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Le talisman

Original title: Tian mai zhuan qi
  • 2002
  • PG-13
  • 1h 43m
IMDb RATING
4.6/10
1.8K
YOUR RATING
Michelle Yeoh, Ben Chaplin, Richard Roxburgh, and Brandon Chang in Le talisman (2002)
Desert AdventureMartial ArtsActionAdventureRomance

A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.A sister and brother, the last heirs of a family of acrobats, are called upon by a Buddhist monk sect to retrieve an artifact that their ancestors have protected throughout the ages.

  • Director
    • Peter Pau
  • Writers
    • Julien Carbon
    • Thomas Chung
    • Laurent Courtiaud
  • Stars
    • Michelle Yeoh
    • Ben Chaplin
    • Richard Roxburgh
  • See production info at IMDbPro
  • IMDb RATING
    4.6/10
    1.8K
    YOUR RATING
    • Director
      • Peter Pau
    • Writers
      • Julien Carbon
      • Thomas Chung
      • Laurent Courtiaud
    • Stars
      • Michelle Yeoh
      • Ben Chaplin
      • Richard Roxburgh
    • 38User reviews
    • 16Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins & 2 nominations total

    Photos12

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    Top cast62

    Edit
    Michelle Yeoh
    Michelle Yeoh
    • Pak Yin Fay
    Ben Chaplin
    Ben Chaplin
    • Eric
    Richard Roxburgh
    Richard Roxburgh
    • Karl
    Sihung Lung
    Sihung Lung
    • The Monk-Dun Huang
    Brandon Chang
    Brandon Chang
    • Pak Yeuk Tong
    Margaret Wang
    Margaret Wang
    • Lily
    Dane Cook
    Dane Cook
    • Bob
    Emmanuel Lanzi
    • Draco
    Kenneth Tsang
    Kenneth Tsang
    • Ping
    Gabriel Harrison
    • Sam
    • (as Gabriel Hoi)
    Winston Chao
    Winston Chao
    • Yin's Father
    Zhenhai Kou
    Zhenhai Kou
    • Silvio
    Changsheng Liu
    Changsheng Liu
    • Pang
    • (as Chang Sheng Liu)
    Hua Qin
    • Fat-Wah
    Sua Lang Rao Deng
    • The monk - 700 Yrs. Ago
    Dawangdui
    • Tibet Senior Lamas
    Ya Dong Duo Ji
    • Tibet Senior Lamas
    Zhong Bian Ba Ci Ren
    • Tibet Senior Lamas
    • Director
      • Peter Pau
    • Writers
      • Julien Carbon
      • Thomas Chung
      • Laurent Courtiaud
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews38

    4.61.8K
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    Featured reviews

    Lemon_Jo

    Keep on going, Michelle! We love you.

    My name is Jo. I live in BKK. I've already seen the movie here in Thailand and I think it's great especially the Tibetan part. I'd say well done to Michelle Yeoh because she has done such a good job. I'm impressed. Keep on going, Michelle! We love you. This is a greeting from your fans in Thailand. " JO & FRIENDS "
    6unbrokenmetal

    Genre movie without big surprises

    "The Touch" is an adventure movie in the tradition of "Raiders of the Lost Ark". It tells the story of a Chinese family of artists who specialized in difficult jumps for many generations. Only such a jump, seeming impossible to anyone else, will make it possible to obtain a holy treasure. Two family members are kidnapped by a treasure hunter (Richard Roxburgh) to get the treasure for him. Yin (Michelle Yeoh), being the head of the family after the demise of her father, pursues them into the desert.

    Genre movie without big surprises, but well made (except for the final fight which looks like computer game inspired green screen effects), featuring a female star who successfully avoids any Lara Croft similarities and uses her scarf both as a weapon and a swing rope. "The Touch" was shot in places where nobody else was allowed to film before. The landscapes of Tibet are impressive and make the movie more memorable than the thin plot deserves.
    imayne

    unfulfilled potential

    One of the classic fantasy quest novels of ancient China serves as the basis for this film's story: JOURNEY TO THE WEST by Wu Cheng En. In it, the Buddhist Monk/Scholar Xuanzang accomplishes a pilgrimage to India with the help of three magical creatures: a powerful immortal monkey with an anti-authoritarian streak, a humanoid boar of immense power, gullibility and appetite and an even-tempered warrior monk. The same source material was the inspiration for anime like Dragonball Z.

    In this case, The Touch starts off cleverly, and sort of creates the impression that it is a latter-day sequel to the novel especially in one of the fights that opens the movie: a re-creation of the famous scene in the novel where the Monkey duels with a hot-tempered Boy-God with the ability to manipulate fire. And with the fact that it is the Sharira (or crystal essence) of the Monk that is the motive for all the characters' actions. But it fails to cover this much further, sags in the middle and soon becomes a cliched and predictable adventure film featuring a booby-trapped room, fire, Tarzan-swinging and "leaps of faith".

