Le purificateur

The head of the Carolingian order is killed and one of the last members is called to investigate the death. The Carolingians fight demons, apparitions and perform exorcisms. Can he stop a murderer who is not human?

Apparently all that is required to banish the most powerful denizens of hell is a small wooden Crucifix and the Chant'.I order you back to Hell!' Well I order you to save your ten dollars. Ledger, Sossamon and even Addy are not the problem in this film. The borderline special effects are also not the problem in this film. The problem is this film's trailer (the preview for the film) that promises a horror thriller with a mysterious supernatural killer, involving rogue priests. The problem is the trailer writes checks that the plot can't cash. Now I know we have enough rogue priests in our regular everyday life, but these rogue priests have cool black crucifix tattooed on their legs. The entire cast which, seems to be little more than a Knight's Tale reunion all turn in great performances. The first Forty-five minutes make me think of Stigmata with a taste of The Exorcist. After that it becomes boring, predictable and criminally unimaginative. Not only is it not scary or suspenseful after that, but it wastes what was shapping up to be a fine plot. Originally scheduled to release Jan 17, 2002 it was postponed to redo the special effects, maybe the plot should have received a rework as well.

Though not big box office fare, the special effects weren't completely horrible. The sets were actually very nice and I liked St. Peters in particular. Maybe a Hollywood clone would do the justice that this movie couldn't, or even a direct to video movie about the Carolingians in which we pretend the first movie didn't even exist.

I must disagree with many of the reviewers on this film. I consider The Order to be a mature, well-constructed horror story. The "horror" is subtle at first, but it builds, along with the suspense, into several, intense episodes that culminate the film decisively. It is a complex flux of development, change and ever-increasing intensity of suspense and anxiety. As with any horror film, indeed almost any film, one must become immersed in the culture and story that is created. One must assume certain elements of the film to be valid, then flow with the plot. The Order fills all of the requirements of a good horror tale, done smoothly and skillfully. The characters and the actors portraying them fit well into the development of it all. I was most impressed with the lead actress. Her portrayal was stunningly sympathetic. And I really loved the ending. It melded all of the elements of the film together in a satisfying conclusion. This film creates a sense of doom and inevitability that constantly grows with its progression. That is what drew me to keep watching. I am not generally a fan of "Religious" horror. I shall gladly make an exception for The Order.

Although I really, really liked this movie, I must admit it's not for everyone, and here's why. The Order encompasses one or two intriguing ideas gone a bit awry.

A priest (played by Heath Ledger) is called upon to investigate the apparent suicide of his mentor, and uncovers the mystery of an ancient being, the Sin Eater, who is able to absolve the sins of those (unrepentant sinners, excommunicated persons, suicides) a normal Catholic priest would be unable to forgive due to church dogma. The knowledge of this creature forces the priest to face his own conflicted feelings about the priesthood. Before he has even begun to sort out his confusion, the larger plot begins to unravel and he finds that he has been at the center of it for longer than he had ever realized.

Well, it would have been excellent if left at that and fleshed out for the 100-minute duration, but it was not to be. The best bits of turmoil and conflict, of passion and temptation and surrender, were skimmed through so quickly it seemed as if someone thought they were the annoying-but-necessary bits when they should have been the real meat of the film. The rest was a clogged up mess of random (and inexplicable) demon children, a power-hungry cardinal, and worst of all: a love interest who had absolutely no chemistry with the main character, an accent that was completely out of place, a confusingly pointless back story, and who seemed incongruous with the setting and plot. Sadly, there were very few shots of the film's locations, only one wide shot of Rome in fact, which could have been used to set the tone much more effectively than all those shadows and candlelight.

That all said, there were many redeeming features. The soundtrack was hit-and-miss, but more hit than miss and at least it was never distracting. The duo of Ledger and Mark Addy was charming and the chemistry between Ledger's character and "William Eden" (played by Benno Fürmann) was sizzling. That adversarial relationship should have been the focus of the film rather than a sort of easter egg hunt during bits of the second half, but it was more than enough for me to consider this movie an hour and a half well spent.

I'm not sure what to make of this film. It was written, directed, and produced by Brian Helgeland, who also wrote the Mel Gibson film "Conspiracy Theory" and wrote and directed "A Knight's Tale", a take-off on Chaucer's Cantebury Tales. Unlike both of those films, which I quite liked, there is no focus as to what this film is supposed to mean.

Heath Ledger plays Fr. Alex, a young priest whose mentor, the former head of a religious order, appears to have committed suicide. Ledger is skeptical, and accompanied by friend and fellow priest Thomas (Mark Addy) and a young woman whom he had exorcised the previous year (Shannyn Sossamon), he goes to Rome to investigate.

He finds that his mentor had employed the services of a "sin-eater", a person who takes on the sins of those about to die who have been excommunicated (apparently unjustly?) by the Roman Catholic Church.

Once he finds the sin-eater, the rest of the film deals with Ledger's motivations for being a priest, his conflict between his vows and his love for the young woman, and the sin-eater's offer to make Fr. Alex his successor, as well as interference run in these matters by demons and pagans...

While this description suggests a compelling drama of religious conflict, the execution is schematic, murky, half-witted...characterization is imcomplete and inadequately subtle, motivations remain unclear, tension is diffused- in short, the project was not well-thought out.

