Histoire d'hommes à Pékin

I found this particular film very moving. Regardless of the the way the two characters meet for the first time it is about relationship, not sex. (despite Handong, struggling to perceive it the other way around). Nice and subtle, seem bereft of any cheap cinema tricks. I guess that goes back to the Asian culture towards homosexuality and is the reason why I prefer Asian gay-themed movies to European or north American main stream production. I wish there was more of this kind of movies portraying man to man relationship as based on feelings rather than sex. Stanley Kwan joins Ang Lee in leading the way... In my opinion, along 'Farewell My Concubine' the best gay-themed Chinese movie.

I expected something tepid and tormented, like "East Palace West Palace" and instead found a wonderful drama about the China of the 80s and 90s.

A successful businessman sees, at a fancy party, a young man brought to the party by another attendee. He and a co-worker decide to pounce: they take him (Lan Yu) out and treat him royally. The young man winds up staying with the businessman, who gives him money, but is ambivalent about whether he wants to see Lan Yu again. He feels that he can have relationships and remain unattached.

Lan Yu shows up periodically over the course of years, and the businessman gives him larger and larger gifts, including a fancy house in the suburbs. But the businessman meets a woman who translates for him in a deal he's making with Russians. He decides to marry the woman. Lan Yu will not put up with it and refuses to see the businessman.

The businessman's shady deals get him into trouble, and he loses almost everything. Then Lan Yu comes back into the picture and . . . (I'll leave it there).

Besides being a wonderful melodrama, this is also a hot gay film. Full frontal and dorsal nudity, some sex. The men are hairless and sexy, but real. Lots of kissing.

And all the time you're wondering: did they actually film this in China? Do they allow this in China? How did they get away with this....It must have been filmed in Hong Kong. Well, according to the Sundance website, this was filmed in China, and based on a short story that appeared only on the Internet.

It's by far my favorite Chinese movie, and if you're interested in gay life in the new China, this is the one to see.

I really wanted to like this movie. The actors are good looking, honest and real, and the very fact that it is a Chinese film is intriguing. However well intentioned this film was, I believe that it fell quite short of its mark.

The story is of two guys who have a relationship; there is not much new here. Although there are some wonderful uses of interesting camera angles and a decided lack of score, Lan Yu was not able to unify these elements into an effective picture.

Don't get me wrong, however, the film was quite interesting. But when I left I felt cheated; the ending is a huge disappointment, and the entire intermittent narrative voice is really unnecessary. Although well intentioned, this film gyrates between excess sentimentality (Chinese film style,) and touching humor; although some movies can pull these two strains together, this one could not.

Whereas other reviewers have stated a great emotional complexity, I caught no such vibe from either of the main characters. Unfortunately, I really did not care that much about either of them, and was unable to believe that their love was as great as they both proclaimed at various times. Although sweet, this movie was really just fluff lite.

I went to see "Crouching Tiger, Hidden Dragon" with a young Chinese man who said to me, as if I didn't know this, "Of course it has a tragic ending. It's Chinese!" That awakening, plus seeing the movie in a Chinese filled theatre, taught me something. I rented "Lan Yu" expecting a Chinese movie. I didn't get one. There were no intense cultural overtones, just references. Mao, Tiannimen Square, Russians, yes. The matriarch's New Year's dinner was the closest thing to Chinese culture. But, of course, Beijing and Hong Kong are cosmopolitan. The plot even makes fun of Lan Yu being thrust into the city from the country.

I put this movie in the category of "Parting Glances," "Steam," and "Love, Valor, Compassion," definitely not "Philadelphia." That's a high compliment for me. I've seen boring, "go for the audience impact" Gay movies. This isn't one, thank goodness. It's a love story with the complexity of approach/avoidance conflict, embraced by friends who are straight, even though the story is about Gay love. And it's about one-sided love, growing love, fearing the loss of love, committment anxiety, and all that, the same as in straight relationships. It has acceptance and tolerance and is totally devoid of sneers from the homophobic thrown in to thicken the plot.

The character development is a little sparse, but actually we learn about them quickly. There's no long wind up. Skillful! The character depth is what grows. Lan Yu grows. His lover doesn't, until it's too late.

The direction and photography were subtly superb. I didn't catch on until far into the film how good the photography was and placement of the characters. The acting was excellent -- or was it their direction?

How interesting that the clearly more submissive character is the stronger one.

Did those who hated this movie notice all of that, or are they jaded? I wouldn't like to be at a play or movie with them.

Wonderful movie. I cried. I laughed. I'm still feeling it. Very few movies do that to me.

I cried while watching it, and I don't know if I was crying about my life or the movie. "Rainbow Shy and Afraid to be on Camera" kept feeling like it was a bad ending, and near the end thought it was a happy ending, but it almost can be seen as a good ending. The square was mentioned over and over again and I kept wondering if it was really just a romance movie.