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IMDbPro

Bobby

  • 2006
  • R
  • 1h 57m
IMDb RATING
7.0/10
44K
YOUR RATING
Bobby (2006)
Theatrical Trailer from Weinstein Co.
Play trailer2:22
3 Videos
99+ Photos
Political DramaBiographyDramaHistory

The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.The destinies of 22 people of different races, sexes, beliefs, and social classes are intertwined on the night that politician Robert F. Kennedy is assassinated.

  • Director
    • Emilio Estevez
  • Writer
    • Emilio Estevez
  • Stars
    • Anthony Hopkins
    • Demi Moore
    • Sharon Stone
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    44K
    YOUR RATING
    • Director
      • Emilio Estevez
    • Writer
      • Emilio Estevez
    • Stars
      • Anthony Hopkins
      • Demi Moore
      • Sharon Stone
    • 280User reviews
    • 100Critic reviews
    • 54Metascore
  • See production info at IMDbPro
    • Awards
      • 6 wins & 25 nominations total

    Videos3

    Bobby (2006)
    Trailer 2:22
    Bobby (2006)
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Trailer 5:00
    Breaking Bobby Bones: Grand Canyon Cliffhanger
    Breaking Bobby Bones
    Trailer 1:03
    Breaking Bobby Bones

    Photos275

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    Top cast90

    Edit
    Anthony Hopkins
    Anthony Hopkins
    • John
    Demi Moore
    Demi Moore
    • Virginia
    Sharon Stone
    Sharon Stone
    • Miriam Ebbers
    Harry Belafonte
    Harry Belafonte
    • Nelson
    Joy Bryant
    Joy Bryant
    • Patricia
    Nick Cannon
    Nick Cannon
    • Dwayne
    Emilio Estevez
    Emilio Estevez
    • Tim
    Laurence Fishburne
    Laurence Fishburne
    • Edward
    Brian Geraghty
    Brian Geraghty
    • Jimmy
    Heather Graham
    Heather Graham
    • Angela
    Helen Hunt
    Helen Hunt
    • Samantha
    Joshua Jackson
    Joshua Jackson
    • Wade
    David Krumholtz
    David Krumholtz
    • Agent Phil
    Ashton Kutcher
    Ashton Kutcher
    • Fisher
    Shia LaBeouf
    Shia LaBeouf
    • Cooper
    Lindsay Lohan
    Lindsay Lohan
    • Diane
    William H. Macy
    William H. Macy
    • Paul
    Svetlana Metkina
    Svetlana Metkina
    • Lenka
    • Director
      • Emilio Estevez
    • Writer
      • Emilio Estevez
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews280

    7.043.5K
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    Featured reviews

    ccbc

    Good Movie

    People who complain about the ensemble cast and disparate story lines are missing the point. This is a movie about ordinary people caught up in the great drama of history. All the people have their own lives to live (as is pointed up in a Kennedy speech clip during the credits) but all are affected by the event that is to take place. War movies frequently have this concept. This is a peace movie about people whose lives will be changed by an outside event. (Disclaimer: I remember in June 1968 my wife, an early riser, sitting on the edge of the bed saying, "Robert Kennedy was shot." I knew right away what that meant: Nixon would be president, four more years of war... Yes, I was one of those ordinary people who was affected by this historic event.)
    9f_dodds

    A film that helps us understand what was lost in 1968

    "Fear not the path of truth for the lack of people walking on it." June 6th, 1968 (From the last speech Bobby gave) At a time when through out the world we seem to have lost our way and our belief in our political leaders is perhaps at its lowest ebb…. we see a reminder of what we had lost.

    The sixties saw the assassination of John, Martin Malcolm and Bobby. As one of the actors says in the film "Bobby …… our last chance". We can only imagine what a different world we might have had had they lived.

    When it premiered at the Venice Film Festival (http://www.labiennale.org/en/cinema/ ) it received a seven minute standing ovation. The film's tagline is He saw wrong and tried to right it. He saw suffering and tried to heal it. He saw war and tried to stop it.

