Monrak Transistor

This is an excellent film. It is truly fascinating. As the narrator of the film says in the opening scene: this is the story of Phaen (Pan), who is a good guy, but whom the gods, for whatever reason, chose to give amounts of bad luck. In a sense, this is a very "black" film. The film starts with a summary of Pan courting Sadaw, before the two marry, and Sadaw's consequent pregnancy. However, due to his misfortune, Pan is drafted into the army, and from there, his misery continues. No matter what Pan does, and no matter how nicely he acts towards, and attempts to do "the right thing", it seems that he is just pulled deeper and deeper into it. He is pulled more and more towards the urban life, and the miserable conditions there, away from the romanticised peaceful life in the countryside, symbolised by Sadaw, and the transistor which he gave her as a token of her love, but which falls to the floor and breaks. Throughout the film, traditional Thai music is used to describe what is happening, the most frequently used being a very romantic one, whose lyrics are "don't forget, don't forget"--words that give hope to Pan, as he suffers his misfortunes in the big world, because his fate is cruel, and has decided that his dream, although seemingly so close to being realised, will remain simply a dream.

This is an old-fashioned way how a film is made. The characters and the story are not what we can relate to. They are totally dull and unconvincing. Who cares about the pathetic jokes a guy putting himself in a difficult situation. Just painfully waited until it ended. This film is overrated and a big disappointment from Thailand.

I went to watch Monrak...without having ever heard of it and not knowing what to expect. It was enjoyable on the whole...but I felt it became a bit too commercial. The courting scenes between Pan and Sadaw was beautifully executed and was tremendously realistic. Siriyakorn Pukkavesh was delightfully brilliant! I simply loved the song that he sings to her in the room (before the father comes to shoot him). Visually, it was tasteful and well lit.

But, I came out feeling the film was 'stretched' just to fill up the 90 minutes.Too many things happen to Pan and too many situations arise. The "boat doctor' was totally uncalled for and didn't really add anything to the film.

It could have been much better had it been limited to 60 minutes or so.

This is the 2001 best film of Thai movies. Pen-Ek did it by changing his style (from Ruang talok 69 (1999) and Fun Bar Karaoke (1997) ) to the native life. This movie is the most SIMPLY than any movies he did, Full of laughs, tears and familiar with Thai Lifestyles. This movie is for Thai people by Thai people.

I picked this movie up because it was "Voted Thai best film of 2001" - though I had serious reservations about doing so when I saw the artwork, which makes it look like a terribly sugary romance. I'm glad I decided not to judge this one by the cover, because what's inside is so much more than the wrapper would imply.

Pan and Sadaw are two young Thai kids growing up in a rural Thai village. Life is good - simple, but sweet. The two find especially large amounts of good in each other, and soon become sweethearts. They're very much in love, and Pan even bursts spontaneously into song to express this on occasion. Singing is Pan's other love in life, and he's jolly good at it too.

That's the part of the movie that resembles the DVD cover - very sweet and idyllic, but done so very nicely it is genuinely touching, even to somebody with as little tolerance for romance as myself. It lasts about 20 minutes As the voice-over observes, they could leave it there and have a very short but sweet movie that would have the audience smiling on their way to the exits. But they don't - the story continues, and develops into something far more complex and dark.

MONRAK TRANSISTOR is in some ways a debunking of the romantic idealism represented on the DVD case. It reminds the viewer that life is rarely so straightforward and co-operative in the modern world. The movie presents a far more realistic view of life and love, which makes it much more interesting. It reminded me a little of the exceptional Korean movie MY SASSY GIRL in that respect (possibly only because I rewatched MSG just before it though).

It is also very well made. Writer/director Pen-Ek Ratanaruang clearly had a strong vision of what he wanted his movie to be like, and he directs it with precision and skill. The characters are very well written, and brought to life by uniformly excellent performances. Lead actress Siriyakorn Pukkavesh deserves particular mention - her performance is one of the best I've seen. The movie is technically excellent as well - absolutely beautiful cinematography and soundtrack. It's no surprise to see Nonzee Nimibutr listed as producer, as he seems to be involved with nearly all the really intelligent and high quality movies coming out of Thailand in recent years.

The acting, cinematography and sound would be enough to make any movie stand out, but it's the story that really puts MONRAK TRANSISTOR at the top of the pile. It takes the characters (and the viewer) in quite unexpected directions, creating a unique and original movie. Nothing outlandish or bizarre happens - in fact the whole movie feels very realistic. That's what makes it unexpected - things don't turn out like they do in the movies

I believe MONRAK TRANSISTOR is Thailand's entry for the Oscars this year. I don't suppose it will win, because Thailand's movie industry isn't nearly important enough for Hollywood to want to grease its palms. Hopefully it will get the movie onto more people's radars though, because I think it deserves to be seen.

Strongly recommended!