be. In the first half an hour, I even got a little bored, because it seemed like the story was going nowhere. Fortunately, I got my happy ending - no, not at all a film with a happy ending, just an ending that makes the film precious! It really makes you stare at the black screen, with the cast moving in front, and think about what you've seen over and over again. Of course, the brilliant play of Rachel Weisz cannot be left unmentioned, but I think that the others did a great job as well. "The Shape of things" is a film with actually just four actors and one great idea, and trust me, it is worth seeing. I am just wondering how would I feel the second time I watch it!
Rachel Weisz seems to be everywhere. From a Soviet partisan in besieged Stalingrad in "Enemy at the Gates" to a self-assured single mom in "About a Boy" and most recently as a grifter in "Confidence," she inhabits her roles with deft assurance.
Here, in Neil La Bute's play-brought-to-the-screen, "The Shape of Things," Weisz is a disturbing, thought-provoking challenging character: an artist in pursuit of a master's degree but in reality a tester of uncharted waters as she combines the creation of art with her relationship with a man who, like a canvas, is transformed from without. In this case by her.
Paul Rudd is Adam, an art gallery guard who Evelyn, the art student, first encounters in a quirky exchange that suggests an unfolding comedy. There are humorous moments but a darker side slowly emerges as Evelyn carefully encourages Adam to shed his dorky exterior. There's nothing new, of course, with the theme, "Change if you love me," but here Adam's relationship with his close friends, Phillip (Fred Weller) and Jenny (very well acted by Gretchen Moll) takes some disturbing turns. Is Evelyn a catalyst or an agitator? Is her commitment to art part of her persona or its sum total? These questions are increasingly explored in this short film. Does the name "Adam" have some esoteric meaning here?
Some plays don't travel well to the screen. This one does. La Bute's play seems to have been little altered by him for a screenplay.
What is the place of ideas and intellectual experimentation in the creation and fostering of an intimate relationship? Are there boundaries that must be respected even if truth is sacrificed in the process? Does art illuminate or camouflage the reality of a relationship? No ready answers and no final ones here but the effort yields a thought-provoking study.
Rachel Weisz's emerging and brooding intensity is the anchor for this unusual film. She also produced the movie.
The score is by Elvis Costello. His fans will appreciate the soundtrack.
8/10.
Here, in Neil La Bute's play-brought-to-the-screen, "The Shape of Things," Weisz is a disturbing, thought-provoking challenging character: an artist in pursuit of a master's degree but in reality a tester of uncharted waters as she combines the creation of art with her relationship with a man who, like a canvas, is transformed from without. In this case by her.
Paul Rudd is Adam, an art gallery guard who Evelyn, the art student, first encounters in a quirky exchange that suggests an unfolding comedy. There are humorous moments but a darker side slowly emerges as Evelyn carefully encourages Adam to shed his dorky exterior. There's nothing new, of course, with the theme, "Change if you love me," but here Adam's relationship with his close friends, Phillip (Fred Weller) and Jenny (very well acted by Gretchen Moll) takes some disturbing turns. Is Evelyn a catalyst or an agitator? Is her commitment to art part of her persona or its sum total? These questions are increasingly explored in this short film. Does the name "Adam" have some esoteric meaning here?
Some plays don't travel well to the screen. This one does. La Bute's play seems to have been little altered by him for a screenplay.
What is the place of ideas and intellectual experimentation in the creation and fostering of an intimate relationship? Are there boundaries that must be respected even if truth is sacrificed in the process? Does art illuminate or camouflage the reality of a relationship? No ready answers and no final ones here but the effort yields a thought-provoking study.
Rachel Weisz's emerging and brooding intensity is the anchor for this unusual film. She also produced the movie.
The score is by Elvis Costello. His fans will appreciate the soundtrack.
8/10.
Terrifying but so true tale about the way people can control us and the reasons we just let them do it. Rachel Weisz is amazing as art student who makes changes to a lonely guy who just wants to fit in. The story in true Neil Labute fashion takes a macabre turn and makes you question everything that you have done in your relationship and gives you a well deserved punch in the stomach in the reality department as well. The acting is beyond top of its game with Rachel Weisz proving once again to be one of the most talented and gifted actresses of our generation. Her performance is beyond brilliant and she single handily carries this movie on her shoulders with her performance. Paul Rudd, Fred Weller and Gretchen Mole do great work as well and Neil Labute proves once again to be a profound playwright of uncanny wisdom of the evil that resides in the human heart.
I do hope that Weisz and Labute work together again.
I do hope that Weisz and Labute work together again.
Did you know
- TriviaWas originally a play starring Paul Rudd and Rachel Weisz, which played in London in the summer of 2001.
- GoofsIn the park scene where Adam and Jenny kiss, Adam's nose looks normal, but at this point he hasn't had the surgery yet. The surgery happens in the next scene.
- ConnectionsFeatured in Cleanflix (2009)
- SoundtracksLover's Walk
Written by Elvis Costello
Performed by Elvis Costello and The Attractions
Courtesy of Demon Music Group, Ltd., by Elvis Costello
By Arrangement with Rhino Entertainment Co. and Warner Special Products
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Details
- Release date
- Countries of origin
- Language
- Also known as
- The Shape of Things
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $735,992
- Opening weekend US & Canada
- $173,246
- May 11, 2003
- Gross worldwide
- $826,617
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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