Some things to keep in mind when watching-

1. Real priests do not chase demons (Helgeland has been watching too much Buffy!) nor do competent priests permit themselves to be taunted by demons so that the priest feels the need to challenge them...

2. Fr. Thomas encounters Fr. Alex in the graveyard, where he has just buried his mentor. Sensing something he asks Fr. Alex what has happened, and Fr. Alex (who had just been attacked by demons) responds "demon spawn in the form of children- nothing I couldn't handle". That disposition is so wrong! Relating the casting out of demons to your own ability would only invite the demons to attack you more fiercely! We defeat Satan through humility. Jesus said, "Don't be glad because the evil spirits obey you; rather be glad because your names are written in heaven." (Luke 10:20, Today's English Version)

3. "Knowledge is opposed to faith" one character says. This is the most annoying line in the film. What kind of knowledge is he referring to? Knowledge of sin? Well, we may say that knowledge of sin obscures faith but is directly opposed to love. Knowledge of the occult? Beyond certain limits, knowledge of the occult is dangerous and unnecessary, and thus opposed to faith. But what about scientific knowledge, as in the laws of history or physics? Or knowledge of the faith itself? Does the Scripture not say "My people perish for lack of knowledge?" (Hosea 4:6)

4. In one instance, Fr. Thomas denounces a pagan as a "blasphemer"; yet, in another, earlier scene, he practically goads Fr. Alex into breaking his vows. Why does he act honorably in one scene and not in the other?

5. If the relationship between the young woman and Fr. Alex did not deserve to be developed more than what is here, it deserved to be excised from the film as a needless distraction from the story arc. When Fr. Alex breaks his vows, what could have been a meaningful scene between the two, is instead a PG-13 lovemaking montage with no dialogue at all!

Is the director being anti-Catholic, anti-Christian, or anti-God? It seems to me none of these things, but rather he objects to his perception of the authority of the Roman Catholic Church. I do not think he realizes there is a conflict between the genuine Catholic dogma of sin and redemption and the false one portrayed here, a false understanding no doubt arising from exposure to distorted and legalistic expressions of the Roman Catholic faith.

To unspiritual people, this will seem a silly, cheesy film. But I doubt that Helgeland just decided to arbitrarily throw together supernatural elements in order to make a thriller. He seems to be aware that these elements do exists, but he is confused about their nature.

This is not a film that should be seen without someone wise and mature in the Catholic faith.

Suspense, mystery , shocks and grisly horror is this average terror film about occultism . It deals with a young reverend named Alex Bernier (Heath Ledger) is a member of an arcane order of priests known as Carolingians , he is sent to Rome to investigate the troubling death of the head of his order . The body bears strange marks on the chest which may or may not be the sign of a Sin Eater named William Eden (Vincent Cassel had originally been cast but left the production after three weeks due to "creative differences" , as he has been replaced by Benno Fürmann), a renegade who offers absolution, last rites ; therefore a path to heaven outside the jurisdiction of the church and unleashing fantastic powers . Alex enlists the aid of his old comrade named Father Thomas (Mark Addy) . Meantime ,the father is attempting to find out the bottom of events and he soon finds himself plunged into a mystery only to find himself at the heart of it.

This is an average suspenseful and horrifying story , based on a screenplay by Brian Helgeland , also producer and filmmaker . The movie begins slowly and grows more and more until the twisted , creepy and eerie finale . Mediocre picture , thanks to passable acting , slow-moving pacing , middlingly mounted edition and skillful special effects . The film contains restless terror and usual poltergeists phenomenon . Passable acting by Heath Ledger as Alex , a priest sent to Rome to investigate mysterious circumstances surrounding a strange death and Sossamon as a troubled artist upon whom he once performed an exorcism . Enjoyable secondary cast as Mark Addy , Benno Furmann and special mention to Peter Weller , according to Brian Helgeland, did extensive research for his role by studying old religious rituals and histrionics. It is produced with little budget but well recreated with high grade special effects that are frightening and horrifying to spectator as when the sin eater carries out his abilities . It's actually halfway decent terror movie that failed at the box office and it will appeal to ghostly and eerie events fonds . Originally scheduled for January 17, 2002, the film's release date was postponed when the visual effects had to be redone because they were thought to be unintentionally funny , according to a anonymous source close to the production quoted by Variety magazine, the special effects depicting sins exiting the human body after death looked like "calamari".

The picture packs a colorful as well as dark cinematography by Nicola Pecorini and eerie musical score by David Torn . The motion picture was regularly written , produced and directed by Brian Helgeland . Brian is a prestigious screenwriter , he won both his Oscar and a Razzie award the same weekend in 1998: He took Best Screenplay for L.A. Confidential (1997) and Worst Screenplay for Kevin Costner's The Postman (1997). He wrote the draft of the screenplay for Bourne supremacy (2004) but is not credited in the final film. His directing mentor was Richard Donner when they worked together on Conspiratión (1997) and then when Brain started to direct Payback (1999). He went on working on scripts of "Blood Work" and "Mystic River" for Clint Eastwood. An directed this ¨Sin eater¨ with Heath Ledger, Shannyn Sossamon, and Mark Addy all previously appeared together in ¨knight's tale¨. The motion picture will appeal to religious thriller buffs and dark atmosphere enthusiasts .