La Mélodie du malheur

A note to those who are familiar with other films directed by Miike. Although some of his other films have been very violent and disturbing (such as AUDITION), this film is completely unlike these films and is a must-see. This is NOT a violent or overly bloody film despite there being zombies mid-way through the movie!

I love foreign films, so I am VERY willing to watch a wide variety of strange and sometimes "artsy-fartsy" films. However, my wife and I have urged our friends to see this film and all agree that it is a real gem. It is important that you watch the movie with an open mind, as the first few minutes of the film are, believe it or not, done in claymation! Then, it fades to the present-day Japan and the totally bizarre adventures that occur to a genuinely nice Japanese family. Through no fault of their own, this family's bed and breakfast seems to attract patrons fated to die (in rather comical ways, at that). The family's response? Simple--break into SONG!!! The songs are meant to be very silly and overly dramatic and turn out to be GREAT FUN!! The best of these has got to be the song and dance number featuring this sweet family and zombies (dead hotel guests). I'm sure NONE of this sounds funny or charming, but it is without a doubt both of these things as well as, believe it or not, a family values-affirming film.

The bottom line is, if you are brave and want something that is TOTALLY unpredictable and engaging, watch this film ASAP! Also, if you like weird and surreal musicals, I also recommend the Dutch film, YES SISTER NO SISTER.

Okay, I don't have the best taste in movies, but when I read the synopsis, I have to admit, I was unhealthily curious. My boyfriend walked out from this movie, but I had to stay to finish it. What would happen to Shizue and the rest of the nutty Katakuris?! I've never seen such an odd film, and with my taste in movies that's saying a lot. Some of my favorites involve anything by Stephen Chow, Rocky Horror, Hedwig, and even blockbusters, like Batman Begins, Dark City, and HitchHiker's Guide. This movie was hilarious. I found it in the horror section of Blockbuster but it should have been placed in the comedy section. At the beginning I thought it was going to be awful but when great-grandpa hit the crow with a chunk of wood, I knew it was going to be awesome. The songs are cheesy and goodhearted and I bet the actors had a blast making this movie. 8 out of 10 from me because it was, straight face here, the Weirdest movie ever. :)

There is little more to say about this film than to recommend it heartily to anyone with a sense of humour. I mean a proper sense of humour. If you have ever wet yourself sitting through Monty Python you are going to enjoy this. This isn't Will and Grace.

Most of the songs are great, the song based around a dead man with scissors in his neck is brilliant. They are cheesy, OTT and have some of the best dance moves since Ricky Martin tried dismally to samba his way into the charts. I am still humming along to some of the tunes (from the Katakuris, not Ricky Martin. Although I wish he'd been a guest at the Katakuri's guest house.) My greatest problem with the film comes from its advertising. It is labelled as a "Cannibal Musical" in some press releases. Ignore this. There is no cannibalism in this film. Not even a suggestion of it. Nobody even says in close up; "Oh I am hungry" and then is juxtaposed with a shot of a dead body. The only feasible description of this film which mentions cannibalism is: "Is not about cannibalism, unless if by cannibalism you mean songs".

You are going to have a great time watching this film and if you are familiar with Miike I think it is safe to say that this film is more shocking that even Ichi the Killer. Why? Because at the end of it you feel all warm and fluffy inside and I dare say nobody expects this from Takashi Miike. I certainly didn't.

Miike Takashi's `Katakuri-ke no Koufuku' is a wonderfully bizarre black comedy musical highly reminiscent of the music videos and live concert performances staged by the now-defunct 80s & 90's J-pop powerhouse Kome Kome Club. Miike's choice of Sawada Kenji as Katakuri Masao further accentuates this similarity, since he strongly resembles K2C co-front man `Carl Smoky' Ishii Tatsuya. The somewhat unpolished song & dance routines (unlike K2C), along with episodic fits of overacting and self-depreciating man-on-a-wire work combine to create a totally off the wall mix of dark humour and Miike's trademark visual gross-outs.

In synopsis, Katakuri Masao is a downsized urbanite who stakes his family's livelihood on restoring a run-down country inn. Masao, along with wife Terue (Matsuzaka Keiko) and father Jinpei (Tamba Tetsuro) reel in their troubled son Masayuki (Takeda Shinji) and divorced daughter Shizue (Nishida Naomi) to create their family dream. But alas, location is everything, and without a major road nearby, the `White Lover's Inn' waits patiently sans customers. When guests finally do begin to arrive, the Katakuris find (through no fault of their own) that their guests have an annoying habit of dying. Not to be discouraged however, the Katakuris do their best to persevere as a family, and find time for a number of offbeat musical numbers in between.

The most irritating character was the second-rate con man Richard Sawada played by actor/singer Iwamano Kiyoshiro, who also played a deadbeat suitor in the TBS dorama, "Boku no Shusshoku". He actually does a fair job at speaking bad gaijin-sounding Japanese, and he's one of the only actors in the movie (to my knowledge) with a musical background. Oh, and the shot with him wearing the Oakley `OverTheTops' is pretty funny. One of the strangest elements to me (besides the opening claymation sequence) was the fact that the prologue & epilogue narratives were voiced in retrospect by the young grand daughter, for no apparent reason. Some reviewers point out the moralistic undertones of family values and such, but I suspect that even this was thrown in by Miike as part of a cold-cocked slap in the face with regards to anything being morally relevant in the film, or making sense for that matter.

The maverick like Takashi Miike, who sends up Japanese culture in many of his films, directed this film about a family who have a guest house in the middle of nowhere, where the (few) lodgers end up dead by morning. And, its a musical! The film is all over the map and even includes some claymation. It is not bad, but it is somewhat uneven. I wish I cared more for the characters, they are somewhat one dimensional. However, Takashi is always interesting as a film maker, so I do recommend it, but he has done better. Its strange in its approach, a black comedy if you will. Once you understand it, you can watch it. Be warned, though, its a little out there.