IMDb RATING
7.2/10
23K
YOUR RATING
Kenichi and his uncle Shunsaku Ban must find the mystery behind robot girl Tima.Kenichi and his uncle Shunsaku Ban must find the mystery behind robot girl Tima.Kenichi and his uncle Shunsaku Ban must find the mystery behind robot girl Tima.
- Awards
- 1 win & 4 nominations total
Toshio Furukawa
- Skunk
- (voice)
Scott Weinger
- Atlas
- (English version)
- (voice)
Yuka Imoto
- Tima
- (voice)
Kei Kobayashi
- Kenichi
- (voice)
Kôki Okada
- Rock
- (voice)
Tarô Ishida
- Duke Red
- (voice)
Kôsei Tomita
- Hige-Oyaji
- (voice)
Norio Wakamoto
- Pero
- (voice)
Junpei Takiguchi
- Dr. Laughton
- (voice)
Takeshi Aono
- Ponkotz
- (voice)
Masaru Ikeda
- President Boon
- (voice)
Shun Yashiro
- Notarlin
- (voice)
Shigeru Chiba
- Lamp
- (voice)
Masashi Ebara
- Ham Egg
- (voice)
Takaya Hashi
- Lyon
- (voice)
Norihiro Inoue
- Atlas
- (voice)
Rikako Aikawa
- Fifi
- (voice)
Featured reviews
I knew little about this film but when I saw that it was going to be on television I decided to watch it; there is so little non-Ghibli anime on TV one has to take what one can get. When it started I knew this was going to be different; most of the characters didn't look like anime characters, they looked more like characters from western cartoons of the 1930s. This fitted in with the feel of the whole film which was a 1920s/1930s view of the future reminiscent of Fritz Lang's film of the same name.
Set in the city state of Metropolis where the robot underclass must stay in their designated areas and a scientist is building a robot that looks like a girl but is destined to run a new skyscraper known as the Ziggurat. Into this city comes a Japanese private detective and his nephew Kenichi who are seeking to arrest the scientist for organ trafficking. The state's de facto leader Duke Red's adopted son Rock is determined to destroy the robot thinking his father is replacing him. Rock starts a fire in the lab. During this the robot is activated and escapes with Kenichi although neither know that she isn't human. Rock continues to hunt them as the flee through the various layers of the city to a climax in the mysterious Ziggurat.
I loved the retro feel to the animation along with a sound track that also felt like it was from that time. The use of the song "I Can't Stop Loving You" during the climactic scene was inspired. Even if you don't normally like animation this is worth watching as it is a good story which is well told.
These comments are based on watching the film in Japanese with English subtitles.
Set in the city state of Metropolis where the robot underclass must stay in their designated areas and a scientist is building a robot that looks like a girl but is destined to run a new skyscraper known as the Ziggurat. Into this city comes a Japanese private detective and his nephew Kenichi who are seeking to arrest the scientist for organ trafficking. The state's de facto leader Duke Red's adopted son Rock is determined to destroy the robot thinking his father is replacing him. Rock starts a fire in the lab. During this the robot is activated and escapes with Kenichi although neither know that she isn't human. Rock continues to hunt them as the flee through the various layers of the city to a climax in the mysterious Ziggurat.
I loved the retro feel to the animation along with a sound track that also felt like it was from that time. The use of the song "I Can't Stop Loving You" during the climactic scene was inspired. Even if you don't normally like animation this is worth watching as it is a good story which is well told.
These comments are based on watching the film in Japanese with English subtitles.
I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.
The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
When I first saw this I was totally blown away by its beautiful animation and groundbreaking use of music! It really made me lyrical in a way few anime does - Rintaro and Otomo really has what it takes to make a masterpiece. The blend of charming old-fashioned technology and allusions to modern phenomenons makes it the perfect anime for the beginning of 21st century!
Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...
I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...
I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.
Did you know
- TriviaOsamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
- GoofsRock's costume disappears in the Throne of Power scene.
- Alternate versionsEnglish subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
- How long is Metropolis?Powered by Alexa
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $722,932
- Opening weekend US & Canada
- $84,660
- Jan 27, 2002
- Gross worldwide
- $4,035,384
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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