Explores a documentary about a radio show that takes calls from people claiming supernatural experiences. Soon a caller claims that as a schoolboy, he encountered a huge-headed infant. Both ... Read allExplores a documentary about a radio show that takes calls from people claiming supernatural experiences. Soon a caller claims that as a schoolboy, he encountered a huge-headed infant. Both the TV and radio crews investigate.Explores a documentary about a radio show that takes calls from people claiming supernatural experiences. Soon a caller claims that as a schoolboy, he encountered a huge-headed infant. Both the TV and radio crews investigate.
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The summary says it all. Any movie with Francis Ng in a large role (in this case, the leading role) can't be completely bad. This is the case with HORROR HOTLINE, which despite the silly title and even sillier ending, the rest of the movie is a terrific suspense/horror. Again, the only thing that goes against HORROR HOTLINE is its reliance on trying to ape THE BLAIR WITCH, but otherwise it's an effective and moody film.
Francis Ng delivers a terrific starring turn as the host of a radio program while Josie Ho has one of her better outings as an American reporter whose crew is in Hong Kong doing a story on Chinese urban legend. But the only reason to watch this film is for Francis Ng subtle and yet chilling performance.
Good stuff that may be ruined by a goofy title and being too similar to BLAIR WITCH.
6 out of 10.
Francis Ng delivers a terrific starring turn as the host of a radio program while Josie Ho has one of her better outings as an American reporter whose crew is in Hong Kong doing a story on Chinese urban legend. But the only reason to watch this film is for Francis Ng subtle and yet chilling performance.
Good stuff that may be ruined by a goofy title and being too similar to BLAIR WITCH.
6 out of 10.
hong kong films are many things -but subtlety is not their strong point. even the most brutal movies from there seem to cram in a bit of silly humour-see the untold story for an example. here is something else though..... influenced more by the japanese ring series than any hong kong film this film starts with an american film crew making a documentary on a popular hong kong radio series in which listeners tell ghost stories. this time a man phones in giving details of a childhood encounter with a baby with a deformed head,kept in a cage near his school. from here the film and radio crew attempt to look into this urban legend and terrifying things start to happen....... this film has a genuinely unnerving atmosphere,some moments that will make you jump and a choice of 2 endings that are very much in the blair witch style. some people might be put off by the fact that a lot of loose ends are not tied up but that just adds to the mystery of it all. don't be put off by the silly name-this is a hong kong horror that really delivers.
A late night radio show program asks people to ring in with any weird stories or unexplainable experiences they have encountered. During one of those calls a person named Chris, tells of a bizarre encounter he had three decades ago of a hideous baby with a massive head. So naturally the radio producer and American TV crew investigates the sinister story and finds themselves in one big mystery that doesn't want to be solved.
'Horror Hotline big head monster' mixes bits of 'It's alive' and 'The Blair Witch Project' together. Now don't let this title fool you, as this is no comedy, but a creative and taut psychological/horror film that plays on the things you don't see, but from what you hear and sense.
The idea is rather absurd, but on the other-hand quite haunting. The film is pretty much story driven, with a fairly thorough back-story of ponderous exposition- but it never let's violence or gore take control actually there's hardly any. Throughout the film the legend of the baby is always on our mind- but we never see it fully, even though it's always implied, heard (baby crying & snarling) or even discussed by the characters, which makes it more unnerving and tense. While still keeping your complete interest.
With a filming and narrative style very similar to that of the film 'The Blair Witch Project' and it's morbid atmosphere leaves one lasting impression. It holds some exceptional images of terror and eerie sound effects that leaves you with some chills and as well as some fair shocks. Though, definitely not cheap ones. It has a superb soundtrack that gets under your skin, while the moody and sombre performances from Francis Ng, as the radio producer and Josie Ho as an American TV reporter are fairly hypnotic.
After getting into the mystery of the big headed baby legend you just feel a little disappointed with the open-ended conclusion. With it leaving you with more questions than before, but still the abrupt ending is quite spine-tingling and the pacing of the film was reasonably solid.
Overall this wasn't great by any means but quite a surprise. I didn't have high expectations for it after seeing the title and watching such disappointments in the Asian horror field before this 'Rasen' and 'St John's Wort'. It's not for all tastes and it might bore some people, if you're looking for splatter or violence.
Definitely worth a look if your into Asian or psychological horror.