    There are some icons of that time and one is the election poster of Robert F Kennedy from 1968 (http://www.rfkmemorial.org/ ).

    Bobby is written and directed surprisingly by Emilio Estevez and features an amazing cast of stars. It is a fictional account of the lives of several people affected by and during the final hours of Senator Robert F Kennedy's life on the 6th of June 1968 as he attempted to become the Democratic candidate for President of the US. The film includes Anthony Hopkins playing the former doorman at the hotel where Kennedy was killed; other stars include Elijah Wood, Demi Moore, Sharon Stone, Christian Slater, Heleb Hunt, Harry Belafonte and my favourite TV President, President Bartlet (Martin Sheen).

    "Our gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worth while. And it can tell us everything about America except why we are proud that we are Americans." 1967 RFK For a generation it was Bobby who represented dashed hopes and dreams of a better world we might have had, which was cruelly taken away. At the Ambassador Hotel in Los Angeles on June 4th 1968, he left the ballroom after having won the all important California and South Dakota Primaries. He went through a service area to greet supporters working in the hotel's kitchen. While moving through a crowded kitchen passageway, Sirhan B Sirhan a 24-year-old Palestinian, fired a .22 calibre revolver directly into the crowd surrounding Kennedy. Kennedy, who was shot in the head at close range and also six other people were wounded. Although wounded he remained conscious for about 20 minutes where his concern was about others he was heard to say "Is everybody all right?" He was taken to Central Receiving Hospital and then Good Samaritan Hospital for emergency brain surgery. I was at school at the time in Melbourne in Derbyshire and the school put a room aside for any children to watch the news throughout the day to see if he survived lessons were put aside. He died there at the age of 42 in the early morning hours.

    With his death the darkness seemed to descend having lost Martin Luther King already that year.

    "A revolution is coming--a revolution which will be peaceful if we are wise enough; compassionate if we care enough; successful if we are fortunate enough--But a revolution which is coming whether we will it or not. We can affect its character; we cannot alter its inevitability." 1966 RFK He had just completed three and half years as one of the Senators for New York. He had helped to start a successful redevelopment project in poverty stricken Bedford Stuyvsant in New York City bringing business back into areas of New York they had left years before.

    He had an ability to speak to people across divides in US society of the time which were strong. He managed to pull together a coalition of poor -- black and whites, middle class he spoke forcefully in favour of what he called the "disaffected," the impoverished, and "the excluded,".

    The film gives a wondrful feeling as if you are really still living that hope.

    "Few will have the greatness to bend history; but each of us can work to change a small portion of events, and in the total of all those acts will be written the history of this generation ... It is from numberless diverse acts of courage and belief that human history is thus shaped. Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centres of energy and daring, those ripples build a current which can sweep down the mightiest " RFK It is my hope that this film will help to inspire a new generation for public service.
    9AuntieEm03

    Captures the Era and the Man

    I saw the movie "Bobby" as part of the Vienna International Film Festival last week and thought it was an incredibly powerful film. The movie focuses on around 20 people in and around the Ambassador Hotel the day that Robert Kennedy was shot there. The large cast never seems overwhelming. The characters are clear enough that we remember what they were doing the last time we saw them, but we never feel like they are merely one-dimensional. Emilio Estevez really hit the jackpot with his cast - they all are 100% committed to their roles and the audience simply gets lost in the era.

    The cast is phenomenal - the standouts include Sharon Stone (who has a a chance at a Supporting Actress Oscar nomination if the Academy can overlook Basic Instinct 2), Nick Cannon as a young Black-American working on the campaign, and Freddy Rodriguez as a young Latino working in the kitchen. The later two, combined with Lindsey Lohan as a woman marrying to save a man's life, serve as the heart of the movie and bring a well-balanced view of many of the hot issues of the day.

