A dissatisfied 40-year-old, separated and without time for his own daughter and girlfriend must rethink his life when his father decides to marry his mother, who suffers from Alzheimer's dis... Read allA dissatisfied 40-year-old, separated and without time for his own daughter and girlfriend must rethink his life when his father decides to marry his mother, who suffers from Alzheimer's disease, by church.A dissatisfied 40-year-old, separated and without time for his own daughter and girlfriend must rethink his life when his father decides to marry his mother, who suffers from Alzheimer's disease, by church.
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When I read the short description of this Argentinean film, "Son with broken marriage deals with his dads desire to renew marriage vows with his wife with Alzheimer's" I hesitated to watch it. I down loaded it to my Tivo because of it's three star rating, but had no great desire to re--live my mothers long decline into that particular abyss.
We had just started to watch "Out of Sight" a Hollywood product that had George Clooney meeting his co-star "cute" in the trunk of a getaway car. A contrived vehicle for brand name stars that delivered the audience and made a buck for the investors. That's the American way. We cut it off after twenty minutes and decided we may as well give this one a try.
Nobody met "cute" in this film. There is a son with a broken marriage and barely tolerable relations with his ex whom he kept in contact with over the shared love of their daughter. The demented mother, was depicted with just enough realism to give a taste of the true sadness of this disease, while not overwhelming the film with despair. Maybe it was extra meaningful to me, since my Mother was like her, the rare person who did not suffer from her illness, but bathed in some blessed contentment.
I will not try to go into detail why this film was so beautiful. When everything works perfectly, the writing, directing and the acting; all you have is the unfolding of the story on the screen. There is nothing to say about the people or their interactions--- they are just being themselves. In real life, we don't have heroes. The strongest people are those who can make the people around them feel good about themselves. If they are gorgeous they don't wear makeup to accentuate it. If they are rich they talk about a cheap meal they had a restaurant. And if they are very smart, they talk sports.
So, by watching this film, you get to spend a couple hours with these people. Nothing will be more enjoyable. And stay through the titles that roll at the end, there is one final joke that completes the experience.
Ricardo Darín from 'Nine Queens'. Darin plays Rafael, a driven
restaurant owner who's stressed lifestyle and continuous intake of
ristrettos and cigarettes earns him a heart attack. Lying in his
hospital bed he resolves to start 'a new cycle', simplifying his life.
This proves harder than he expects. Gorgeous younger girlfriend
Nat wants commitment, ex-wife Sandra heaps scorn on his
neuroses and his dapper father wants financial help in enacting a
touching gesture to his wife of 44 years: a proper wedding
ceremony.
Rafael is assisted in meeting these challenges by the appearance
of an old friend, Juan Carlos. Played with memorable comic
energy by Eduardo Blanco (a kind of Argentine Roberto Benigni),
Juan Carlos' loyalty and friendship - and the story of his own
triumph over tragic life circumstances - helps Rafael understand
the treasure he possesses without appreciating it: family.
It may sound kind of soppy, and at moments 'Son of the Bride'
does teeter into sentimentality, but on the whole this is a
consistently entertaining movie, the best of its kind I've seen in a
long time. The film's script is very nearly brilliant, stuffed full of bon
mots and witty asides, from the Padre describing his new speaker
system as 'omnipresent' to Juan Carlos' Jesus-Christ-as-
Maradonna joke.
But its quality lies in more than just a list of gleaming one-liners
and 'zingy' exchanges. There's acres of depth here too, in passing
observations about the universality of corruption in modern day
Argentina, to wry observations about the hypocrisy of the church.
Campanella covers a lot of bases - much more so than comparable comedies from the US - without ever losing his
lightness of touch. It's this that raises 'Son of the Bride' above the
mass and makes it a movie that I'm actually very keen to see
again.
Impossible not to like, then, and if the ending doesn't leave you
with a tear in your eye, you're a heartless swine.
I actually caught 'Son of the Bride' last night in a double with 'Nine
Queens'
Director Juan Jose Campanella knows these people. He is really on their side, for they have struggled all their lives to get the family restaurant to be successful. The son, Rafael, has problems making ends meet and his life is a mess. Not only his whole world comes crashing around him, but he cannot cope with the only person that really loves him for what he is, Naty.
His father, Nino, loves Norma, even though her mind is not here any more. He doesn't miss seeing her one day. He finally realizes, too late, that secretly Norma's desire was to have been married in the church, he didn't believe in during his youth. Now he wants to make amends by marrying the wife who cannot appreciate it because of her wandering mind.
The acting is superb. Ricardo Darin gives a fine performance as Rafael. Norma Aleandro proves once more why she's a great actress and Hector Alterio is very effective in a very subtle performance. Natalia Verbeke was a revelation as she stands by her man.
All in all, this was an enjoyable time at the movies.
The central performance of Rafael was a tour de force - this actor stands very strong beside the likes of Pacino, and I can imagine him in many of the earlier 'gangster with hidden depth' roles the latter excelled in. He was so believable as the 'godfather' neighbourhood restaurateur. The other principal actors were also brilliant, although in my opinion Eduardo Blanco as the comedic interest overegged and hammed a little too much in a couple of scenes, eg as bogus priest. But that is nitpicking in one of the most memorable romantic films I've ever seen.
I totally agree with one of the reviewers who compared and contrasted to the dreadful film travesty made of 'The Notebook'recently which missed all the buttons around Alzheimers and real people with real believable feelings and reactions. I also agree that while if this product had been American with J Nicholson, etc it would have been a surefire Oscar winner, it would actually have been ruined by the Hollywood treatment...
Thanks you Argentina, and I hope to see much more of Senor Darin before long.
The wedding and other story turns which I won't give away help the film turn gracefully from mostly a comedy in the early going into an outstanding drama in the later parts of the film. The performances are excellent by all of the actors, helping to make all of the characters seem real. While the photography is often attractive, I would not be surprised if the film was shot on 16 mm film or even high definition video and transferred to 35 mm film for exhibition.
This film was nominated for an Academy Award for best foreign film, which should have given it a higher profile than it seems to have gotten. It is highly recommended, and should not lose too much seen on home video, assuming it eventually shows up there.
Note that the star, Ricardo Darín, also stars in "Nine Queens," which is opening very soon in the United States.
Did you know
- TriviaOfficial submission of Argentina for the 'Best Foreign Language Film' category of the 74th Academy Awards in 2002.
- Quotes
Juan Carlos: He gave millions of people joy and then those same fans turned on him and "crucified" him.
Rafael Belvedere: Show's over. Stop talking about Jesus Christ.
Juan Carlos: Jesus Christ? I was talking about Maradona.
- Crazy creditsHalfway through the credits, we find Rafael and Juan Carlos watching a porn film and admiring it's particularly well-endowed star - the mysterious and elusive Dick Watson.
- ConnectionsFeatured in 74th Annual Academy Awards (2002)
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Son of the Bride
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- Production companies
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Box office
- Gross US & Canada
- $624,757
- Opening weekend US & Canada
- $34,231
- Mar 24, 2002
- Gross worldwide
- $8,772,695
- Runtime
- 2h 3m(123 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1