- Awards
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Thaddeus D. Matula
- The Waiter
- (as Thaddeus Matula)
Jonathan Haug
- Man in Suit
- (as Jon Haug)
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Jon Preston
- Technician #1
- (as John Preston)
Featured reviews
It's pretty weird.
I saw it while staying at the Tromadance condo in Park City this year. Ramzi played it on the tele. Like the theme of the film itself, I lost track of time and got totally weirded out.
I highly suggest this film and think it's a must see for fans of the experimental genre. Lloyd Kaufman of Toxic Avenger and Terror Firmer fame is an actor in it. I don't care who says this is a serious role I still think Lloyd's hilarious in it.
I gave this film an 8.
I saw it while staying at the Tromadance condo in Park City this year. Ramzi played it on the tele. Like the theme of the film itself, I lost track of time and got totally weirded out.
I highly suggest this film and think it's a must see for fans of the experimental genre. Lloyd Kaufman of Toxic Avenger and Terror Firmer fame is an actor in it. I don't care who says this is a serious role I still think Lloyd's hilarious in it.
I gave this film an 8.
I saw this film at a San Diego Cinema Society showing in the fall of 2004 and found it gripping from beginning to end. It personalized the many attempts to cross from East to West Berlin during the period immediately following the construction of the Wall in the 1960s. I certainly did not find it boring. Everything from the sets to the exteriors showed attention to detail and period authenticity. The subtitles were easy to read (if you don't speak German). You truly cared about the characters and could understand their often different and conflicting motivations for their actions. The fact that it is based on a true story makes it even more compelling. I look forward to its release in the USA.
Really cool, and different. I ordered the dvd-r through the web, and expected an amateurish film. I was more than pleasantly surprised. It's one of the best short films I've seen in the last few years, and kind of goes past being a short. Unique, well-done, and filled with detail. If you like to think when you see a scary movie, then don't pass this one. I still have yet to see the full 35 minute one, and now I can't wait to see it. Unfortunately, we don't have it up here. I bet it's fresh though!
I rented this film without knowing anything about it. I found it over at Cinefile next door to the Nuart, and had no idea what I was in for. The guy at the counter told me a tiny bit about it. That night I rented it and two other movies, "The Others" and "Cannibal Holocaust", and honestly it weirded me out more than either of those flicks. Reminded me a lot of "Bringing Out The Dead", and I liked the unique style it was directed in. Definitely a new cult film. The tape had two cuts of the film on it and some random footage from the making of the film. Left me dumbfounded.
Some guy was ranting on a message board about this film months ago, and I was recently able to acquire a video from a friend of a friend who really loves Troma but hates this film.
I have to say that "The Tunnel" struck me. While the production quality is relatively low, and some of the handling of the cast seems haphazard, uneven, or sloppy (Kaufman), the film does have a certain dark, freakshow style that I happened to find fascinating. The direction, at times seems a little awkward, with a lack of attention to pacing. Even in the 15-minute version, it didn't pick up enough speed into climax, and rather droned its way into a thud.
Unlike previous posters, however, I did find the story just interesting and unique enough to keep me thinking, and I felt that this film suffered perhaps more from ambition than pretention. It seems to be reminiscent of French absurdism, and not just in Kaufman's rather pathetic Blacque Jacque Shellacque impersonation, but in the ideas expressed in the film.
Paul, the main character, is struggling with his mortality, in ways which are not so clearly explained(an asset?). Is the point of "The Tunnel" that there is no light, or that there is no tunnel? Existentialist or Nihilist?
And on a final note, I was rather impressed with the work of Casey Wickson in the film as the lead character. I don't know that I would've made it through this film if not for his performance, which seemed genuine, and a familiar face for someone who apparently hasn't done much else. When Paul speaks, there is pain in his voice, and my gf said she would've cried if he had more than three sentences to speak. If acting is in the eyes, then this guy might have it, although he did seem young for the part.
The story here seems solid, perhaps even excellent, but the direction (or lack thereof) slows it, and, at times, takes you away from it. If you're looking for a "little too weird for its own good think-piece", then you might want to check it out. I give it a 7.5/10, mostly on its apparent intentions and a singular performance.
I have to say that "The Tunnel" struck me. While the production quality is relatively low, and some of the handling of the cast seems haphazard, uneven, or sloppy (Kaufman), the film does have a certain dark, freakshow style that I happened to find fascinating. The direction, at times seems a little awkward, with a lack of attention to pacing. Even in the 15-minute version, it didn't pick up enough speed into climax, and rather droned its way into a thud.
Unlike previous posters, however, I did find the story just interesting and unique enough to keep me thinking, and I felt that this film suffered perhaps more from ambition than pretention. It seems to be reminiscent of French absurdism, and not just in Kaufman's rather pathetic Blacque Jacque Shellacque impersonation, but in the ideas expressed in the film.
Paul, the main character, is struggling with his mortality, in ways which are not so clearly explained(an asset?). Is the point of "The Tunnel" that there is no light, or that there is no tunnel? Existentialist or Nihilist?
And on a final note, I was rather impressed with the work of Casey Wickson in the film as the lead character. I don't know that I would've made it through this film if not for his performance, which seemed genuine, and a familiar face for someone who apparently hasn't done much else. When Paul speaks, there is pain in his voice, and my gf said she would've cried if he had more than three sentences to speak. If acting is in the eyes, then this guy might have it, although he did seem young for the part.
The story here seems solid, perhaps even excellent, but the direction (or lack thereof) slows it, and, at times, takes you away from it. If you're looking for a "little too weird for its own good think-piece", then you might want to check it out. I give it a 7.5/10, mostly on its apparent intentions and a singular performance.
Did you know
- Alternate versionsA shorter version exists, an underground cut by John Preston.
- ConnectionsFeatured in Behind-The-Scenes of the Tunnel (2010)
- SoundtracksCantique 1
Performed by Philippe Fichot/Die Form
Written by Philippe Fichot/Die Form
copyright 2001 Hyperium Records
copyright 2001 Metropolis Records
Courtesy of Metropolis Records, New York, NY
Details
- Runtime
- 35m
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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