    The movie has an incredible, emotional climax that is enhanced by an actual speech of Bobby Kennedy. The audio and visual clips of Kennedy serve as snapshots into his life and the work he did during his short time in the public eye. You can read whatever you want to into the political agenda of the movie, but in the end this movie is a tribute to Robert F. Kennedy and his time.
    6David_Frames

    My Israeli shot me down

    Estivez has a go at what critics have lazily referred to as a Altmanesque ensemble piece but as I couldn't think of a better adjective I've used it myself but will try to be more inventive with the rest of this review...which is a lie but try and stay with it regardless.

    Emilio's ahistoric slice 'o' time takes place in the Ambassador Hotel is the, er, fateful hours leading up to Robert Kennedy's assassination. We're introduced to a body of characters all approaching something of a convenient watershed moment in their lives and/or attitudes. They talk about the verge of a new age or represent, as in William H Macy's case, the older generation flirting with the new in order to buy into some of that RFK inspired optimism. Vietnam is discussed of course, as are civil rights, sexual politics, drugs and so on - in other words its 1968 personified and as they pontificate on the issooees that dominated the period zeitgeist, real footage of the senator is spliced in as he does the rounds on the day of the California primary which he'd win of course, only to have the result cancelled by the assassins bullet.

    There's nothing about Bobby thats going to offend anyone but there, as another great orator said, is the rub. Emilio's direction is competent but never inspiring like his subject matter - functional but lacking the magic that pulled you into better political ensembles like the aforementioned Altman's Nashville. The characters are reasonably well sketched but not especially involving and how could they be when the real star of the show, Kennedy himself, makes the drama seem very ordinary as his vocalises the film's anti-war, progressive agenda far better than any set of thin characters could. His footage, well integrated into the film, is the real reason to see it. The final minutes, post -bullets, with Kennedy's assured tones giving us a timely lecture on the futility of violence and the merits of tolerance and understanding as Estevez's characters contemplate his shooting just minutes earlier, genuinely does bring a lump to the throat. It lasts five minutes or so but says more about RFK and the tragedy of his death then anything that we've seen in the previous 100 minutes. Not superb then but Estivez's admiration for his man is well received and presented with dignity.
    9nlw820

    Admirable, moving effort

    It's easy to get caught up in the "too many characters" argument or that there are too many stories left unfinished or incomplete. IMO, it's important to remember this is a snapshot of just ONE day. How much are we expected to know about any of the characters in that time period? How much do you learn about the guy sitting next to you on the plane with whom you visit during a three hour flight? I admit that at first I was thinking, "Okay Emilio, where are you going with this and why do I care about all these people?" It seemed a little disjointed to me. But then I found myself going with it and appreciating the idea that we were getting a glimpse into the lives of a few of the people at the Ambassador hotel that day. I thought the performances by all were very strong, although I'll admit it was next to impossible to get beyond the all-star cast, simply because the plot isn't structured to bring you close enough to the characters to lose sight of who is playing the role. But again, in the end it didn't matter because the artistry of it all--the music, the camera shots, the inclusion of film and audio footage of Bobby Kennedy, the significance of these characters we've been following throughout... it just worked for me. It is also hard to ignore how much RFK's message resonates in our political climate today. As the credits rolled, at least half of the audience remained in their seats, from those sitting in stunned silence to others almost sobbing. Complete strangers were gathered outside the theater, talking about the movie or their own memories of Kennedy. It is clearly a labor of love for Emilio but I think he did a fabulous job.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      At one point during the script development, after developing a case of what writer and director Emilio Estevez called "paralyzing writer's block," Estevez set the script aside. Later, he checked into a remote hotel on the Central California Coast, near Pismo Beach, to work on the script. When he checked in, the woman at the desk recognized him, and asked what he was doing there. "I'm writing a script about the night Bobby Kennedy was killed," he told her. Tears instantly welled in her eyes. "I was there," she replied. Estevez interviewed the woman, who had been a volunteer for Robert F. Kennedy in 1968. He turned her personal story, which included marrying a young man to keep him out of Vietnam, into the Diane Howser character. Estevez said, "She really helped me crack the spine of the story and give it a beating heart. After that, it just started to flow."
    • Goofs
      The credits include the closing speech detailing the speech as "Robert F. Kennedy's speech, 'On The Mindless Menace of Violence.' The credits say it was delivered in Indianapolis, Indiana on April 5, 1968. This is incorrect; Robert Kennedy gave a speech on Martin Luther King, Jr.'s death in Indianapolis on the previous day but gave the speech presented on the recording at the City Club of Cleveland in Cleveland, Ohio.
    • Quotes

