Swing

If one favors the traditional model of fiction film and does not accept freer and more open narrative structures, «Swing» is not a recommended film. It may even seem too foreign for a consumer of mainstream cinema produced by Europe and the United States, for someone who is habituated to the pace of those films, to the point of provoking an unjust rejection of this particular tape of motion picture. Tony Gatlif combines conventional narrative storytelling techniques with the approach to subjects found in anthropological documentary, with testimonies, natural actors and long musical sequences. With the emphasis put on music in «Swing», these sequences have the primary purpose of rescuing "marginal" cultural forms, interspersed with the "classical", perhaps in search of new forms of expression as a means of survival. «Swing» is a film about culture shock and loss: first, it shows the clash of different visions of human relationships, between Max, the French boy who simply observes and becomes excited with music and love, and Swing, the gypsy girl who alternates between pubescent girl and adult woman, willing to lead a juvenile version of marital life. On the side of loss, the film deals with the absence of the loved ones and the disappearance of the cultural supports that give meaning to the life of the group of gypsies. The great musician Tchavolo Schmitt shines in his role, as well as the two children playing Max and Swing, Oscar Copp and Lou Rech. A beautiful film.

In this film we join a young boy Max, who spends the summer in the company of Gypsies, taking guitar lessons and learning about their culture, their way of life, and their people.

It's a gorgeous film, full of interesting faces & fascinated with the nature. The camera is patient and joyous--a reliable witness to a life and a people.

Music is the centerpiece of the film, as it is in Gypsy culture. The musical sequences are amazing, animated and warm.

But the movie is not a flimsy excuse for music, either--it holds and surrounds the music, weaving it into vignettes about Max's summer, and of the gypsy girl he has befriended, Swing.

In the comments I've read here people always mention the lack of story. I'm not sure what they are complaining about. There are actually three stories here: the music, the Gypsies themselves, and the story of a young boy and girl.

Between the soul-stirring music and the joyful enthusiasm of youth, I was deeply affected. In turns I smiled, laughed, clapped, and tapped my feet to the music. A most enjoyable time at the movies.

I like movies like this, but music took over. Story line little bit messy and ending is totally messy, but maybe should be like this. Nice, small movie with excellent music. Should be watch in small cinema or with lights down at home.

Watch this movie.

It has the most beautiful soundtrack and is visually superb.

The casting is very good and the story quite haunting. The movie loses track slightly about a third of the way through but hang in there!

Highly recommended.

Tony Gatlif himself has gypsie-blood flowing through his veins. He uses the medium film to bring a spark of the life that there is in all people who are or feel connected with gypsies. Their music is the essence of their life and tells more than words ever could. After staying in Andulacia in the world of flamenco (Vengo), Gatlif now pictures the 'manouche' in France. A little french boy (Max), staying with his grandmother during the summerholidays, is fascinated by the way 'manouche' guitar is played. He finds himself a music teacher and learns much more about the people he's suddenly surrounded by, than only how to play guitar... The 'actors' often just show their own life and tell their own history... and when they make music, it is spontaneously and real. This doesn't give the effect of a 'dull' documentary style, but makes the 'plot' look like an extra. Through the eyes and the heart and the openess of Max, you get to know these people who remind you of the fact that you are really 'alive' !

Thanks again Tony Gatlif !