Dil Chahta Hai

Less is more in Farhan Akhtar's 'Dil Chahta Hai'. Strip away melodramatic plots which always drag on longer than they are supposed to. Get rid of unbelievable protagonists who have all the answers and can fight off a horde of villains. Have no 'villains' to speak of, with the exception of the dude engaged to the girl you fancy, who acts like a bit of a prick.

Build a story about the people you spend most of the time with - your friends, your dawgs, your posse, and ponder how you guys are going to sort out the really important things in your life. Like falling in love. Cracking on your friend who seems to fall for every girl he sees. Or your sensitive friend Sid who is in love with a much older woman - is he crazy? Wince as two of your best friends get into a very heated argument which splits them up and wonder what you will do now that you're caught in the middle. Hope for love and friendship to find a way through to reconciliation.

Make a smart movie, without elaborate dance pieces set to a sweet soundtrack that remains in the top 10 a year after the film's release. In fact have a song that parodies the 'running around trees' segment that every other Hindi film since the 1950s has had and that the guys at school used to kid about. I mean, guys don't express their love for girls that way! Keep out guns, drugs, politics, strife, and family melodrama. Lace up your script with generous doses of humor which brings to light the hereunto underused Saif Ali Khan. Finally make sure the 'heroes' have shown some growth at the end of it. Of course it's been done to death in LA. That it could have been done so well in Mumbai is the astonishing thing.

Finally, make reality cool again. Whatever your heroes wear, however they cut their hair, right down to the way they interact has to be believable. Make short hair and a goatee beard the national craze amongst guys. Put some real thought into color coding and matching outfits and give a laid-back style to the proceedings.

Welcome "Dil Chahta Hai". The film that has had the largest influence of the look and hopefully the story of the biggest Bollywood films to follow it. A film that many people have been able to relate to. It seemed so obvious until Farhan Akhtar did it. Now watch how his ideas permeate through Bollywood.

Here's looking forward to "Don" in 2006.

Dil Chahta Hai Starring: Aamir Khan, Saif Ali Khan, Akshaye Khanna, Preity Zinta, Sonali Kulkarni, Dimple Kapadia and Ayub Khan Director: Farhan Akhtar Music: Shankar-Eshan-Loy Released. Debutant director Farhan Akhtar's (son of Javed Akhtar and Honey Irani) Dil Chahta Hai is the story of three friends and their respective thinking of love. It has a new, trendy and youthful look, completely different from the standards norms of the Bollywood film.

Akash (Aamir Khan), Sameer (Saif Ali Khan) and Siddharth aka Sid (Akshaye Khanna), three close friends, have completed their education and are on the threshold of life. Akash does not believe in love. He is a flirt and his love affairs do not last for more than a month. Sameer believes in love. He is always carrying his heart on his palm and falling in love every time. But he still has not found that special girl. Sid, a painter, is the most sensitive and mature among the three. He knows the true meaning of love. He finds love in everything, everywhere and everytime.

All three are enjoying life. Then comes the twist when Sid falls in love with older woman Tara Jaiswal (Dimple Kapadia), an interior designer, who is a divorcee. Akash is not able to understand the depth of Sid's love and hurts his sentiments for which Sid slaps Akash, thus creating a rfit between the two friends. Sameer tries to bridge the gap but is unsuccessful.

Sid leaves for a painting workshop at Kaushali. Akash leaves for Australia for his dad's business. On the flight, he meets Shalini (Preity Zinta), who he had briefly known earlier. Their friendship slowly blossoms into love. Meanwhile Sameer also finds his special girl in Pooja (Sonali Kulkarni), whom he wants to marry. Time has passed. All three friends are again in the same town -- but things are different for them now.

Full marks to director Farhan Akhtar for giving a completely new and fresh look to the film in his debut film. The storyline is different from the run-of-the-mill fares which we are used to seeing for such a long time. Farhan is a welcomed entry in the list of talented and young directors. He has also dared to be different. He has taken care of the minutest details in the film. Technically, the film is no way behind some of the best Hollywood movies.

Now the performances -- all the three leads are fabulous. They all fit their roles to a T. Aamir Khan as expected is the best. He is too good in the comic scenes and is excellent in the emotional scenes also -- especially in the scene when he breaks down on the phone while talking to his father. He definitely is the best among the current lot who does his work with precision and utmost dedication. Saif Ali Khan is a wonderful surprise in this film. This is his career-best role and one cannot imagine anyone else playing Sameer's role. His sense of timing and facial expressions are very natural and makes Sameer a very adorable character in the film.The least significant role was of Sameer but Saif made it very important. Now comes the final winner -- Akshaye Khanna. An actor-par excellence and very natural in front of the camera, Akshaye has played the role of Sid to perfection. His emotions and expressive face say a lot. He has given a spell-binding performance. Preity looks great in her new look and has acted well. Sonali Kulkarni is wasted and Dimple Kapadia still looks gorgeous and plays her role well.

Music and the picturisation of the songs flow with the mood of the film. The locales of Sydney and Goa have been brilliantly shot. The first half of the film has some of the light good moments. The second half is filled with emotion though the Aamir-Preity affair has been stretched a lot thus making the film a bit lengthy. But one thing is sure -- Bollywood has got one more talented director in Farhan Akhtar.