      Robert F. Kennedy: [voiceover] This is a time of shame and sorrow. It is not a day for politics. I have saved this one opportunity, my only event of today, to speak briefly to you about the mindless menace of violence in America which again stains our land and every one of our lives. It is not the concern of any one race. The victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed. No one - no matter where he lives or what he does - can be certain who will suffer from some senseless act of bloodshed. And yet it goes on and on and on in this country of ours. Why? What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled, uncontrollable mob is only the voice of madness, not the voice of reason. Whenever any American's life is taken by another American unnecessarily - whether it is done in the name of the law or in the defiance of the law, by one man or a gang, in cold blood or in passion, in an attack of violence or in response to violence - whenever we tear at the fabric of the life which another man has painfully and clumsily woven for himself and his children, the whole nation is degraded. "Among free men," said Abraham Lincoln, "there can be no successful appeal from the ballot to the bullet; and those who take such appeal are sure to lose their cause and pay the costs." Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire. Too often we honor swagger and bluster and wielders of force; too often we excuse those who are willing to build their own lives on the shattered dreams of others. Some Americans who preach non-violence abroad fail to practice it here at home. Some who accuse others of inciting riots have by their own conduct invited them. Some look for scapegoats, others look for conspiracies, but this much is clear: violence breeds violence, repression brings retaliation, and only a cleansing of our whole society can remove this sickness from our soul. For there is another kind of violence, slower but just as deadly destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter. This is the breaking of a man's spirit by denying him the chance to stand as a father and as a man among other men. And this too afflicts us all. I have not come here to propose a set of specific remedies nor is there a single set. For a broad and adequate outline we know what must be done. When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force. For all this, there are no final answers. Yet we know what we must do. It is to achieve true justice among our fellow citizens. The question is not what programs we should seek to enact. The question is whether we can find in our own midst and in our own hearts that leadership of humane purpose that will recognize the terrible truths of our existence. We must admit the vanity of our false distinctions among men and learn to find our own advancement in the search for the advancement of others. We must admit in ourselves that our own children's future cannot be built on the misfortunes of others. We must recognize that this short life can neither be ennobled or enriched by hatred or revenge. Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land. Of course we cannot vanquish it with a program, nor with a resolution. But we can perhaps remember, if only for a time, that those who live with us are our brothers, that they share with us the same short moment of life; that they seek, as do we, nothing but the chance to live out their lives in purpose and in happiness, winning what satisfaction and fulfillment they can. Surely, this bond of common faith, this bond of common goal, can begin to teach us something. Surely, we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our own hearts brothers and countrymen once again.

    • Connections
      Featured in Siskel & Ebert & the Movies: Casino Royale/Happy Feet/Bobby/Fast Food Nation/Candy/Come Early Morning (2006)
    • Soundtracks
      Love and Light
      Written by Jeff Rona

      Performed by Luxurious

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    FAQ21

    • How long is Bobby?Powered by Alexa
    • Who shot Bobby Kennedy and why?

    Details

    Edit
    • Release date
      • January 24, 2007 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • El día que mataron a Kennedy
    • Filming locations
      • Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, California, USA
    • Production companies
      • The Weinstein Company
      • Bold Films
      • Bobby
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $14,000,000 (estimated)
    • Gross US & Canada
      • $11,242,801
    • Opening weekend US & Canada
      • $69,039
      • Nov 19, 2006
    • Gross worldwide
      • $20,718,608
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 57 minutes
    • Color
      • Color
    • Sound mix
      • SDDS
      • Dolby Digital
      • DTS
    • Aspect ratio
      • 2.35 : 1

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