Levity

Greetings again from the darkness. Simple story made interesting by the characters and environment. Billy Bob Thornton is our unconventional lead character. Very understated performance accurately captures the emotions of this repulsed, repentant killer. Sparkling Kirsten Dunst is unusually gritty in her sad portrayal of the pop star daughter putting up a false front. Morgan Freeman is effective as the community "reverend" with a secret. Best performance comes from Holly Hunter as frustrated mom/sister just trying to make sense of her world. Director Ed Solomon, known mostly for light weight writing, does a respectable job of capturing the pain of all the characters. Bleak world where each individual must furnish their own reason to keep going.

An Ed Solomon film starring Billy Bob Thornton, Morgan Freeman, Holly Hunter and Kirsten Dunst. This is a very personal film by the writer of Bill & Ted's Excellent Adventure and Men in Black. Too slow-moving for mainstream acceptance, this is nevertheless a movie of depth and compassion. It grapples with the issue of redemption, and leaves the audience with uncertainty that is nonetheless remarkably calming-hope without moralism. Thornton was . Thornton. He has the range of a tetherball. I don't think Morgan Freeman is at his best in this film. And we don't see enough of Holly Hunter to appreciate her. The film had some very funny moments, but I can't think of a less appropriate title. Having said all that, this movie is worth the trip because it is thought-provoking, subtle and oddly inspiring.

How does one make things right? Seek forgiveness? Where does redemption reside and how do you get there? How does a wounded soul reconcile guilt? This is a slow and thoughtful character study set during a grim and dreary winter in an urban town. This is not a Hollywood movie. It's raw with real life. It's apparent ugliness is its sheer inescapable beauty. Morality does exist no matter how we try to hide. Thornton, after spending over 20 years in prison for the murder of a young convenience store clerk during a robbery gone haywire in his youth, is drawn to return to his old neighborhood to visit the older sister of the young man he killed, played by Holly Hunter. She doesn't quite know who he really is since so many years have gone by. Thornton was content to live out his remaining years behind bars but must now face his past because his sentence was suddenly commuted. Bleak with melancholy, this type of film gets shunned by audiences and it's a shame. Morgan Freeman plays a mysterious soup kitchen minister who has his own issues, whom Thornton comes to work for. Freeman is a natural actor and believable in any role. The story unfolds slowly without gimmicks. At times, Thornton happens to find himself visited by the ghostly apparition of the young man whom he killed, while he is in the process of seeking resolution and atonement. His simple desire is to somehow make amends. He wants to be forgiven but, strangely, he is unable and unwilling to forgive himself. Unfortunately, unresolved redemption seems to be too deep a theme for contemporary audiences who are hooked on chills and thrills and pyrotechnics. This is an independent film, the kind that many people just don't get. A movie for your quiet time or a rainy night. Something different and refreshing. And no silly happy ending to mar the proceedings.

Thorton stars as a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the paroled man attempts to find redemption, in the form of a mysterious minister (Freeman) and two needy women (Dunst and Hunter).

I saw this film in the 99 cents store. I looked at the cast, which are great. I looked at the price, which was also great. And I read the plot in the back of the VHS, which got me to buy this film. It looked interesting. So there I watched the movie and I loved it! It's one of the best films ever made.

It was well crafted, beautifully cast, with a great script. I was moved and gripped. For me, this is Billy Bob Thornton's best performance, yet, although I haven't watched Monster's Ball, yet. His performance was superb, like everyone else in the cast, including Morgan Freeman, Holly Hunter, and Kirsten Dunst.

This film is subtle on everything. It keeps your attention and it is a good moral film. I never have much to say about great films, and it's no different here. If you see this film on the shelf, I suggest you to go buy it because it is your money's worth, although I bought it for 99 cents.

I was fortunate enough to have been invited by a friend to preview this film at a press screening. Included in the press kit given to me at the screening was background information about the film which enhanced my viewing experience. What I found intriguing was the fact that the film was inspired by such a compelling personal experience. While attending UCLA (Writer-Director) Ed Solomon was tutoring a teenager in a maximum security juvenile prison. One of his students was a boy serving a life sentence for murder who carried around a photo of his victim, often holding and touching it. This experience was the catalyst for "LEVITY".

Written and directed by Ed Solomon who is best known for writing such comedies as "Bill & Ted's Excellent Adventures" and "Men in Black". This is an impressive directing debut.

The film stars Billy Bob Thornton, Morgan Freeman, Kirsten Dunst and Holly Hunter. This is a story of an ex con (Thornton) who is unexpectedly released early from prison for killing a teenager during an attempted robbery. He tries to find some kind of personal redemption with the help of minister (Freeman) and two woman (Hunter) and (Dunst).

I was immersed in the story almost immediately. The interaction between Freeman and Dunst is dynamic and authentic. The cast is exceptional and the perfomances outstanding. I found this film to be not only insightful,inspiring and thought provoking but it also had several FUNNY moments.

It is shot by four time Oscar nominated Director of Photography Roger Deakins who added pleasing imagery. Worth mentioning is the music of Mark Oliver Everett.

This film leaves a lasting impression and I found myself reflecting on it a few days after I saw it. I highly recommend this film and plan on seeing it again in April when it opens.