Public Enemy

The movie is a cross between "American Psycho" and "Infernal Affairs". It just doesn't do it in terms of quality of the scenario, or probably the way some actors play. Only the psycho was halfway decent. It could have been better if some of the actors just avoided to show they were acting by overdoing it, like the comical moments or some dramatic ones. The story would be good, but there were little things that prevented me to appreciate it. The ending should have stopped when the villain is done and dealt with, but there was an addition, which annoyed me. I saw similarities with the other Korean movie ("The Host"), in that I can't decide whether I should be happy or sad about the character, if not the movie.

The good thing is about the bad guy in the movie... the text on the DVD box told about a corrupt cop vs. a psychopath... Well, I feared the psychopath was a serial killer with all the nauseating, fetishist rituals stuff "a la" Seven or other movies alike. But the killer is almost a normal guy (as much as a killer can be a "normal guy"!), killing with a purpose... Well, the guy is seriously crazy anyway, killing for very trivial motives, such as a man spilling his drink on him.

The bad thing in the movie is a kind of a scatological scene. It may seem trivial for some people, but for me, it wasted my enjoyment. Apart from that and 2 or 3 bloody sequences this is a very good movies.

Director Kang Woo-suk dresses up his diatribes about the social ills of modern Korea in the well- worn finery of the cop-vs-serial-killer thriller so beloved by Hollywood. Disheveled cop Sol Kyung-gu, unrepentantly violent and perpetually on the take--because, let's face it, that's just how thing's get done in Korea--relentlessly pursues a dapper, smarmy financial whiz (Lee Sung- jae, who he believes killed his parents over his father's decision to remove a large chunk of money from a big investment deal in order to save an orphanage from the bulldozers. There's no doubt Lee is guilty of the crime--we see the act in all it's squishy glory, and he further confounds the investigators by randomly killing a hapless stranger to make all the murders appear to be the work of a serial killer, but Sol knows better, and will use every dirty trick at his disposal to put this doggy down. The real target of director Kang's venomous social criticism is quite obviously the soulless corporate culture he seems convinced has poisoned Korean society and subverted traditional family values far more than corrupt law enforcement ever could, and which he views as a wellspring of self-obsessed Armani-clad sociopaths who would slit their own mothers' throats to score a big ROI, only here the metaphor isn't actually a metaphor, it's the central plot device! (I'm guessing he read "American Psycho" or at least saw the movie; certainly Lee's icy villain would make an ideal overseas pen-pal for Bret Easton Ellis' Patrick Bateman). As in TWO COPS 1 and 2, the director sides squarely with the overworked, underpaid cops, and he lovingly (and humorously) illustrates the complex, even necessary web of corruption and deception they must weave in order to maintain the status quo.

The trailer makes this movie seem like a slick visually rich thriller about a cop chasing down a cold killer, unfortunately the film doesn't live up to that premise.

Movie There's certainly some strong character moments but they are left under developed and under explored, they're treated all too lightly and often too comically. The visually slick scenes are also too underused and separated by weak character follow through, so one strong moment on screen isn't built upon with the characters.

The film is very much a merging of two styles, taught thriller and often slapstick comedy. For me this just doesn't work, these two styles belong far apart.

The story focuses on the rise of a killer pitched against the fall of a cop, a cop who has given up on his career and any morale boundaries, believing only in himself and obtaining cash any way he can.

As the killer rises in his chosen path the cop stumbles upon him, realises and then finds a purpose to his job. Yet this is not is salvation, it comes as he reaches his lowest point and all there is left is the single, all consuming cause of catching the killer.

It's really interesting to read the plot like that as it does read as a good movie, but intersperse the comedy and the unexplored avenues of the characters and story, and it really does bring the movie down. It's not just a case of realising these lost opportunities after the fact, as they pop up I actually caught myself audibly questioning why they'd just walked away from a scene. At times it was a frustrating movie.

You'll see this in some of the decisions the cop makes and the investigations. They're all too convenient and almost too much of a leap not only to believe but also to understand. This and the weak, unexplored characters don't bring any affinity to the audience.

That's the failing part of the movie. As it could have been such a great film combining American Psycho and Heat, but it just never gets that far and just gets distracted.

Audio Presented: Dolby Digital 2.0 / 5.1, DTS The audio is solid here with a good DTS soundtrack, but nothing special that takes advantage of the speakers available. The music sometimes overpowered the story at key points, and at others was quite effective, but overall quite forgettable.

Picture Presented: 16:9 Anamorphic Good picture overall with some difficult scenes combining night and rain together, they look dark and dreary yet retaining a bold contrast.

Extras Presented: Behind the Scenes, Deleted Scenes, Music Video, Outtakes, Asia Extreme Trailers The Behind the Scenes were interesting, showing such things as the recreation of full upper body sculptures from the actors for the dead characters. There's also a lot more insight into the characters and how the actors played them.

The Deleted Scenes and Outtakes were simply that, although some proved quite amusing at repeating the slapstick moments. The music video is quite good, as are the Extreme Trailers, but an overall poorer offering in terms of extras.

Overall A very interesting plot that just gets glossed over far too quickly, and with the concentration seeming to be on the comedy rather than character and story progression, it doesn't really attract too well. It's an interesting DVD to watch, but an unfulfilling story.

There is no denying that it is good to see this film released in the uk around the summer blockbuster season (i saw this film in a ugc multiplex which was playing as part of a season of asian films released across the summer), but this film in particular suffers from flaws, mainly a plot that is unoriginal and scenes and situations that dont seem to stick together, the change in mood for instance, from almost slapstick comic to dark murder thriller, but that is not to say that the film is not good, there are many scenes and themes that work well, such as the contrast between the tough maverick cop and the arrogant and psychotic fund manager who has shades of AMERICAN PSYCHO'S Patrick Bateman, and the use of dark humour which seems to be present in many of the recent asian cinema releases. Overall a film worth checking out but not one to keep your hopes up high for.