Farhan Akhtar's Dil Chahta Hai is a true example of cutting-edge cinema. It is a groundbreaking film in that it realistically portrays the life of Indian upper-class youth and shows the urban and modern India in the most precise way through the story of three close friends and their experiences. The characters are real and very easy to relate to, the dialogues are simple and genuine, the proceedings are dramatic yet realistic, and the film is extremely interesting and entertaining. The film is emotional, but it never goes over-the-top. Farhan Akhtar makes an impressive directorial debut. His excellent direction is aided by extraordinary music, brilliant cinematography, effective editing, fantastic city locations and some very impressive performances by the ensemble cast. The camaraderie between the three friends looks most real and believable. I can't recall any other Indian film I've seen before or after Dil Chahta Hai which portrayed true friendship as well as this one.

Aamir Khan, though initially seems to be miscast in the role of the completely cynical womaniser Akash, demonstrates a very fine versatility in this role and successfully shows the gradual growth in his character with depth and humour. Saif Ali Khan, in his best performance up until that point, is just brilliant as the insecure and very kindhearted Sameer. He displays confusion and fear with great conviction and a fantastic pinch of comedy. Akshaye Khanna is outstanding in this wonderful dramatic role of a serious and sensitive guy who falls for a woman much ahead of his age. Preity Zinta is marvelous as Shalini and skillfully sensitises her character. She plays the part with grace and restraint, and her inner feelings are perfectly understood thanks to her expressive eyes. Dimple Kapadia adds another accomplished performance to her vast repertoire. Sonali Kulkarni's real talent is unfortunately wasted, though she does try to do the best of what she is given.

Overall, Dil Chahta Hai is a remarkable picture about life, and it should provide a great deal of quality entertainment to each and every viewer, whoever and wherever he is. A great film which is according to me the best Hindi film of 2001.

DCH is like a breath of fresh air. It shows how bringing youth into an industry is always a good thing. Just compare this film with Yaadein, from Bollywood veteran Subash Ghai.

Where as Yaadein is probably one of the worst things to come out of a camera, DCH is one the best. It's just one of those films you'll find hard not to like, basically because it's exactly how the medium of Indian films should be used.

Rather than just cut and paste a song into the film, the filmmakers have done very well to make each song feel wanted, visually interesting, and they never drag. The result is a near 3hr film that just flies by. Comedy, Drama, Great Songs, love stories that work, and some truly excellent casting. Everyone carries the film, and the 3 guys, Safi, Akshay and Aamir are too good together!

Hopefully this film is a wake up call to the rest of Bollywood, who seem to be obsessed with unoriginality. Technically DCH can easily stand up against anything from the West. Editing, Directing, Cinematography, lighting, set design -- everything just works so well.

Sometimes Bollywood can produce some truly great films, and this is most definately one of them!! You must watch it.

Indian movies tend to have a reputation for (a) being musicals and (b) having overmodulated, distorted sound tracks, as if everyone was singing and playing through a guitar fuzzbox. Fuzz is fine in its place (heavy metal rock music, for example) but a surfeit of it can readily wear down the listener.

Dil Chahta Hai is a welcome breath of fresh air in the genre. It does have musical numbers but they're very pleasant on the ear, as is the sound track in general - modern musical styles, in some cases mixed with more traditional musical instruments (even a didgeridoo, the presence of which is explained below).

I have an absolute hatred of musicals so for me to find this movie likable it really has to be something special. The awards it has already won demonstrate that it IS something special.

The storyline is a little convoluted (which may explain why it takes 3 hours to run its course - around twice as long as its western counterparts, although Indian audiences may prefer the much longer format) but the acting is excellent throughout and the viewer is kept interested as the multiple interwoven plots twist and turn.

This movie demands concentration though, to get the whole picture. There is a good deal of spoken English mixed with Hindi, so the subtitles are a must for those who don't understand Hindi, but the English speech is not often mirrored in the subtitles, so one must both listen carefully and watch carefully in order not to miss a beat.

The subtitles themselves are not perfect, using unusual punctuation at times to emphasize a point (a word bracketed by a plus or minus symbol on one side and a two thirds fraction on the other takes a little time to absorb, for example).

But these are only minor niggles. This movie is richly textured and provides a visual a feast throughout, especially if, like me, you are not familiar with the sights and sounds of places like Bombay and Goa. A good part of the movie is also set in Sydney, Australia, providing plenty of material to keep the interest going (and hence the presence of the aboriginal instrument noted earlier).

This is very much a westernised production, with characters and behaviours that are possibly harder for traditional Indian audiences to identify with; I had no difficulty though with identifying with the three main male characters - three guys who are firm friends and have been for some years, and who may separate but somehow always manage to come back together when circumstances demand it. This kind of theme is pretty universal - the British TV series "Last of the Summer Wine" operates along pretty much the same lines, albeit fifty years on.

One of the themes is the conflict between traditionalist parents and modernist offspring (in particular the arranged marriage) and the author leaves the audience to make up their own mind about which is "right", but maybe with a slight nudge in the direction of the traditionalists.

The only gripe I have is with the choice of the anglicised title "Do Your Thing" for the US market. I think that totally misses the point of the movie. From the subtitles, Dil Chahta Hai translates as "The heart wants...", which would be more accurately and pertinently translated as "What The Heart Wants...".

In other words, the storyline is more about following your heart in love than it is about leading a self-indulgent life (which, obviously, these characters do most of the time - courtesy of being very well off and generally able to please themselves what they do; not quite the little rich kids, but verging on it).

This movie is that rare beast, a guy flick that is also a chick flick. Guys will enjoy watching it for the macho moments, girls will enjoy it for the soulful scenes (and the fact that the women generally behave with more maturity than the guys) and the weepy bits.

All in all a very enjoyable, watchable movie. If this is a new direction for the so-called Bollywood cinema, then it is very welcome and I would like to see more of the same.

As a professional writer I'd even be interested in contributing to that new direction...