    Performances wise Michelle Yeoh is Michelle Yeoh, always up to snuff in her physical stunts and emotional nuances but set back by her grating Cantonese-Malayan inflections when speaking Mandarin and English. Ben Chaplin continues his trend of playing second fiddle to A-list females, from Winona Ryder, Sandra Bullock and Nicole Kidman to Michelle Yeoh. He's just the kind of guy A-list women like to have in their movies because he looks positively impotent. Richard Roxburgh seems to have walked in thinking he was going to act in a Shakespearean stage play and pretty much plays his stock villain character larger-than-life with hammy delivery.

    Cinematography is first-rate, and the music is surprisingly pleasing, and that's about all. The story is weak, predictable and has the depth of a Disney cartoon. Characters are one-dimensional and stock. Peter Pau can handle visuals though what he's done is virtually retreading old ground, but as a director he still lacks vision and the ability to astonish emotionally. Any astonishment is mainly from the way he handles visuals, rarely from timing or the way he works on the imagination. A triumph of set design over plot this is, but what set design, and what cinematography!

    Overall this movie is an elegantly-shot with potential for greatness, but just becomes little more than a passably entertaining, shortchanging adventure by the end.

    Rating: 5.6 out of 10
    4devinabellon

    Crouching Tiger and the Last Crusade

    Unoriginal, poorly produced, poorly acted, and ultimately disappointing, this film takes the beautifully orchestrated acrobatic moves of Crouching Tiger (not to mention the leading lady), but executes them with an awkwardness surpassed only by the overused blue-screen and computer-generated special effects. Some of the action scenes were well done, but as a whole, it failed to bring anything more than what most low-grade action films offer.

    The many attempts to inject humor into the film, via the classic "moronic American idiot" who bumbles around the film acting like he just left the set of latest Police Academy installment, is so out of place that it annoyinging disrupts the flow of the film and leaves the audience to wonder, "what the hell is that guy doing in this movie?"

    Perhaps most disappointing were the performances of the two lead characters, who after promising roles in "Crouching Tiger" and "Birthday Girl" seemed to have settled for whatever script was tossed their way.

    I rated this film a 4. It was compelling enough that I stayed to see the ending, but in the end, I wish that I hadn't. Utterly forgettable and disappointing...
    5vw_hk89

    "Just" average

    As a fan of Yeoh's films, I desperately felt I needed to see this film, I was impressed with the trailer but then it all led to disappointment when I saw the film. I was aware that the film was receiving bad reviews but when I saw it, it was not as bad as I thought it was but there were some major faults.

    The use of incredible locations in the film was a plus, the story line sounded perfect for an adventure film and there was that wonderful combination of action, romance and comedy

    I felt that one of the main flaws with the film was the ensemble of actors; though they do look good in their roles, the way they portrayed their characters was rather poor.

    Yeoh's performance was not of a satisfactory level, but provided she got to use some martial arts in the film, I was happy.

    Ben Chaplin, who plays Eric,provides most of the comic relief for the film, particularly when he attempts to sing a love song in Mandarin Chinese but forgets the words half way through the song. I am still wondering whether the character Bob was even meant to be funny at all as he was just pathetic throughout the film.

    Brandon Chang and Margaret Wang who play Lily and Tong are newcomers, of all the actors in the film, their performances were the most disappointing; my reason is mainly that when they spoke, it sounded as if they were on a "lets talk English programme", they were expressionless and bland with their acting.

    Another flaw was the use of special effects in the film, particularly in the climax that takes place in the burning cave, at the beginning of the scene, the flames looked real, but whoever was in charge of the cinematography made a huge mistake after applying the flames because the fire looked incredibly fake afterwards as well as a list of other faults concerning the CGI.

    Despite the faults outweighing the good points, I did enjoy the film, but it was merely average.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The film marked Basil Poledouris' final theatrical film he composed in his lifetime.
    • Quotes

      Eric: Look, I only steal from the rich.

      Pak Yin Fay: Only because the poor don't have anything worth taking.

      Eric: There's an element of truth to that.

    • Alternate versions
      Gala Film Distribution handled the distribution in Hong Kong and Solar Pictures in the Philippines for a 2002 theatrical release. Miramax also bought the rights to the film in 2002, removing 20 minutes of footage for a 83-minute version for 2003 and 2004 US theatrical releases, and completed the special effects CGI scenes. The theatrical release was shelved and instead was released via Netflix and Aol On network; it was released on DVD in 2009.

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    FAQ17

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    Details

    Edit
    • Release date
      • August 13, 2003 (France)
    • Countries of origin
      • China
      • Hong Kong
      • Taiwan
      • Japan
    • Official site
      • Mythical Films (United Kingdom)
    • Languages
      • English
      • Mandarin
    • Also known as
      • The Touch
    • Filming locations
      • Beijing, China
    • Production companies
      • Aruze
      • China Film Co-Production Corporation
      • Han Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $20,000,000 (estimated)
    • Gross worldwide
      • $2,262,168
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 43m(103 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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