A snooty socialite is stranded on a Mediterranean island with a communist sailor.A snooty socialite is stranded on a Mediterranean island with a communist sailor.A snooty socialite is stranded on a Mediterranean island with a communist sailor.
- Awards
- 8 wins & 8 nominations total
George Antoni
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- (as George Yiasoumi)
Anna Cachia
- Fishmonger
- (uncredited)
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Featured reviews
and forget this. Completely. If you really need to see Madonna act, rent "Body of Evidence", at least Willem Defoe is in that one.
In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.
If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.
In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.
If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.
Madonna, you cannot act. I'm sorry, but some people have the chops, and some people don't. If you don't have the chops, there are ways to overcome those limitations, but not nearly enough if you want to play the lead, and the lead in a romantic comedy no less (and I use that term loosely here, there is nothing romantic or funny about this movie, and I had just eaten a magic brownie 2 hours earlier). Please get it out of your head whatever aspirations you have of being a movie star, and stick to doing what it is you do best, which seems to be reinventing yourself every odd year or so.
It's another Madonna film: does anyone really need to know more?
The only thing worse than Madonna trying to be funny is Madonna trying to be serious.
The only thing worse than being trapped on a desert island with Madonna is being trapped on a desert island with Madonna and a film crew.
In 2002, the only thing worse than Madonna in SWEPT AWAY was Robin Williams in DEATH TO SMOOCHY.
The only thing worse than watching Madonna in any movie is trying to come up with new ways of saying she can't act.
The only thing worse than Madonna trying to be funny is Madonna trying to be serious.
The only thing worse than being trapped on a desert island with Madonna is being trapped on a desert island with Madonna and a film crew.
In 2002, the only thing worse than Madonna in SWEPT AWAY was Robin Williams in DEATH TO SMOOCHY.
The only thing worse than watching Madonna in any movie is trying to come up with new ways of saying she can't act.
I really wanted to like this movie because the critics have been unkind
to it (to say the least)... but it was terrible. Really terrible. Badly
acted, a witless script, cack handed direction... Watching this film was
like watching a car crash- you want to look away but you keep staring
because you want to see how messy it's going to get. Well, the car is
wrecked and there are no survivors. On the plus side, the cinematography
was nice, made me want to go on holiday, if only to cleanse myself from
this unholy
to it (to say the least)... but it was terrible. Really terrible. Badly
acted, a witless script, cack handed direction... Watching this film was
like watching a car crash- you want to look away but you keep staring
because you want to see how messy it's going to get. Well, the car is
wrecked and there are no survivors. On the plus side, the cinematography
was nice, made me want to go on holiday, if only to cleanse myself from
this unholy
In 1974, Lina Wertmüller brought out "Swept Away". It was a very usual film and it was an interesting parable about the class system. This movie was quite good...and rather shocking when it came to sexuality (this remake is far less explicit). And, in 2002, an unnecessary remake came out that was not so good...and fans hated it...hated it so much that it's currently #84 on IMDB's imfamous Bottom 100 list. This list consists of the lowest rated major motion pictures...ever! So is this remake that bad? Could it be?
In the original film, a spoiled rich lady is aboard a yacht and she treats the crew very badly. When she and a crew member are washed overboard, they find themselves stuck on a deserted island...and the class difference between them is sorely tested. Here, the plot is very similar though Madonna's character is even nastier and irritating...and to everyone...so much you wonder how she could have a husband and friends. I think they tried a bit too hard to make her unlikable...to the point where it seemed almost cartoonish....sort of like having Cruella de Ville aboard! Subtle, it sure ain't!
So, apart from Madonna playing the character too harhsly, what else was I not fond of in the film? Much of it is that in the original film, the story was about the couple. Here, however, it often seems to be more about Madonna. Not only does the film focus more on her, there's even a totally inappropriate and silly song and dance number...on the desert island...complete with a band!! Do I blame her for this? Not necessarily. The script was written by her husband at the time as well as directed by him. Ultimately, the blame would be Guy Ritchie's for having the part written so poorly. Oddly, the rest of the script is fine...and a lot like the original. Now I've seen several amazingly good Ritchie films...and perhaps it is just an example of why you shouldn't give your wife a starring role, as in this case he seemed to make it look more like a vanity project than a good remake. Overall, watchable and not as bad as its appearance on the Bottom 100 would suggest...but still a not especially good movie...especially because they changed the ending...thus neutering its message about class warfare! Instead, they avoided the anti-capitalist message and made the story all about love...and Wertmüller was apparently horrified that they'd done this.
By the way, casting Adriano Giannini as Giuseppi was really interesting, as his father, Giancarlo, starred in the original "Swept Away"--playing the same role (though the character's name was changed).
In the original film, a spoiled rich lady is aboard a yacht and she treats the crew very badly. When she and a crew member are washed overboard, they find themselves stuck on a deserted island...and the class difference between them is sorely tested. Here, the plot is very similar though Madonna's character is even nastier and irritating...and to everyone...so much you wonder how she could have a husband and friends. I think they tried a bit too hard to make her unlikable...to the point where it seemed almost cartoonish....sort of like having Cruella de Ville aboard! Subtle, it sure ain't!
So, apart from Madonna playing the character too harhsly, what else was I not fond of in the film? Much of it is that in the original film, the story was about the couple. Here, however, it often seems to be more about Madonna. Not only does the film focus more on her, there's even a totally inappropriate and silly song and dance number...on the desert island...complete with a band!! Do I blame her for this? Not necessarily. The script was written by her husband at the time as well as directed by him. Ultimately, the blame would be Guy Ritchie's for having the part written so poorly. Oddly, the rest of the script is fine...and a lot like the original. Now I've seen several amazingly good Ritchie films...and perhaps it is just an example of why you shouldn't give your wife a starring role, as in this case he seemed to make it look more like a vanity project than a good remake. Overall, watchable and not as bad as its appearance on the Bottom 100 would suggest...but still a not especially good movie...especially because they changed the ending...thus neutering its message about class warfare! Instead, they avoided the anti-capitalist message and made the story all about love...and Wertmüller was apparently horrified that they'd done this.
By the way, casting Adriano Giannini as Giuseppi was really interesting, as his father, Giancarlo, starred in the original "Swept Away"--playing the same role (though the character's name was changed).
Did you know
- TriviaWhen the studio screened À la dérive (2002) for Lina Wertmüller, the director of the original film, it is alleged that she left the theatre at the end crying out: "What did they do to my movie? Why [did] they do this?"
- GoofsThe wine bottle changes as Amber does charades.
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
- SoundtracksCome On-a My House
Written by Ross Bagdasarian and William Saroyan
Published by Armen Bagdasarian (ASCAP)
Used by kind permission of Universal/MCA Music for World (Ex. USA & Canada)
Performed by Della Reese
Licensed courtesy of RCA Records and BMG Entertainment International UK & Ireland Ltd.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Insólito destino
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $598,645
- Opening weekend US & Canada
- $354,052
- Oct 13, 2002
- Gross worldwide
- $1,036,520
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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