In a remote space observatory perched high in the Sierra Nevada Mountains, a needle frantically scratches erratic lines on a strip chart recorder confirming an extraterrestrial signal. Emmet... Read allIn a remote space observatory perched high in the Sierra Nevada Mountains, a needle frantically scratches erratic lines on a strip chart recorder confirming an extraterrestrial signal. Emmett Shaw, the powerful, charismatic billionaire who owns the observatory, rushes to the stat... Read allIn a remote space observatory perched high in the Sierra Nevada Mountains, a needle frantically scratches erratic lines on a strip chart recorder confirming an extraterrestrial signal. Emmett Shaw, the powerful, charismatic billionaire who owns the observatory, rushes to the station, hungry to expose the discovery. This is the biggest moment in human history, and he i... Read all
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The idea of the signal and the question of its origin is a sturdy enough hook to hang a plot upon. The story is not the problem, but the means that are employed to tell it certainly are. The first sign of trouble is when the military shows up at the observatory. Naturally a storm soon follows - is there some rule in Hollywood that people must always be trapped in remote locations by thunderstorms? Once the debate about the signal starts...it goes on..and on, for almost the entire movie. For folks who are stuck in a tense situation far from anywhere and who don't trust each other, the characters act remarkably calm and there is far too much talking and too little action. One of the biggest mysteries is why for such an important character - she's the only one with overt psychic ability - the part of Vasquez is so woefully underwritten. It seems that she has only two lines in the whole movie - a total waste of a very fine, sultry performance by Ramona Milano.
Gossett Jnr is passable as the army honcho - it's not like he hasn't had previous experience in such a role - but the only other solid acting comes from Judd Nelson, who gives a workmanlike performance as Jack (not Jake!) Jones. He valiantly tries to carry the film for its duration, but the tepid script sinks his efforts. It doesn't help that Michelle Nolden's performance as the devout love interest fails on practically every level. Most of the other leads fall into stereotype - feisty female reporter - or caricature - the preacher who likes his food.
Basically, this film is such a disappointment that you might be well advised to send a signal of your own to the TV set - and watch something else!
There are other movies that preach "New Age" beliefs and aren't treated this poorly. Is it possible that people are letting their beliefs taint the reviews just a little? Yes this IS a bad movie, but some people actually do enjoy watching them. Why not just enjoy it for the poor qualities you would judge any other film?
As for whether its Sci-Fi, I've seen Ghost, The Flintstones and The Mainitou listed under Sci-Fi. Unfortunately an argument could be made for their inclusion. Now if there were an accepted category of Christian movies I might agree with moving this there. There isn't, so why quibble? Again just look at it like any other B movie and get off the Anti-Christian rhetoric.
Did you know
- GoofsFletcher stabs through the closet door several times while looking for Jack. When Vasquez pulls the door off its hinges a few seconds later, it is completely undamaged.
- Quotes
Kara Walsh: I open a bag of chips and this lunatic starts hacking at me!
Reverend Jeremiah Fletcher: Those chips were *mine*!
- ConnectionsReferenced in Best of the Worst: Night Beast, Trick or Treat, and Skull Forest (2013)
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- 1h 35m(95 min)
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