Katherine Watson teaches art history in 1953 at the respectable all-female Wellesley College. She encourages her conservative students to question and disregard the outdated societal mores f... Read allKatherine Watson teaches art history in 1953 at the respectable all-female Wellesley College. She encourages her conservative students to question and disregard the outdated societal mores for women.Katherine Watson teaches art history in 1953 at the respectable all-female Wellesley College. She encourages her conservative students to question and disregard the outdated societal mores for women.
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- 6 nominations total
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Featured reviews
On the first day, her class fails under the leadership of the arrogant Betty Warren (Kirsten Dunst) and her friends Joan Brandwyn (Julia Stiles) and Giselle Levy (Maggie Gyllenhaal), but Katherine is advised by her mates and the Italian teacher Bill Dunbar (Dominic West) to not fear the students. Soon Katherine learns that the girls are only waiting to catch Mr. Nice Guy and get married and she fights against the status- quo of Wellesley and to keep her independence.
"Mona Lisa Smile" is an entertaining movie about a woman living ahead of time in a conservative environment. The performances are top-notch, highlighting Julia Roberts, Kirsten Dunst, Julia Stiles and Maggie Gyllenhaal. I bought this DVD many years ago and only today I have seen this movie recommended by a friend of mine. My vote is seven.
Title (Brazil): "O Sorriso de Mona Lisa" ("The Smile of Mona Lisa")
I don't share the many negative comments about this movie. It is a fine drama, one that merits repeat viewings once or twice a year. It is NOT simply a 'Dead Poet's Society' for the girls. To call it that is to overlook all the fine, unique points about this movie.
Update: Saw it again March 2013, I enjoyed it as much as the first two times.
Update: Saw it again June 2017, I enjoyed it as much as the first three times.
Another thing that pleased me was the film's assumption of an intelligent, educated audience that does not require any dumbing-down of art and culture. "Mona Lisa Smile" rattles off names of artists and their works as if it fully expected moviegoers to be conversant with them. In at least one case, the film names neither the artist nor the work (Picasso's "Demoiselles d'Avignon"). All of these things are taken as givens, as part and parcel of a sophisticated audience's cultural baggage -- quite a change from the usual pap that Hollywood spoonfeeds us!
Moreover, the film sometimes speaks volumes by what it doesn't say but simply shows, taking for granted that we will fill in the blanks from our knowledge of the history of the period (that is, the early 1950s). There is one oblique reference to McCarthyism. A photo of an atomic explosion reminds us of the post-WWII, Cold War era. A game show on TV triggers a memory of the payola scandal. Again, "Mona Lisa Smile" credits us with brains rather than insulting our intelligence.
Mercifully, the title of the film is not simply a reference to Julia Roberts' famous beestung, collagen-enhanced lips. As Kirsten Dunst's character explains toward the end of the movie, Mona Lisa's smile is not necessarily an indication that she is happy and content -- any more than the women of the 1950s with their dream homes and seemingly perfect lives. "Mona Lisa Smile" is ultimately an indictment of those in society who perpetrate and perpetuate secrets and lies, and a tribute to those through whom the truth prevails.
Some reviewers on this site claim the movie has a liberal agenda. Well, if its liberal to want young ladies to consider all their options and be able to reach for the stars - if they choose, then who can disagree. Label me with an "L".
Recent movies that I will watch again include Groundhog Day, In America, The Emperor's Club, and In & Out. If you liked most of these, watch this movie.
You won't be disappointed. And be sure to watch the credits at the end, the part done to the song "The Heart of Every Girl." The older generation will really relate.
Did you know
- TriviaIn order to prepare for their roles, the leads were all put through a finishing school two weeks prior to filming. However, in contrast to the film's depiction, Wellesley College was never a finishing school. It was a private women's liberal arts college which emphasized social activism.
- GoofsAt the wedding, champagne is served in flute glasses. They were rarely used until the 1970s, when drier vintages became preferred. In the 1950s, champagne was served in champagne coupe (or saucer) glasses. They are still used in champagne fountains at weddings.
- Quotes
Betty Warren: [Narrating] My teacher, Katherine Watson, lived by her own definition, and would not compromise that. Not even for *Wellesley*. I dedicate this, my last editorial, to an extraordinary woman who lived by example and compelled us all to see the world through new eyes. By the time you read this, she'll be sailing to Europe, where I know she'll find new walls to break down and new ideas to replace them with. I've heard her called a quitter for leaving, an aimless wanderer. But not all who wander are aimless, especially not those who seek truth beyond tradition, beyond definition, beyond the image.
- Crazy creditsThe end credits for the prominent cast and crew are set in front of vintage footage and advertisements showing women in the 1940s and '50s.
- SoundtracksLift Thine Eyes
from "Elijah"
Written by Felix Mendelssohn
Performed by Wellesley College Chamber Singers
Lisa Graham Conductor
Under license from Wellesley College Chamber Singers
Details
- Release date
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- Also known as
- La sonrisa de Mona Lisa
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Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $63,860,942
- Opening weekend US & Canada
- $11,528,498
- Dec 21, 2003
- Gross worldwide
- $141,337,989
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1