Bronx à Bel Air

Steve Martin and Queen Latifah (and Eugene Levy) are an odd combo, but certainly a funny one! Coming out in 2003, "Bringing Down the House" was a movie about two different worlds coming together; probably not the first, and the result is some hilarity! Steve Martin plays a divorced lawyer trying to juggle his work-life and spending time with his two kids, and Queen Latifah is an escaped prisoner (as you probably already know). The plot of Martin's lawyer trying to find love and unexpectedly running into Latifah's straight-up "sister" personality results in a pretty hilarious film! Add in Eugene Levy's "down white guy" persona, and you have the makings of some very funny moments! Some may argue that this film relies too much on typical plot lines, "been-there-done-that" routines, and stereotypes, but that's not the case.

This movie is a very funny and enjoyable romp. Meaningless fun. A laugh out loud. Don't get me wrong, Steve Martin does shine especially in the scene where his daughter is relaying the events of a party that a dad just doesn't want to hear. Following Latifa's character's advice to stay cool to gain her trust, he bites his tongue and instead of going mad, says, "That was some party"! Overall, 'Bringing Down The House' is funny and very entertaining film that you will not regret watching, although it could have been a little better with a better script, the acting was brilliant all round, and it does work pretty well, especially with Steve Martin as the main character who is very funny as usual.

Overall rating: 7 out of 10.

`Bringing Down the House' is the latest variation on that old comic chestnut in which a wisecracking, free-spirit type from `the lower social orders' invades the life of an uptight stuffed-shirt type - not only getting him to loosen up that collar and shed his inhibitions but also showing him a thing or two about what really matters in life. This is, basically, a primer for a Culture Clash Comedy 101 course, with a couple of veteran comic professors on hand to teach us all how it's done.

In this case, Steve Martin plays the uptight lawyer who is so obsessed with his career that he has already lost his wife over the issue and appears on the road to alienating his children as well. When Peter meets what he believes is a potential love interest in an internet chat room, he figures his life just might be turning around for the better. Peter is all set for a romantic evening – champagne, dim lights, `A Man and a Woman' playing softly in the background – when, at his door, who should appear but that Big Bad Mama, Queen Latifah, as Charlene Morton, an ex-convict who wants Peter to help her expunge from her record the crime she swears she did not commit. Peter is at first reluctant to accept this strange woman into his house and life, but Charlene is nothing if not persistent and she manages to horn her way in anyway.

The Jason Filardi screenplay pretty much plays it all by rote. We know, despite their tremendous differences in culture, background and personality, that these two comic titans will end up as great pals by the story's end. Nothing about `Bringing Down the House' surprises us, yet there is a certain amount of comfort to be derived from familiarity and predictability. It's an old formula but one that works fairly well here, thanks, primarily, to the assured, high-energy performances of Martin and Latifah in the starring roles. These two comic masters achieve a real chemistry working together, enough to compensate for the broad stereotyping that permeates the film. Filardi does achieve some moments of genuine hilarity by mixing slapstick and social satire in roughly equal measure. The satire isn't on a very high level of sophistication but it is good enough for a mass audience venture such as this one.

Director Adam Shankman is also blessed with a strong supporting cast that includes Eugene Levy as a nerdish - but `freaky' - business associate obsessed with wild black women like Charlene; Joan Plowright as a snooty, eccentric matron whose account Peter is determined to win for his firm; and Bette White as Peter's bigoted next door neighbor who is eyeing askance all the strange goings-on at the lawyer's house.

`Bringing Down the House' is at its best when it simply lets itself go, forgets about the plot, and allows its performers to dazzle us with their sheer likeability, i.e., Martin and Latifah dancing up a storm at an L.A. bistro, Martin breaking out into a spontaneous break dance routine while infiltrating an all-black nightclub. It is at its worst in the final scenes when the heavy-handed plot mechanics threaten to torpedo the whole project. Luckily, we have Martin and Latifah to help keep the thing afloat. The vehicle itself may creak at times, but the stars never do.

This film, although badly reviewed by many people, proves to be a fun time at the movies. Adam Shankman and Jason Filardi have teamed up to give the viewers lots of laughs. It's hard not to be amused by what's being presented even though it might not be the greatest, or the funniest picture.

Queen Latifah has more charisma in her ample body than any other actress working in American films these days. She never gives a bad performance. This is quite a stretch from her role in Chicago; in fact, she steals the film with her charm. She can hold up her own against her co-star.

Steve Martin seems to blend himself into this joke of a lawyer, who is so uptight and anal that he never has enough time for his children. He has some hysterical scenes at the hip hop club playing an Eminem-type character, outdancing everyone. Mr. Martin's experience in the chat room brings him a lot more than he bargained for: the irrisistible Charlene, who turns his life upside down.

Eugene Levy has some bright moments as Steve Martin's friend in the firm. Joan Plowright repeats herself into the role of the ogre with a heart of gold, once she loosens up with the right kind of smoke. The rest of the cast is good, working with the material they're given to perform.

If you are trying to get away from the horrible news being bombarded at us these days, this is the film for you.

This is pretty much another one of those typical culture clash comedies where a streetsmart character meets the classy rich character, there's conflict and then the conflict is resolved and friendship blossoms, then there's another conflict but that too is resolved by the end. The story has been told x number of times. But what makes 'Bringing Down The House' likable is Queen Latifah, Steve Martin and Joan Plowright. These three provide some laugh-out-loud moments some including Martin and Latifah's dance number, Martin dressing and talking 'black', Queen Latifah and Missy Pyle's catfight and doing a break-dance, Plowright's pompous and stuck up character getting stoned, Peter's neighbour catching him and Charlene in a compromising position. The chemistry between Latifah and Martin is convincing and both have a good comic timing. Thus, even though the story has nothing new to offer, the funny moments make 'Bringing Down The House' fun to watch.

Steve Martin plays tax attorney Peter Sanderson who meets Charlene Morton (Queen Latifah) on an "law and legal issues" internet chat room, believing her to be a "slim blonde" fellow lawyer, the two get on well and eventually arrange a date.

All is not what Peter expects, as Charlene is not only a large African American lady with a larger than life attitude - shes not a lawyer, but an ex con! - and brings with her a heck of a lot of trouble for him, bribing him into helping her clear her name for a crime she says she didn't commit.

The many over the top ridiculous scenarios that follow are truly very funny and do more than enough to paper over the cracks in a pretty thin storyline.

Martin, Latifah - and especially Eugene Levy, as Martins fellow lawyer friend - clearly really enjoy themselves here and it really shows in their excellent performances.

all in all good fun.