'Horror Hotline big head monster' mixes bits of 'It's alive' and 'The Blair Witch Project' together. Now don't let this title fool you, as this is no comedy, but a creative and taut psychological/horror film that plays on the things you don't see, but from what you hear and sense.
The idea is rather absurd, but on the other-hand quite haunting. The film is pretty much story driven, with a fairly thorough back-story of ponderous exposition- but it never let's violence or gore take control actually there's hardly any. Throughout the film the legend of the baby is always on our mind- but we never see it fully, even though it's always implied, heard (baby crying & snarling) or even discussed by the characters, which makes it more unnerving and tense. While still keeping your complete interest.
With a filming and narrative style very similar to that of the film 'The Blair Witch Project' and it's morbid atmosphere leaves one lasting impression. It holds some exceptional images of terror and eerie sound effects that leaves you with some chills and as well as some fair shocks. Though, definitely not cheap ones. It has a superb soundtrack that gets under your skin, while the moody and sombre performances from Francis Ng, as the radio producer and Josie Ho as an American TV reporter are fairly hypnotic.
After getting into the mystery of the big headed baby legend you just feel a little disappointed with the open-ended conclusion. With it leaving you with more questions than before, but still the abrupt ending is quite spine-tingling and the pacing of the film was reasonably solid.
Overall this wasn't great by any means but quite a surprise. I didn't have high expectations for it after seeing the title and watching such disappointments in the Asian horror field before this 'Rasen' and 'St John's Wort'. It's not for all tastes and it might bore some people, if you're looking for splatter or violence.
Definitely worth a look if your into Asian or psychological horror.
Well, the best way to describe this is by calling it the Chinese BLAIR WITCH PROJECT. Now, this doesn't do it justice and can be quite insulting because it's not nearly as bad as that BLAIR WITCH stinker. But it really p***ed me off because I was SO looking forward to seeing how it was all going to end. Just think BASKET CASE meets THE SIXTH SENSE starring Francis Ng. Yeah, I know, he's in just about everything now-a-days. It's a story of monster babies, ghosts, and good looking Chinese chicks centered around a radio station that asks it's callers to talk about the bizarre and the unexplainable. In it's favor, it's cleverly directed with nice camera sways, quick edits, and slow motion sequences. The tension builds from what at first seemed like a hoax to a full blown supernatural murder mystery. But in the end, it really drops the ball. Even though the import DVD that I bought had two different alternate endings, neither one seemed to wrap up the story and both left you hanging, which was a real let down, wondering why you even bothered to watch it in the first place. So with that in mind, I must give it a "thumbs down" for the most part even though I enjoyed the film up until the end which decayed into a "handheld camera bobbling around trying to focus on a mysterious figure in the distance and finally falls to the ground as it's owner is slain". Sound familiar?
Whilst not the scariest movie ever there are moments when even the most die-hard horror fan will be moved out of their seat.
The movie moved at a steady pace and stuck to the well crafted story, as seems to be staple with these movies. And while 'Horror Hotline... Big Head Monster' might sound like more of a humorous, or that the translator might have had a late night before naming this one DO NOT let that dissuade you.
The ending gave way to a very deja-vu Blair Witch feeling but not so much as to overpower the movie or even make it much more than a minute observation - If you can tear your mind away from the action.
Truly a great movie in its genre up, even if far from the greatest - Up there with so many of the great Asian horror masterpieces.
The movie moved at a steady pace and stuck to the well crafted story, as seems to be staple with these movies. And while 'Horror Hotline... Big Head Monster' might sound like more of a humorous, or that the translator might have had a late night before naming this one DO NOT let that dissuade you.
The ending gave way to a very deja-vu Blair Witch feeling but not so much as to overpower the movie or even make it much more than a minute observation - If you can tear your mind away from the action.
Truly a great movie in its genre up, even if far from the greatest - Up there with so many of the great Asian horror masterpieces.
Did you know
- Alternate versionsThe Hong Kong DVD offers viewers a choice of two endings 82 minutes into the film. The "theatrical ending" features Sam awakening from his catatonic state and being interviewed about his Big Head experience. Ben and Mavis then head to the site where Sam was possessed and they are attacked. The "Day of the Dead" ending has Mavis going to interview Connie, who turns out to be possessed. Both endings are shot from the point of view of Mavis' cameraman.
- ConnectionsReferences 2001 : L'Odyssée de l'espace (1968)
Details
Box office
- Gross worldwide
- $545,079
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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