Le talisman

I managed to catch the premier of Datuk Michelle Yeoh's film during its premier in Malaysia on August 1st. I can say that Datuk Yeoh has done a wonderful job, as a producer and also as the main lead in this film.

The Touch tells the tale of a relic treasure known as the Sharira which is said to contain the pure essence of a Buddhist Holy Man. To protect this great treasure, the Monks of Dun Huang hid it. When the time has come to retrieve it, the monks turned to a family of acrobats. For hundreds of years, the family trained, passing on the skills required to retrieve the Sharira when the time comes.

Yin Fei (Datuk Yeoh) and her brother Tong (Brandon Chang in his debut), are the heirs to the skills of the long lineage of acrobats. One fateful day, Eric (Ben Chaplin), a man who used to be Yin's old flame shows up with the Heart of Dun Huang, a medallion which is the key to unlocking the secret location of the Sharira. Together, they embark on a perilous journey to discover what Yin's ancestors once guarded. And what do you know, there is always the rich, merciless, unscrupulous man, Karl(Richard Roxburgh), who will stop at nothing to get his greedy hands on the prized treasure.

Pretty much your average treasure hunter movies with a little touch of Indiana Jones. There is almost a Tomb Raider reference when Karl offered Yin his resources to find the Sharira together. Fortunately, Yin just rejected his offer by kickin' his butt. By far, the scenes featured in the film were breathtaking ( China and Tibet ), thanks to director Peter Pau, who also doubles as the film's cinematographer. Action scenes were well pulled off and linked using spectacular special effects. Just don't miss the 'fight' scene between Yin and Tong in the beginning of the movie which is just reminescence of the fight between the Monkey God and Na Za.

Brandon Chang who had just made his debut in this film, may one day be the next Jet Li. It is heard that his now under Datuk Yeoh's tutelage in martial arts and Kung Fu. Datuk Yeoh, after the phenomenal success of Ang Lee's Crouching Tiger, Hidden Dragon , still manage to captivate the audiences with her acting and also her butt kickin'.

Way to go Datuk Yeoh!!

One of the classic fantasy quest novels of ancient China serves as the basis for this film's story: JOURNEY TO THE WEST by Wu Cheng En. In it, the Buddhist Monk/Scholar Xuanzang accomplishes a pilgrimage to India with the help of three magical creatures: a powerful immortal monkey with an anti-authoritarian streak, a humanoid boar of immense power, gullibility and appetite and an even-tempered warrior monk. The same source material was the inspiration for anime like Dragonball Z.

In this case, The Touch starts off cleverly, and sort of creates the impression that it is a latter-day sequel to the novel especially in one of the fights that opens the movie: a re-creation of the famous scene in the novel where the Monkey duels with a hot-tempered Boy-God with the ability to manipulate fire. And with the fact that it is the Sharira (or crystal essence) of the Monk that is the motive for all the characters' actions. But it fails to cover this much further, sags in the middle and soon becomes a cliched and predictable adventure film featuring a booby-trapped room, fire, Tarzan-swinging and "leaps of faith".

Performances wise Michelle Yeoh is Michelle Yeoh, always up to snuff in her physical stunts and emotional nuances but set back by her grating Cantonese-Malayan inflections when speaking Mandarin and English. Ben Chaplin continues his trend of playing second fiddle to A-list females, from Winona Ryder, Sandra Bullock and Nicole Kidman to Michelle Yeoh. He's just the kind of guy A-list women like to have in their movies because he looks positively impotent. Richard Roxburgh seems to have walked in thinking he was going to act in a Shakespearean stage play and pretty much plays his stock villain character larger-than-life with hammy delivery.

Cinematography is first-rate, and the music is surprisingly pleasing, and that's about all. The story is weak, predictable and has the depth of a Disney cartoon. Characters are one-dimensional and stock. Peter Pau can handle visuals though what he's done is virtually retreading old ground, but as a director he still lacks vision and the ability to astonish emotionally. Any astonishment is mainly from the way he handles visuals, rarely from timing or the way he works on the imagination. A triumph of set design over plot this is, but what set design, and what cinematography!

Overall this movie is an elegantly-shot with potential for greatness, but just becomes little more than a passably entertaining, shortchanging adventure by the end.

Rating: 5.6 out of 10

My name is Jo. I live in BKK. I've already seen the movie here in Thailand and I think it's great especially the Tibetan part. I'd say well done to Michelle Yeoh because she has done such a good job. I'm impressed. Keep on going, Michelle! We love you. This is a greeting from your fans in Thailand. " JO & FRIENDS "

"The Touch" is an adventure movie in the tradition of "Raiders of the Lost Ark". It tells the story of a Chinese family of artists who specialized in difficult jumps for many generations. Only such a jump, seeming impossible to anyone else, will make it possible to obtain a holy treasure. Two family members are kidnapped by a treasure hunter (Richard Roxburgh) to get the treasure for him. Yin (Michelle Yeoh), being the head of the family after the demise of her father, pursues them into the desert.

Genre movie without big surprises, but well made (except for the final fight which looks like computer game inspired green screen effects), featuring a female star who successfully avoids any Lara Croft similarities and uses her scarf both as a weapon and a swing rope. "The Touch" was shot in places where nobody else was allowed to film before. The landscapes of Tibet are impressive and make the movie more memorable than the thin plot deserves.

As a huge fan of Michelle Yeoh, I was waiting with baited breath to see a beautifully photographed movie with her as the star. An English language movie that was supposed to have world-wide appeal, proof to everyone that she had the true star power she already had for me and many others. While the photography was gorgeous and her strength in the lead role was obvious, the story was weak. Worse yet, the action scenes seemed too slow and "choreographed-looking." The attempts at humor were not only poor, but got really annoying. Worst of all, Michelle played the role of a wonderfully dynamic, good-hearted, woman who still loves a heel, a former love and father of their son. Ben Chaplin does a good job of playing the role of a self-centered, unreliable, untrustworthy crook with absolutely no redeeming value. I know in real life lots of women love the worst men, so there's no escapism here. But this movie makes it look like its cool to be a jerk, making it all the harder to watch. I bought the DVD for my Michelle collection. How many times I'll be able to watch it, I don't know.