La couleur du mensonge

I found this an excellent film.Hopkins and Kidman were superb in their character portrayal especially Kidman.My only qualm is that some of the story could be expanded such as when Kidman meets Hopkins and hit it off. Hopkins had been in her shop earlier and there didn't seem to any spark of love interest at that point............even in the car there seemed to be no real chemistry.I think their initial meeting should have been more intense as for the rest of the story to follow on. I also thought the part of the ex husband could have been beefed up to reflect his often violent tendencies to his ex wife. Overall i was mesmerised by the acting of both Kidman and Hopkins and the superb way the story line was gently weaved out as th film progressed.

There has been a lot of bad press about this movie, and, to a point, I don't understand why. Of course, I think that both Hopkins and Kidman were miscast in their respective roles, but at least Kidman trounced her miscasting and turned in a very strong, artistically nuanced performance.

This movie, to me anyways, seemed to be a bit theatrical. The camera shots are often distant, not allowing us to see the actors close up. The script is very loose, allowing for the actors to take the roles and make them their own. Also, most of the actors give very broad, exaggerated ( but not too much) performances. I consider this to be good. We live in an age when theatre is losing its popularity and the director of this film seems to have found a way to bring theatre into cinema.

There are some slight flaws in the movie. Hopkins speaks with a Weslh accent for no apparent reason. The ending is a tad bit drawn out, not terribly so.

Above all though, I consider this film to be a work of art. It certainly made me think about my own life; it's very powerful.

I wished for more from Nicole Kidman after her good performance in Moulin Rouge, but she is stuck in a rut. It is incomprehensible that she won an Oscar for her performance in The Hours, as all she did was smoke cigarettes and brood while wearing a false nose. In The Human Stain, she again smokes cigarettes and broods, this time with dirty fingernails.

Anthony Hopkins did a good job of playing a man riddled by angst, but his misery seemed to stem from his being in the movie, rather than from being in character. Gary Senise, an enjoyable actor, was stiff and terrified-looking. Ed Harris was typically brilliant.

The interesting part of the movie is the story of a young black man growing up in the 1940's and "passing" for white. The actors playing his family were wonderful, and the insights offered were moving and human. It is a shame that part of the story was not lifted out and made into a movie of its own. It would have been better for us all.

I honestly can not think of a single thing wrong with this movie. The actors are top rate actors that consistently turn in exceptional performances. This movie is no exception.

The plot is intriguing. The pasts of the main protagonists unfold, making their characters exceptionally deep. We get to see these characters evolve in interesting and compelling ways. There are shades-of-grey in these characters. We don't have the perfect hero. We have gentle people with kind hearts who make mistakes.

The direction is perfectly understated. There is a lot of nuance in the way the scenes are filmed and the way in which the actors are framed. Instead of the love scenes being the all-to-familiar humping and groaning, these scenes are filmed without graphic nudity. Note the way in which Anthony Hopkins places his hands on Nicole Kidman's back. It is so loving and tender and intimate.

Even the editing is right on. The length of the film, at 106 minutes, is the perfect length. There are no wasted scenes.

Some of the material is hard to watch. Note the posture and the facial expression on Anthony Hopkins in the kitchen scene in which Nicole Kidman is giving him a hard time. It is subtle and painful to watch.

If you are into light-hearted escapist film, this isn't for you. The subject matter is deep and difficult. I like these kinds of movies and this one is one of the best in class.

Kudos to all involved with this film.

I almost did not see this because of the poor reviews (only 38% on Rotten Tomatoes) but I'm glad I ignored the reviews and saw it any way. While far from perfect, it is still one of the better films of the year.

This is a film that aims high, which makes it's imperfections stand out all that much more. While the critics have documented all that is wrong with this film, it is still a powerful story with great acting and cinematography. For me, more cinematic style would have been what this film needed to take it from being a good film to being a great film.

A strong 8/10 rating.