Tempo

During the short and entertaining ride that is "Tempo", there's not one scene where you can't help but thinking: "This looks like a movie made for TV". Apparently, that's not the reality…In its cast it has consecrated stars and other young and very talented actors that wouldn't be uncomfortable at all with a "star" position.

Three main characters call all of the shots, when two women get too involved with a charming man and end up in a love triangle situation that includes a robbery, a police chase, guns and more elements than at least these characters expected to deal with. What the movie tries to say is that sometimes we don't measure our actions and we cross a line…Yes, that line.

A film like "Tempo", with its typical storyline, must at least get you involved with the feelings of the main characters; and it doesn't fail in that department. The writing team includes L.M. Kit Carson (who once adapted the brilliant "Paris, Texas") joined by Jeremy Lipp and Jennifer Salt; writers of some clever and engaging TV series.

So the director Eric Styles seems to be the only one a little far from television between the crew (John McCarthy is basically a series composer) and although probably everyone said it already, he brings a lot of style to the table with his intensively focused cameras during some crucial shots and his fast motion management when the film finds its adrenaline moments. Helped a lot by cinematographer Robert Fraisse, Styles achieves the quality of the image that's as good as the film can offer.

A few things fail in the plot and with the general idea, which is why the movie doesn't become good; but the emotion you get from the first scene doesn't vanish at all, and you want the best for this flawed human beings. Rachael Leigh Cook, between the best actresses of her generation and more beautiful each day, gives a desperate tone to her character that makes us believe love can actually happen fast, when you're alone in some place and you need it.

However, her character is flawed because she is not able to think things twice. Hugh Dancy plays the young attractive man supported by an older woman that cares for him. Even when his character cares for the woman too, he allows himself to slip, considering he will resolve it in the end; but he's not able to do it, because he's flawed. Dancy portrays all of these shades solidly; yet he completely fails in achieving the American accent.

The older woman I mentioned before is the character played by Melanie Griffith. Griffith has always had to 'find' the role: "Milk Money", "Now And Then", "Forever Lulu" are some of the films in which the role fits perfectly for her; without mattering if the picture is good or not. "She always speaks the same way", I told my brother; and he said that people can't chance their way of speaking…In "Tempo", the role fits for her and eventually fits for us; luckily.

In France, Sarah (Melanie Griffith) is a courier of illegal pieces of arts and antiques, living in a borrowed apartment with Jack (Hugh Dancy), a man younger and younger than she. While Sarah is traveling to Munich to bring a rare coin to the criminal Walter Shrenger (Malcolm McDowell), Jack meets Jenny Travile (Rachel Leigh Cook), a silly and irresponsible American girl, who works a fancy jewelery, and they have an affair. Jenny falls in love for him, and exposes the code and the secrets of the store to Jack. Meanwhile, Sarah is stolen in the train in her travel back to Paris, and has to raise US$ 80,000.00 in two days to pay for the lost. She convinces Jack to rob the jewelery with her to raise the money. However, things do not happen how planned.

The premise of "Tempo"is not bad, and it could be a good thriller. However, there are many flaws in the screenplay. The character of Sarah is not well developed, and the viewer does not know why she has this type of life, their motives for such a dangerous work, and it is impossible to sympathize with her. Further, the face of Mellanie Griffith is completely destroyed after plastic surgeries, and affects her expressions. There is one site (awfulplasticsurgery.com) relative to awful plastic surgeries in famous people, and unfortunately the surgeries of Mellanie Griffith are mentioned there, showing her lovely and gorgeous face before the plastic surgery, and how she is now. I do not understand how a woman so beautiful like she was can be so deformed! With regard to Jenny, how such a stupid woman can work in a fancy place, being responsible for expensive jewels? How the store does not have cameras for surveillance? How can a woman work in such fancy jewelery wearing jeans, instead of elegant costumes? Rachel Leigh Cook is also horrible in this movie, with long curled hair and ugly clothes. The costume designers were very negligent with the character of Jenny. Last but not the least, the sexual attraction of two women for Jack is a key point in this story. However, the sex scenes are not erotic, and could be better and better. My vote is five.

Title (Brazil): "Tempo – Um Questão de Sobrevivência" ("Time – A Question of Surviving")

I used to love Melanie Griffith. She was so sexy and lovable in "Fear City", "Body Double", and "Something Wild", yes even in the rotten "Cherry 2000" I still loved her. In Tempo I lost my love, to the knife! Tempo shows the waste of money that is plastic surgery all over Melanie's face. A horrible waste of money and the ruin of a beautiful talent. Disgusting!

So is this movie. All that eurotrash money can buy is a deeply flawed script with mediocre performances by many involved. Rachel Lee Cook is as good as she could be given the circumstance of her character. She plays an American student on sabbatical in Paris who, although she does not speak French, is hired by and then immediately given the keys and codes to a jewelry store to satisfy the plot! When the store is robbed the Parisian police open fire on the thieves during a car chase inside the city. Besides the fact that they have not established the car contains thieves or criminals I doubt any modern Western police force would use guns in the situation exposed. The rest on the script is filled with many other unbelievable occurrences, all while expecting the viewer to take it seriously! Looks big budget but never opened theatrically in the US. The DVD release was announced for Summer 2003 but has now been delayed indefinitely, lucky for you! I wonder if Ms. Griffith's surgeons are bidding to keep it off the market? It certainly does not show their work in the best light.

As an alternative I would suggest a fun and light film that knows what it is- all fun! "The Guru" is now on DVD in case you missed it in the theaters!

"Sarah James (Melanie Griffith) lives on danger's edge every day as the courier for a ruthless French black market dealer. Her boyfriend, Jack Ganzer (Hugh Dancy), is a handsome, young American expatriate she's seduced into becoming her partner in crime. But, when Jack unexpectedly meets and falls for Jenny Travile (Rachael Leigh Cook), a sexy but seemingly naive jewelry shop clerk, he quickly finds himself trapped in a treacherous love triangle filled with suspicion, vengeance, and murder. This riveting thriller will keep you guessing until the very end," according to the DVD sleeve description.

"Tempo" opens with its exciting car chase climax, then goes into flashbacks leading up to there. Possibly, they had no other way to begin this movie. Next up, you get mild erotica with Ms. Griffith, as the still sexy older woman, wrapping her legs around Mr. Dancy, as the attractive young stud. And, that's about all there is to this downhill film. The chase winds up being the culmination of an unappealing heist storyline. Only Dancy shows skin throughout. Griffith gives her character more vulnerability than the film deserves. And, Ms. Cook is almost completely, and uncharacteristically, nondescript.

**** Tempo (6/10/03) Eric Styles ~ Melanie Griffith, Hugh Dancy, Rachel Leigh Cook, Art Malik

a film for cast. for their money. for the opportunity for viewer to rediscover known stars. and for profound disappointment. because it is one of films about nothing. the story is not bad , the acting could be considered decent, the locations - inspired choices. but the large territories of ambiguity, the fragile/fake relations between characters, the confuse end who becomes responsibility of public,Melanie Griffith who gives only the shadow of her character are the big problems. something missing and it could be exactly the essence / soul of film. so, a film interesting only for cast. but it is not enough.