Devil's Playground

To a large extent, the inherent friction between America's central majority and diverse religious minority groups is controlled and channeled by a matrix of Constitutional Law principles. Court decisions insure that minority rights are protected against what often has been the mainstream's desire or perceived need to force assimilation or even attempt destruction through law or mob action. The latter has happened in American history with regard to the Shakers and Mormons. Both groups and Southern snake-handling churches have frequently encountered major legal restrictions. .

The Amish occupy a more protected place than some other Christian fundamentalists. Living in large communities side by side with the "english", as they call without distinction all others, their energy, excellent and desired produce and products and reputation for orderly, crime-free lives has insured respect. Temptation rather than persecution is the main foe of the Amish commitment to a simple lifestyle.

Director Lucy Walker's documentary, "Devil's Playground" is a rare but possibly too limited view of Amish life, largely in Indiana. The Amish covet their privacy and most members of the church do not allow themselves to be filmed or interviewed although strictures vary from community to community. Generally, the Amish eschew using much of the apparatus of American communal and political life. For instance, while they will not send children to public school past the eighth grade, relief from compulsory education laws through a Supreme Court decision only came about because several Amish parents passively permitted others to litigate on their behalf (Wisconsin v. Yoder).

"Devil's Playground" introduces the viewer to "rumspiga," the planned release off the parental and community leash of teenagers on their sixteenth birthday. According to the young men and women interviewed, virtually anything goes during an indefinite period of freedom that can end in a few months or go on to age 21. At some point each youth decides whether to embark on a life outside Amish society or take church vows that are considered inviolable once voluntarily assumed. Defectors are shunned by family and friends if they leave the church after taking the vows.

The film follows Amish youth to huge parties monitored by justifiably concerned Indiana police. Sex appears to be a route for some but dancing and excessive consumption of alcohol is a key activity for most, especially the males. Some fall into the world of drugs, including dealing. Faron, a clearly troubled young man, is followed by the camera crew from innocent flirtation and all-night partying to serious drug taking to felony selling. Subsequent threats to his life came after he cooperated with the police.

The females seem to be more hesitant about unshackling fetters than males. The boys all adopt everyday teen garb while the girls experiment with beer and cosmetics but largely remain clothed in traditional attire. Interestingly, many of the boys take on "english" girlfriends, a safety mechanism that actually lessens the likelihood of their permanently abandoning their community.

A number of Amish youths discuss their family relations and whether they will join the church or adopt a new lifestyle. Many comments have a rehearsed quality, not surprising when the speakers haven't been brought up to freely express themselves.

A postscript notes that some ninety percent of Amish youth resolve to join the church, giving up cars for buggies, t-shirts for bland work clothes and beer for juice. One clear clue as to why the retention rate is so high is the virtual total lack of intellectual curiosity or desire for education in the Amish youth population. What seems to be a period of genuine freedom is really a very clever release of people whose likelihood to question or rebel is suitably repressed rather than advanced by an episode of largely aimless partying.

What isn't clear from "Devil's Playground" is the extent to which Amish youth in general go as hog wild as the participants in the documentary. The young interviewees wanted the attention of the film-maker for reasons ranging from narcissism to a need to self-justify life-altering decisions. It would have been very useful to incorporate insights from non-Amish scholars, including psychologists, who could discuss the teens' experiences and responses in a measured objectivity.

But this is one fine documentary.

8/10.

I've seen this documentary twice now, at least 9 months apart. I think it needs to be seen a couple of times to really take different views within the film. It does leave me worrying about the pre-programming of young minds before they are fully able to disseminate the whole; I say this because of my upbringing in South Africa when the Apartheid regime was in full swing, and the potential 'programming' this could imprint on young minds. A bit of a departure from the Amish nature of the film, I know, but I could'nt help getting the impression from these young folk of the sense of 'helplessness' of their life choices and futures. That apart, a great film to be viewed a couple of times, and equally a super sound track that would be great as a CD release... so how about it folks?

Lucy Walker presents a view into a community that is rarely glimpsed by outsiders. The Amish community, tightly knit as it is, has little use for the "English" world outside. I was very intrigued by the premise of a film following young Amish people through the rite of passage of Rumspringa, wherein they discover what kind of people they want to be, and decide whether to join the Amish church.

The view given by Walker is largely unbiased; she presents the viewer with a portrait of several Amish youths and their decisions to join the church or to remain in the english world. The film focuses mainly on Faron, a youth who has gotten himself into trouble with drugs, and she does not judge him or criticize him. Rather, we see his actions and are told of his choices, and are left to draw our own conclusions and wonder what will become of him.

I found this film to be quite well done, and unlike some of the other reviewers, I don't think it felt staged or stilted. I found myself thinking about it long after I'd seen it, and wondering what had happened to the people whose lives it followed.

I recommend this film, and feel that as a debut, it is quite an achievement. Some of the moments actually reminded me of Harmony Korine's work; it has a subtle air of discontent and uncertainty. Well done. ****/*****.

In the Amish faith once a person reaches sixteen-years-old they are allowed to do something called "rumspringa" which loosely translates to "run free." The youth are allowed to experience the "English" world (non-Amish/non-Dutch world) and then decide if they'd like to get baptized and join the Amish Church, or leave the Amish community altogether.

"Devil's Playground" is about an Indiana Amish community and some of their youth experiencing rumspringa. I don't know if the youngsters shown are indicative of all Amish youngsters experiencing "rumspringa," but it sure was a wild scene. They were cutting loose and getting in as much partying, drinking, and vices as they could. The implication was that many of the Amish kids do that, get it out of their system, and then return to the slower more disciplined Amish lifestyle.

I thought the documentary was very informative and interesting, though it ran too long. After a while it focused on a few youth and was no longer about the Amish community anymore, but about some lost young adults who didn't know what they wanted to do with their lives. Perhaps the Amish tenets put them in that position by forcing them to decide between their friends and family and a whole wide unexplored world. It was quite the dilemma I'm sure.

this film is based around a fascinating subject; the amish custom of allowing every boy or girl who turns sixteen to do anything he or she pleases, no holds barred. apparently, the amish believe it is wrong to baptise infants, and that they're supposed to choose the amish way as free-thinking adults.

the opening titles explaining this raised my expectations, as did the movie poster: an image of a girl in an amish bonnet, sitting in the back seat of a car, lighting a cigarette. it felt like a stolen moment; like an exciting departure from everything she's been taught. what would teens like this do, give free rein for the first time in their lives? what would it feel like to taste the things that were always off limits?

well according to this movie, amish teenagers are just as debauched as anyone in western society; they have no qualms about doing anything at all; nothing seems exciting or new to them. they're just relieved that their nuisance parents are out of the way so that they can finally get on with their partying, driving and drugging.

and how do the parents feel about allowing their children to turn their backs on every value they ever taught them? that would be a challenging concept to any parent, let alone one in a supposedly closed, puritanical society. well, we'll never know, as the amish refuse to be filmed or photographed.

stripped of all the interesting questions, this remains a slick docu-soap in the mtv "real world" tradition, with no insights to offer; just a peek into the lives of a few amish teens, who may or may not be examples of anything larger than themselves.