When a deadly assassin hijacks a passenger train, he threatens to detonate a deadly can of poison that can wipe out an entire city, if he isn't given a 25 million dollar Ransom. While the co... Read allWhen a deadly assassin hijacks a passenger train, he threatens to detonate a deadly can of poison that can wipe out an entire city, if he isn't given a 25 million dollar Ransom. While the cops are attempting to thwart the madman, they decide to call Former DEA agent Paul Blake (A... Read allWhen a deadly assassin hijacks a passenger train, he threatens to detonate a deadly can of poison that can wipe out an entire city, if he isn't given a 25 million dollar Ransom. While the cops are attempting to thwart the madman, they decide to call Former DEA agent Paul Blake (Antonio Sabato, Jr) the one man who can possibly stop the fiendish plot.
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Aspect ratio: 1.78:1
Sound format: Stereo
After serving time in prison on a trumped-up charge of corruption, an ex-DEA officer (Antonio Sabato Jr.) travels to Australia in search of the man responsible for his ordeal (Jerome Ehlers), a rogue CIA agent who has hijacked a passenger train and is threatening to detonate a nerve bomb in the heart of Sydney...
Antonio Sabato Jr. is the perfect action hero: He's dark and handsome, and he can kick butt with the best of 'em. The only 'trouble' is his chest - he's got the best pecs in the business, and his costume designer knows it. When he wears a tight-fitting T-shirt (as he does frequently throughout this opportunistic mini-epic), or - better still - when he isn't wearing a shirt at all (there's only one gratuitous 'topless' scene, but welcome nonetheless!), some viewers will be hopelessly distracted by the size, shape and all-round magnificence of those plate-sized pectorals. Thankfully, Sabato wears another (loose fitting) shirt just long enough for Brian Trenchard-Smith's ho-hum actioner to emerge into some kind of focus, and while there's nothing new in either the script (by Trenchard-Smith and Dennis Pratt) or direction, the movie contains enough explosions and punch-ups to satisfy the target audience. Former soap star Kimberley Davies (sporting a rather magnificent chest of her own!) is Sabato's potential love interest, prone to falling into the wrong hands and being rescued by her hunky would-be boyfriend, while Kate Beahan suffers gracefully as Ehler's naive associate, a good-hearted soul who realizes - too late! - the hijack will end in disaster for millions of innocent people. Professional in all departments, the movie is no more than a routine time-waster, but Sabato's pumped-up torso is worth endless repeat viewings. Drool, slobber...
Add every cliché in the book, some truly awful acting, standard issue one liners that don't work, various cardboard characters, the token eye candy and a cast that seemed to be only in this as they desperately needed the money to a budget of about ten dollars and this is the mess you wind up with.
The locomotives acted better than the cast, probably because they did not have to recite the cheesy clichéd dialogue that basically ran from start to finish, it is little wonder that one comment from an Australian (where this Antipodean codswallop was made and is set) wanted to hang his head in shame that they where producing stuff like this.
Stick to Mad Max films please.......
Mmm. Should have given it 1/10 instead of 2. Certainly the special effects aren't even worth that.
Read a good book, watch something else, eg. flies crawling up the wall, or maybe grass growing, or photos of Kimberley, or some of the wonderful non-action-genre movies that have come out of Australia in the last twenty years.
One day Australians will realise that they make great intelligent movies without trying to match Hollywood for action blockbusters which they will never be able to do. Until then we are stuck with these occasional misguided unsuccessful forays.
Contemplating this movie's showing on overseas TV networks makes me cringe as an Australian.
Don't bother with this one.
Did you know
- ConnectionsReferences Les Aventuriers de l'arche perdue (1981)