Filhaal...

Very poor marketing strategy.

While every effort at intelligent cinema should be encouraged, this effort was like going up the wrong tree.

Every movie maker need to know their audience. In particular for a picture with an unconventional theme as this.

The sad reality is even in 2002 this kind of movie is not appealing to the masses.

A movie can this could have made a great TV serial.

The subject is itself not new. I remember seeing a similar movie 25 years ago starring Victor Bannerjee, Sharmila Tagore and Shabana Azmi.

Meghna Gulzar's directorial debut is a fantastic effort. She takes a rather serious topic of surrogate motherhood and produces a gem of a movie that is very real-life.

Sush and Tabu give one of the most convincing performances of their individual careers. Sanjay Suri is fantastic as usual.Its a shame that he doesn't get as many chances as some other clowns like Fardeen Khan!

Though I would say that the movie is slightly slow for everyday viewer. Cinematography is exceptional and all songs are part of the movie.

I would highly recommend this movie to someone who looks for some substance in their movies.

Filhaal has a lot of beautiful things in it. Sushmita Sen and Tabu are two of them. And I don't just mean their looks but also their performances. Sushmita's performance, in my opinion is the best by an actress so far this year. Meghna Gulzar directs and writes the film beautifully for the most part. Manmohan Singh's camerawork is a feast for the eyes as is Nitin Desai's art direction. They have done it beautifully together. Sanjay Suri gives in a very mature performance and it is a joy to see how much he has grown since Pyaar Mein Kabhi Kabhi. You can really see that Meghana is her father Gulzar's protege in every single scene of the film. But a couple of things stop the film from being a great one. First of all, the Palash Sen character is poorly written, though he does an earnest job of performing it. And secondly, Anu Malik and Gulzar work magic with some of the songs, especially 'Le Chale Doliyon' and the title track but at least two songs in the post interval portions should be removed. Other than that a good solid debut effort. Looking forward to more from this budding new director. Along with Tanuja Chandra and Farhan Akhtar, I believe she is one of the few new directors who have really gotten into the profession to make good entertaining films. 8/10.

The Gorgeous Cinematography that has been a patent of the Indian Cinema is evident in the title song scene-incidentally this is a real melody of a song. Sushmita Sen, after Aankhen where I thought that her performance was underrated, she has prevailed again with a very expressive perf.,whereas Tabu has the eternal quzzical look and she is grossly overarated as an actress similar to Salman Khan and Sharukh Khan. The hysteria about the acting prowess of these so called Stars has to stop since the intelligence of the viewer is being questioned. On a recent poll I have seen Salman Khan is rated as a better actor than Sharukh Khan and he in turn is voted better than Amitab Bachchan. This is absurdity at peak to say the least. There is some immaturity in direction akin to the immature and naive anwers that Beuty Pagent contestants come up with. But for a new Director this is excusable. The movie is watchable.

Filhaal.. the moment, the present.. is an intelligent movie educating the complications and conflicts that would follow a surrogacy pregnancy. Sia and Rewa, 2 very good childhood friends see each other through thick and thin of life. When Rewa has a miscarriage and loses ability to conceive, Sia steps in to offer her womb for the home of their baby. The bollywood audience has previously been mislead on the concept of surrogacy from the movie Chori Chori Chupke Chupke, where the husband is pushed into having an extra marital sex with a prostitute in order to be able to make her pregnant with is child, therefore the bearer of the family name.

Here we see middle class people, dealing with middle class problems in relationships which most of us can identify with in our everyday lives. Rewa being jealous, and Sia being emotional over her pregnancy, is all legitimate walks of life which we can not change regardless of whether we are best friends or siblings. I like the way the true shade of human is shown here, the color gray, instead of the usual Miss goody two shoes. The way the story slowly unfolds is simply brilliant yet solemn. Sushmita's best performance as yet, Tabu is brilliant as always. I have been looking forward to Meghna's next film ever since.