Monrak Transistor

This is the 2001 best film of Thai movies. Pen-Ek did it by changing his style (from Ruang talok 69 (1999) and Fun Bar Karaoke (1997) ) to the native life. This movie is the most SIMPLY than any movies he did, Full of laughs, tears and familiar with Thai Lifestyles. This movie is for Thai people by Thai people.

I saw monrak transistor twice and loved it. Not many films can make you laugh as well as bring tears to your eyes but this one did. You might not be so keen on this film if you are not a looktung fan, and I am an addict. Even if you don't know the music the film is enjoyable just as a comedy. Fun is poked at the legal system, record promotors, the well meaning rich and the poor. Fate is the path our hero has to follow only to end up where he started, hopefully still singing-peter

I just saw this film at DC Filmfest 2003, and found it to be slightly flawed, but still a very charming story. I feel it was impossible not to like, although I see that some commenters obviously do not agree with me! I had actually been looking forward to seeing this film for quite a while, and I regret that I knew too much about the film, which ruined some of what would have definitely been "surprises". The story revolves around Pan (Phaen), a handsome village guy of about 20, who dreams of marrying his village sweetheart, Sadaw, and becoming a singing star. Unfortunately, Pan also has a lot of bad luck....REALLY BAD LUCK. Immediately after marrying Sadaw and getting her pregnant, he is drafted into the army. What follows is a musical comedy, melodramatic soap opera, chase scene action, everything-but-the-kitchen-sink tale of Pan's adventures as he tries to fulfill the second dream, which seems to take him further and further away from his first dream (Sadaw). While watching the movie, I was reminded of two classic tales of wanderers...The Odyssey and Candide...and anyone familiar with these tales will see the similarities as the male lead wanders the world (in this case, around Thailand), dreaming of his long-lost love (who sits despairingly at home) and meeting a variety of odd characters along the way (including Dao, a innocent-looking, promiscuous female singer, Suwat, his sleazy, gay manager, Siew, a poor migrant worker and a grizzled old policeman). Monrak Transistor meanders off track at times, but it is always entertaining. No matter how bad things get, it always manages to keep its sense of humor intact. You also get to see a lot of what Thai life is like, and more than once i was reminded of my vacation there a few years ago. The actor who plays Pan is somehow always charming and likable, despite what most Western audience would certainly consider some "f***ed-up" priorities. The actress playing Sadaw is even better, although her screen time is limited. I would recommend this movie to people who like an original story, and want to see a love story that veers WAY OFF the beaten path. Though not nearly as good as director Pen-Ek Ratunaruang's earlier effort, the manic, fast-paced, 69, I give it an 8/10 cuz it is so damned likeable.

This is an old-fashioned way how a film is made. The characters and the story are not what we can relate to. They are totally dull and unconvincing. Who cares about the pathetic jokes a guy putting himself in a difficult situation. Just painfully waited until it ended. This film is overrated and a big disappointment from Thailand.

This is an excellent film. It is truly fascinating. As the narrator of the film says in the opening scene: this is the story of Phaen (Pan), who is a good guy, but whom the gods, for whatever reason, chose to give amounts of bad luck. In a sense, this is a very "black" film. The film starts with a summary of Pan courting Sadaw, before the two marry, and Sadaw's consequent pregnancy. However, due to his misfortune, Pan is drafted into the army, and from there, his misery continues. No matter what Pan does, and no matter how nicely he acts towards, and attempts to do "the right thing", it seems that he is just pulled deeper and deeper into it. He is pulled more and more towards the urban life, and the miserable conditions there, away from the romanticised peaceful life in the countryside, symbolised by Sadaw, and the transistor which he gave her as a token of her love, but which falls to the floor and breaks. Throughout the film, traditional Thai music is used to describe what is happening, the most frequently used being a very romantic one, whose lyrics are "don't forget, don't forget"--words that give hope to Pan, as he suffers his misfortunes in the big world, because his fate is cruel, and has decided that his dream, although seemingly so close to being realised, will remain simply a dream.