Darkened Room

Actually spelled "Darkend Room" this is an intriguing but quickly forgettable Lynch piece. Lynch does the camera work himself, and the digital video look has a kind of odd appeal. This is hidden on DavidLynch.com and true Lynch fans should seek it out. I'm a huge fan, but I've been uninspired by this and most of the original work on Lynch's site. I'm hoping there will be more rewarding surprises than this in the near future. These two young women are extremely attractive, though.

I'm not gonna lie, I am obsessed with David Lynch. My favorite movie of all time is his 1977 film, Eraserhead and close behind that is Elephantman, and Mulholland Drive. I also loved Lost Highway, Twin Peaks, and Blue Velvet. I however haven't been as pleased with his stuff after Mulholland Drive. I thought Inland Empire was a mess and a huge disappointment. This would bring me to Darkened Room. A film that ties into Inland Empire quite a bit but has the same pointless feel as that film. I guess I just have no idea what's going on so I didn't a point in filming it. I did like how it was shot though. It had a very low budget, independent feel and that is very inspiring to me as a young filmmaker. I'm making it a goal to see all of David Lynch's films but this one was a disappointment.

David Lynch's new short is a very "Lynchian" piece, full of darkness, tension, silences, discreet but very textured background music, and features again two beautiful actresses, a blonde and a brunette, a recurrent theme in his work.

Both characters create a very intriguing slave-mistress relationship that could be seen as a direct follow up to the same kind of relationship featured in Mulholland Dr.

Beautiful. For Lynch fan's.

What experimental follies David Lynch loves to go into. And, of course, that's the prerogative of any artist with access to the equipment that Lynch has, and as part of how he goes about using the digital medium to put out ideas he wouldn't of had expressed out for everyone to see years ago. This one, however, shows what good and not so good qualities can come with the mental floodgates let open and with little cohesion. Darkened Room, which like Rabbits may have some connection to Lynch's magnum opus Inland Empire, has three parts to it, with the first two actually not bad at all really. The first, which is very random and hilarious in the vein of the director's absurd idiosyncrasies, shows a Japanese woman in her Tokyo apartment spouting off statistics about bananas, in a weird audio voice. Then, by way of the Japanese woman's 'friend', we move on to the darkened room of the title, where a blond girl sits, mascara smeared on her face, sobbing about something that no matter what she says in-between her cries, doesn't make sense. It doesn't matter too much, in this instance at least, that we don't know exactly why she's crying or how long she's been in the darkened room. The amount of emotional connection that can be felt though, and the subtext behind the words, make it something sort of special.

But then comes that last part, which feels MUCH longer than the other two parts combined, where another woman- another friend of the blonde girl- comes in and just talks and talks about something or this or that, and suddenly, like with a snip with a pair of scissors, the emotional connection is snapped, and what we're left with is Lynch's pretentious ramblings feed through and out of this other actress's mouth. In fact, this last part is one of the worst things I've ever seen from Lynch, as it committed something that I don't like seeing from the director much at all- as it doesn't happen too often for me at any rate- which is that it's dull and weird for the sake of it. Nothing gets resolved, and the end is just a 'huh' that isn't a satisfying one in the slightest. I was left with some good memories of Darkened Room, and some very bad ones too. In a sense it's Lynch working stuff out, via digital video and access on his website, and it'll either appeal to some sense or not. For me, it was both.

Darkened Room is a short film from David Lynch's digital video phase. It starts with an Asian girl who refers ambiguously to a troubled friend, who we then cut to. She is a visibly upset blonde woman alone in room on a sofa whose face is streaked by mascara from her tears. Later a third woman enters and verbally torments her.

This is a technically raw short film which brought me to mind the look and feel of Lynch's last feature film Inland Empire (2006), a film I have mixed feelings about. With that film, Lynch moved away from the gorgeous visual aesthetic he had hitherto been associated with. The change was mainly down to the move from film to digital video, which looks a lot uglier. The sound in this one is pretty amateurish as well, with the hum of the video camera audible at times. There is still an unmistakable Lynch feel to proceedings though with uncomfortably long pauses where little happens, a mysterious situation that is never fully explained (to say the least) and an ominous low soundtrack maintaining a certain feeling of dread. Lynch does generate an interesting tone to a certain extent but the short run-time never allows him to develop the material into anything very engaging, while it's also a little too lo-fi for its own good as well.